tag:blogger.com,1999:blog-16261495133125808382024-03-17T23:03:09.372-04:00CULTURALMENTE INCORRECTO"CULTURALMENTE INCORRECTO" es un Blog Multimedia donde el Entretenimiento, el Arte, la Cultura en todas sus formas y sus Protagonistas puedan expresarse y lo que es mas importante: EXPONERSE & DIFUNDIRSE.
Un Nuevo Espacio donde se publica y da a conocer lo que no es “culturalmente correcto” ,“vendible” o considerado “demasiado sofisticado” para los medios masivos de comunicacion en general.CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.comBlogger873125tag:blogger.com,1999:blog-1626149513312580838.post-11429737646072938892019-09-09T19:43:00.003-04:002019-09-09T19:44:55.279-04:00"Ekstasis" : Un concierto multimedia de Kaia Saariaho & Jean-Baptiste Barrière. Blu-ray Review<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Por</span></span></b></span></div>
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<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></span></b></span></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><iframe allow="autoplay; fullscreen" allowfullscreen="" frameborder="0" height="360" src="https://player.vimeo.com/video/286655906?portrait=0" width="640"></iframe><br /><a href="https://vimeo.com/286655906">"EKSTASIS"- Blu-ray & CD (ext.)</a> from <a href="https://vimeo.com/user88791818">Jean-Baptiste Barrière</a> on <a href="https://vimeo.com/">Vimeo</a>.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAskz83uYvlzx-IMW8ducpiz5_TQhul8cEZCComhjUyPDVpvyWsm3C-0rOIVpe_Nb0zADb-xqW_-nopHow27sRU2TPxiOo_P3FbPYXXhDtmLA1zewNQ9SeZK1-CMsT3hwl9pj2JISXysFw/s1600/EKSTASIS+BLURAY.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAskz83uYvlzx-IMW8ducpiz5_TQhul8cEZCComhjUyPDVpvyWsm3C-0rOIVpe_Nb0zADb-xqW_-nopHow27sRU2TPxiOo_P3FbPYXXhDtmLA1zewNQ9SeZK1-CMsT3hwl9pj2JISXysFw/s400/EKSTASIS+BLURAY.jpg" width="400" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Naxos
USA lanzó al Mercado americano la edición en firmato blu-ray + CD (set) de
“Ekstasis”, una colaboración multimedia entre Kaija Saariaho y Jean-Baptiste
Barrière. Consta de seis piezas: Tres fueron escritas por Saariaho con los
elementos visuales añadidos más tarde por su esposo. Las obras de Barrière
fueron concebidas desde el principio como piezas multimedia.</span></div>
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--><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"></span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Las
tres piezas de Saariaho son lo primero. Nocturno para violín solo, que es la
única pieza que no incluye electrónica. Es ejecutado por Allisa Neige Barrière
y es una especie de meditación para técnicas de violín. El elemento de video es
como un violinista semi-superpuesto en un estanque ondulante. Es típico en
todas las imágenes. Una imagen se combina con otra imagen, intérprete y
elemento de paisaje. Las imágenes se fusionan y parpadean de una manera
caleidoscópica.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEWQ69EEvK6yswUgjjc1i_qC-Feknv05O85CJ4yrxMMVRGynP0xSWYOgykTYRemSyZxdFYIdLo3-D3GtbWax7gapn9oK-rGo7xCA2yQopKWc2SW4Bic9FkxUivxcvZaxCFsbbkL7hP6n08/s1600/EKSTASOS+CULT+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="580" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEWQ69EEvK6yswUgjjc1i_qC-Feknv05O85CJ4yrxMMVRGynP0xSWYOgykTYRemSyZxdFYIdLo3-D3GtbWax7gapn9oK-rGo7xCA2yQopKWc2SW4Bic9FkxUivxcvZaxCFsbbkL7hP6n08/s640/EKSTASOS+CULT+1.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Noa-Noa
está inspirada en los diarios de Gauguin y el interés de Sariaaho en el
grabado. Combina la flauta (Camilla Hoitenga) con imágenes de varias combinaciones
de flautistas, un grabado en madera, flores y páginas de revistas. Combina el
texto occitano cantado por la soprano Raphaēle Kennedy con el canto de los
pájaros y voz masculina que lee el texto. Las imágenes aquí son una
superposición de estilo de retratos de la cantante con manuscritos medievales
que se vuelven más abstractos antes de mover al cantante al costado del cuadro
y finalmente ir al paisaje. Nos da la sensación de un viaje desde una idea
hasta su realización.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbLACdfaRpgVm7B8tSAQGgzKu9NkveigMav4V9B3dWAyIXK-NSO0NVzkztirJJUNn1B8aFmzhF-91ZRwHbHxCidAWg8CB20id1WL8ABBvQxc4RTPSgqplEpMbx3kMgP6Dvf6IXFHO6-wiI/s1600/EKSTASIS+BACK.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1070" data-original-width="1200" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbLACdfaRpgVm7B8tSAQGgzKu9NkveigMav4V9B3dWAyIXK-NSO0NVzkztirJJUNn1B8aFmzhF-91ZRwHbHxCidAWg8CB20id1WL8ABBvQxc4RTPSgqplEpMbx3kMgP6Dvf6IXFHO6-wiI/s400/EKSTASIS+BACK.jpg" width="400" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Las
piezas de Barrière son bastante diferentes, dos de las tres realmente comenzienzan
con imágenes y la tercera con texto. Hay dos obras inspiradas en Bruegel /
Maeterlinck. Crossing the Blind Forest está inspirado en Les Aveugles de
Maeterlinck, a su vez basado en la parábola de los ciegos de Bruegel. Está
calificado para flauta baja, flautín y electrónica. Pone a la flautista Camilla
Hoitenga a prueba usando la gama completa de sus instrumentos para crear la
impresión de las flautas como "líderes" del grupo de personas ciegas.
Las imágenes son bastante abstractas; un bosque brillante, el flautista,
espirales de color.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDnWnY7zzZG9S2DokFXhEWk6lVrzOfzRVDZzKr7mRLQQ1qLHClOZtPkYFPCSpY0PtHh1EGKWp9MercnK3jT3RWN8uC4-THJAJFaHySvu1HvBEVsdEc93LO90xcn_Zhwr23CDVx7JI-tC-p/s1600/EKSTASOS+CULT+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="580" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDnWnY7zzZG9S2DokFXhEWk6lVrzOfzRVDZzKr7mRLQQ1qLHClOZtPkYFPCSpY0PtHh1EGKWp9MercnK3jT3RWN8uC4-THJAJFaHySvu1HvBEVsdEc93LO90xcn_Zhwr23CDVx7JI-tC-p/s640/EKSTASOS+CULT+2.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"></span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Violance
se basa en la Masacre de los Inocentes de Bruegel y el hecho notable de que
Maeterlinck lo inspiró. Combina la palabra hablada (el texto de Maeterlinck)
con el violín, la Sra. Barrière nuevamente), la electrónica y las voces de los
niños. Las imágenes combinan un bosque nevado y Bruegel pone su rostro como
narrador en su mayor parte. Es una pieza extraña y escalofriante.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeovvm2b75DqagXDZ5hO1XsjYRPCVOMXbYaMg2BeIDEngllmK8hX18L4VBfhvsb_iUY9Rfh2BhKb6CIEg_9YftaIV1To3ynpwjTMq2y1nVpV1q6Uskrqdb2eGZT6UFbqdVpzVV3JWgtlzy/s1600/EKSTASOS+CULT+6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="580" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeovvm2b75DqagXDZ5hO1XsjYRPCVOMXbYaMg2BeIDEngllmK8hX18L4VBfhvsb_iUY9Rfh2BhKb6CIEg_9YftaIV1To3ynpwjTMq2y1nVpV1q6Uskrqdb2eGZT6UFbqdVpzVV3JWgtlzy/s640/EKSTASOS+CULT+6.jpg" width="640" /></a><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"> </span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Ekstasis
está inspirada en las obras de Simone Weil y Louise Michel. Está realizado para
soprano (Kennedy) y electrónica. Las imágenes son más violentas; imágenes cósmicas;
agua y llamas, en su mayor parte. La música también se vuelve más densa y más
fuerte a medida que avanza la pieza. Se construye a un clímax casi frenético
cuando llega a su conclusión con el de Michel; Si el amor es insuficiente para
garantizar la fraternidad, todo lo que queda es el odio.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqnU8TFq3PjF-ZwIynzDcCaNDoIYNnAaVJuHanpNn82Z6hNc0brZe8wGQF8Dc932n-JXb9bCHJuWksJLudqz8Y5EIo5gzihGqLvegY801KVyFLSmQuqtW7y5IYi-rJ84x6lAKMtAhcyvi_/s1600/EKSTASOS+CULT+5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="580" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqnU8TFq3PjF-ZwIynzDcCaNDoIYNnAaVJuHanpNn82Z6hNc0brZe8wGQF8Dc932n-JXb9bCHJuWksJLudqz8Y5EIo5gzihGqLvegY801KVyFLSmQuqtW7y5IYi-rJ84x6lAKMtAhcyvi_/s640/EKSTASOS+CULT+5.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">La
diferencia de enfoque entre los dos compositores se pone de manifiesto muy bien
en largas entrevistas (más de veinte minutos) con cada uno realizadas por
Pierre Adrien-Charpy. La entrevista de Sariaaho revela a una niña
desesperadamente tímida, en sintonía con los sonidos y la acústica del bosque
finlandés. Está inmersa mentalmente en la música y el sonido en un hogar
fundamentalmente poco musical. Es tan tímida que la única carrera musical que
puede imaginar es la de organista en una iglesia del pueblo donde nadie la
verá. Parece un milagro que ella decidiera dedicarse a la música. En contraste,
Barrière parece haber crecido en un entorno intelectual posible sólo en Europa
continental. Él ya escribía música electrónica a los doce años y luego realizó
un doctorado en filosofía y lógica matemática antes de terminar en IRCAM. Ahí,
por supuesto, es donde estos dos pioneros de la música electrónica se
conocieron.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiue3YMbm0jifqXDJcF2xxvEhcyVSgCNaFkuKBkrN5xB3PZC87kvHcqLwD36hOL4bNPXYJDwJug52NGLjDidcg9x8F-hi1-SnlUYlm686RWWEkxWYgLNXBX76QGcihIssB61SX5OjboUqgF/s1600/EKSTASOS+CULT+4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="580" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiue3YMbm0jifqXDJcF2xxvEhcyVSgCNaFkuKBkrN5xB3PZC87kvHcqLwD36hOL4bNPXYJDwJug52NGLjDidcg9x8F-hi1-SnlUYlm686RWWEkxWYgLNXBX76QGcihIssB61SX5OjboUqgF/s640/EKSTASOS+CULT+4.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Algunas
palabras sobre el disco blu-ray. Está brillantemente grabado. Además del estéreo,
hay una banda sonora PCM 5.1 genuina que es realmente. Los efectos visuales son
encantadores y hay un folleto con un ensayo que es muy cerebral pero que
realmente no agrega mucho a las entrevistas, textos de las piezas y notas
cortas en cada pieza. Los subtítulos son francés e inglés. Curiosamente,
también hay un CD con grabaciones de sonido estéreo directo de las seis piezas.
“Ekstasis” es probablemente la obra más cerebral que haya visto en mucho
tiempo. Si está preparado para la filosofía expresada en sonido e imágenes,
este es un trabajo muy interesante para explorar.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivV_2FyKaaDsofG-cUa2A2_zgelcCH9zCp3Y-4s1ik56eyBqs2-pPFXV0MnFxF3NZzHcQi_JJO1QPZ5edIJkI-8eYzYOOEuuT8xW69cgGovWpAD7lyfzp57MXjNpGq1bB8l3-BpdKRy9bJ/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivV_2FyKaaDsofG-cUa2A2_zgelcCH9zCp3Y-4s1ik56eyBqs2-pPFXV0MnFxF3NZzHcQi_JJO1QPZ5edIJkI-8eYzYOOEuuT8xW69cgGovWpAD7lyfzp57MXjNpGq1bB8l3-BpdKRy9bJ/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Resolución
de Video</u>: 1080i/60</span></b></li>
<li><u><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Codificación
de Video</span></b></u><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">: MPEG-4 / AVC</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Aspect
Ratio</u>: 16:9</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Región</u>:
0 (Todas)</span></b></li>
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DE AUDIO</u>:</span></b></div>
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<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Audio</u>: Dos Canales: PCM 2.0 Estéreo & DTS-HD Master 5.1</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Idioma</u>:
Inglés, Francés</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Subtítulos</u>:<span style="mso-spacerun: yes;"> </span>Inglés, Francés</span></b></li>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>EXTRAS</u>:</span></b></div>
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<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">No<span style="mso-spacerun: yes;"> </span></span></b></li>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivV_2FyKaaDsofG-cUa2A2_zgelcCH9zCp3Y-4s1ik56eyBqs2-pPFXV0MnFxF3NZzHcQi_JJO1QPZ5edIJkI-8eYzYOOEuuT8xW69cgGovWpAD7lyfzp57MXjNpGq1bB8l3-BpdKRy9bJ/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivV_2FyKaaDsofG-cUa2A2_zgelcCH9zCp3Y-4s1ik56eyBqs2-pPFXV0MnFxF3NZzHcQi_JJO1QPZ5edIJkI-8eYzYOOEuuT8xW69cgGovWpAD7lyfzp57MXjNpGq1bB8l3-BpdKRy9bJ/s400/culturalmente+r4+stars.jpg" width="400" /></a></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> MUY BUENO </span></span></span></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAskz83uYvlzx-IMW8ducpiz5_TQhul8cEZCComhjUyPDVpvyWsm3C-0rOIVpe_Nb0zADb-xqW_-nopHow27sRU2TPxiOo_P3FbPYXXhDtmLA1zewNQ9SeZK1-CMsT3hwl9pj2JISXysFw/s1600/EKSTASIS+BLURAY.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAskz83uYvlzx-IMW8ducpiz5_TQhul8cEZCComhjUyPDVpvyWsm3C-0rOIVpe_Nb0zADb-xqW_-nopHow27sRU2TPxiOo_P3FbPYXXhDtmLA1zewNQ9SeZK1-CMsT3hwl9pj2JISXysFw/s320/EKSTASIS+BLURAY.jpg" width="320" /></a></b></div>
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</b><br />
<ul>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Título</u>:
“Ekstasis” (2019)</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Género</u>:
Música, concierto</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Estudio</u>:<span style="mso-spacerun: yes;"> </span>Cypres Records / Outhere </span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Distribuidor</u>:
Naxos USA</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Nro.
de discos</u>: 1 BD+ 1 CD</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Fecha
de Lanzamiento</u>: Abril 26, 2019</span></b></span></li>
</ul>
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-61547423333103640292019-07-05T14:11:00.000-04:002019-07-05T14:12:32.760-04:00"Morituri": Marlon Brando y Yul Brinner bajo el dominio nazi en un film bélico dirigido por Bernhard Wicki. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Por </span></span></b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></span></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZtBGJzK5cSR6RGM0ku4ui2YOjJO0Gij9x-Bnf_r30sL8A3gla9tnE7BcRaYHkMJ89tM6URGZuG6CYu_prWnMm5A2JZ_ebDVvEAzqWv8nUtRtbtL8QWhSxSPBwIF3-Xnoo7tsBV4oqiAjE/s1600/MORITURI+CULT+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZtBGJzK5cSR6RGM0ku4ui2YOjJO0Gij9x-Bnf_r30sL8A3gla9tnE7BcRaYHkMJ89tM6URGZuG6CYu_prWnMm5A2JZ_ebDVvEAzqWv8nUtRtbtL8QWhSxSPBwIF3-Xnoo7tsBV4oqiAjE/s640/MORITURI+CULT+4+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">En
julio del año 1942, las fuerzas germanas y japonesas bloquean los buques
aliados. Mientras en la embajada alemana de Tokio el capitán Mueller recibe la
orden de dirigir el "Ingo" a la Francia ocupada, conteniendo una
importante cantidad de caucho. Al mismo tiempo, Robert Crain, un joven alemán
especialista en realizar demoliciones, es destinado por el coronel Statter, del
servicio de inteligencia británico, para introducirse en el "Ingo"
como oficial alemán. Su objetivo consiste en desarmar las cargas explosivas que
lo podrían destruir. Twilight Time lanzó al mercado americano la edición limitada
(solo 3.000 copias) en formato blu-ray del film del año 1965 “Morituri”,
dirigida por Bernhard Wicki. La película está basada en la novela homónima del
escritor alemán Werner Jörg Lüddecke, publicada en 1958. Está protagonizada por
Marlon Brando en el papel de Robert, junto a Yul Brynner, Janet Margolin,
Trevor Howard, Wally Cox, William Redfield y Hans Christian Blech. La música
está compuesta por el gran Jerry Goldsmith. También fue presentada en cines con
el nombre de “The Saboteur: Code Name Morituri”.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-S15YZ8uTvrcFUnjC65dPJNMcn44kJPmOPv98myH5Exi1qvGGN9vzGNVwgJEq_0f7cAMX2OpLT8fpfLyG52BTm_jH5bYPQ_fFGwzW4qRNNBGKzT9l04-pJAZ68kYDfZR1nH_aiFdWvy8/s1600/MORITURI+CULT+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-S15YZ8uTvrcFUnjC65dPJNMcn44kJPmOPv98myH5Exi1qvGGN9vzGNVwgJEq_0f7cAMX2OpLT8fpfLyG52BTm_jH5bYPQ_fFGwzW4qRNNBGKzT9l04-pJAZ68kYDfZR1nH_aiFdWvy8/s640/MORITURI+CULT+3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">La
acción nos sitúa en 1942. Robert Crain, (Marlon Brando) es un pacifista alemán
exiliado en la India, que es reclutado a la fuerza por el Servicio Secreto
Británico, para una misión secreta. La misión de Crain consistirá en
infiltrarse, haciéndose pasar por un oficial de la SS, en el Ingo, un buque
mercante que transporta una importante carga de caucho cuya confiscación
interesa mucho a los aliados, con la finalidad de sabotear el barco para facilitar
su captura. Pronto Crain descubrirá que además de a los peligros de su
arriesgada misión, habrá de enfrentarse también al Capitán Mueller (Yul
Brynner), el oficial al mando del buque, un hombre de ideas antinazis, pero
decidido a cumplir su misión de conducir el barco hasta su destino a toda
costa.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjatmjQg5l9MkCV4Wj-hyjNcldSKwldkUIvGBCdN88FdgJducfCVanTgms8NbXrgSrzQvnKPvqMMTUnE0bCE0YlRMLtCtCNQ9VCtD7rkE5KORjs6-rvqnm4h3_5DrwXMCuN2nShm06Un2Lf/s1600/MORITURI+CULT+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjatmjQg5l9MkCV4Wj-hyjNcldSKwldkUIvGBCdN88FdgJducfCVanTgms8NbXrgSrzQvnKPvqMMTUnE0bCE0YlRMLtCtCNQ9VCtD7rkE5KORjs6-rvqnm4h3_5DrwXMCuN2nShm06Un2Lf/s640/MORITURI+CULT+2+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Morituri
te salutant! era la frase con la que los gladiadores se dirigían al </span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"></span>emperador
romano antes de lanzarse a luchar a muerte y de cuyo enunciado </span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">la película
toma su título. Hay que mencionar que “Morituri” es una de esas películas que,
a priori, reune todos los elementos necesarios para convertirse en un clásico.
En primer lugar, por el hecho de contar con un reparto sobresaliente con dos
grandes del cine como Brando y Brynner, además de contar con la dirección de un
realizador de talento como el austríaco Bernard Wicki, la banda sonora de Jerry
Goldsmith y una excelente fotografía en B/N qur obtuvo una nominación al Oscar.
También obtuvo una nominación a Mejor Vestuario. Sin embargo, “Morituri”
pasó bastante desapercibida para crítica y público en la época de su estreno y
aún hoy día es uno de los títulos menos conocidos dentro de la filmografía de
Brando, lo cual, viendo la película resulta bastante entendible. No se puede
negar que la historia tiene un punto de partida interesante y que tiene escenas
y diálogos bastante logrados. No obstante, la película falla en varios
aspectos. En primer lugar hay que señalar que el desarrollo de la trama se va
haciendo más intrincado conforme avanza el film, mezclando una serie de
elementos de espionaje, acción, antibelicismo, etc. Pero esta mayor densidad
narrativa repercute negativamente en cuanto al interés de la historia, de forma
que esta se va haciendo más complicada, a la par que monótona y reiterativa. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiohcvNbChKml3qF-beYr53eWb1RHqSRMkI7TbG3OhqgiklAo2ewyQexMELXJAdnTUfAR8mNGaG-6lkYtziidE_bXm8txQkjRJDx2wMxAJqEsgBakHgKo4TvsOKt-2S-SQ0cL6NzaPZ63YZ/s1600/MORITURI+CULT+7+copy.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiohcvNbChKml3qF-beYr53eWb1RHqSRMkI7TbG3OhqgiklAo2ewyQexMELXJAdnTUfAR8mNGaG-6lkYtziidE_bXm8txQkjRJDx2wMxAJqEsgBakHgKo4TvsOKt-2S-SQ0cL6NzaPZ63YZ/s640/MORITURI+CULT+7+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Yul
Brynner cumple con corrección en su papel (un tanto arquetípico) de hombre
atrapado en el dilema que se plantea entre su sentido del deber y su </span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"></span>moralidad,
aunque lo hace sin excesivo lucimiento. Marlon Brando, por su parte, estaba en
una de las fases más bajas de su carrera interpretativa cuando participó en
esta película, y su actuación es correcta, pero no mucho más,<span style="mso-spacerun: yes;"> </span>muy alejada de sus mejores
papeles. La
fotografía es realmente espectacular, con muchos contrastes, negros profundos,
casi expresionistas, sobre todo en los encuadres de grupos de personas mirando
fuera de cámara o junto a ella, con muy buena puesta en escena y composición, o
los muchos rostros que se destacan en sucesivos primeros planos, a media luz.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9me8bPleHzPGHgkkHjXdh0-eZ-qL0p1wvhvVA9Xdk_7M_y-Pvkco8J7tJwvc_BHl_RV6-LooYChvEuJd3AGQgLj69aXepWnN9x8BQLQkbYITbi6NoXRtxkRF3rRDJvl8gtgPoyM4pipA6/s1600/MORITURI+CULT+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9me8bPleHzPGHgkkHjXdh0-eZ-qL0p1wvhvVA9Xdk_7M_y-Pvkco8J7tJwvc_BHl_RV6-LooYChvEuJd3AGQgLj69aXepWnN9x8BQLQkbYITbi6NoXRtxkRF3rRDJvl8gtgPoyM4pipA6/s640/MORITURI+CULT+8+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">En
definitiva, “Morituri” es un film correcto, filmado con gran presupuesto. Sin
embargo tales medios no ocultan el hecho de que la historia que cuenta, en
principio interesante, quede subordinada a una narrativa que complica el
desarrollo argumental del film. Es una buena película de suspense, pero con un
excelente estudio sobre la “psicología política” de los hombres que en aquellos
días estaban bajo el dominio nazi. Merece la pena recuperarla y darle el brillo
que al momento de su estreno no pudo tener.</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt; margin-left: 1em; margin-right: 1em;"><img class="slick-lightbox-slick-img" height="640" src="https://cdn11.bigcommerce.com/s-h5jyghnz/images/stencil/500x659/products/545/1789/Morituri_BackOfBD_HighRes__30382.1557019997.png?c=2" style="max-height: 975px;" width="494" /></span></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>CALIDAD
DE VIDEO</u>:</span></b></div>
<b>
</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSapyUcHJXIK3VIy0kSDHSjn3cnCVSIrg-BlAiUeAG-fe4ZfDx10-koahMZDa0snpu2jFmIEX0_KQ4TcdmCyV9gbxP1TOFLveEYDuxIrMFq7ZZsfuluZ0S9LXYTzyZfqISsTDljeumb6q8/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSapyUcHJXIK3VIy0kSDHSjn3cnCVSIrg-BlAiUeAG-fe4ZfDx10-koahMZDa0snpu2jFmIEX0_KQ4TcdmCyV9gbxP1TOFLveEYDuxIrMFq7ZZsfuluZ0S9LXYTzyZfqISsTDljeumb6q8/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Resolución
de Video</u>:<span style="mso-spacerun: yes;"> </span>1080p / 60</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Aspect
Ratio</u>: 1.85:1</span></b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBz3YvvS-MDow2Qt8ayUWv0wGqB3mMPpfzACiG0s7N1C1mLlR705VesN9TKWgd-Je13-QcPL8LUX0If3vokQ-mEMtl1T1mV28nIjT1AI4RNSZhJh4nXwalhyphenhyphenIFNDCpBQ-y8dw8iAgJIUpD/s1600/MORITURI+CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBz3YvvS-MDow2Qt8ayUWv0wGqB3mMPpfzACiG0s7N1C1mLlR705VesN9TKWgd-Je13-QcPL8LUX0If3vokQ-mEMtl1T1mV28nIjT1AI4RNSZhJh4nXwalhyphenhyphenIFNDCpBQ-y8dw8iAgJIUpD/s640/MORITURI+CULT+6+copy.jpg" width="640" /></a></div>
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<b>
</b><br />
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">La
calidad de transferencia de imagen en la presente edición en blu-ray de
Twilight Time es muy buena. La cinematografía en blanco y negro está a cargo de
Conrad L. Hall, ganador de tres Oscar, por “Road to Perdition” (2002),
“American Beauty” (1999) y “Butch Cassidy and the Sundance Kid” (1969). Hall
fue nominado al mismo premio Tambien por, entre otras, “In Cold Blood” (1967),
“The Day of the Locust” (1975), “Tequila Sunrise” (1988) y “A Civil Action”
(1998).</span></b></div>
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</b><br />
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>CALIDAD
DE AUDIO</u>:</span></b></div>
<b>
</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSapyUcHJXIK3VIy0kSDHSjn3cnCVSIrg-BlAiUeAG-fe4ZfDx10-koahMZDa0snpu2jFmIEX0_KQ4TcdmCyV9gbxP1TOFLveEYDuxIrMFq7ZZsfuluZ0S9LXYTzyZfqISsTDljeumb6q8/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSapyUcHJXIK3VIy0kSDHSjn3cnCVSIrg-BlAiUeAG-fe4ZfDx10-koahMZDa0snpu2jFmIEX0_KQ4TcdmCyV9gbxP1TOFLveEYDuxIrMFq7ZZsfuluZ0S9LXYTzyZfqISsTDljeumb6q8/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<b>
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<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Audio</u>: 2.0 DTS-HD MA / English 1.0 DTS-HD MA </span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Idioma</u>:
Inglés</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Subtítulos</u>:
Inglés SDH</span></b></li>
</ul>
<b>
</b><br />
<b>
</b><br />
<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidaQTc9npZ3QgoMglloElJzZkTS-eZqPbYMbU2vCck85rzeyBLO0RyRMAiN129rby50QdcueGZj7OWAOr5-gXL4ZJSjB_3Cbfp6QKfktFf7gDpO3XoEBK_nWEqqdhWzCBLiLIbZVPZ9I5G/s1600/MORITURI+CULT+1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidaQTc9npZ3QgoMglloElJzZkTS-eZqPbYMbU2vCck85rzeyBLO0RyRMAiN129rby50QdcueGZj7OWAOr5-gXL4ZJSjB_3Cbfp6QKfktFf7gDpO3XoEBK_nWEqqdhWzCBLiLIbZVPZ9I5G/s640/MORITURI+CULT+1+copy.jpg" width="640" /></a></b></div>
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</b><br />
<div class="MsoNormal">
<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">La
transferencia de audio es cuidada y ha sido remasterizada en DTS-HD
Master Audio 1.0 Mono y 2.0 DTS-HD MA. Se escucha muy bien, es sólida tanto los
diálogos como la música y efectos especiales de sonido. La música está compuesta por
Jerry Goldsmith (ganador del Oscar a la Mejor Música en 1977 por “La Profecía”,
de Richard Donner) y es un verdadero placer escucharla en su canal aislado. Ha
sido nuevamente un gran acierto por parte de Twilight Time incluírla en un
track separado dentro de los extras de esta edición en blu-ray. Goldsmith ha sido nominado a 60 premios y ha ganado 30 de
ellos.</span></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>EXTRAS</u>:</span></b></div>
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</b><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5yUcSHubmn3rvxNDJNSHJn9Ytro1VxWOaS1OMfFA0SsHFWX_BDtu9lliOJvoMreILJ-6ezaN9mPFWh-FJv0Oqd7Zkx_PHv9sjg21TuvZnV0BIEEVx4n9LNqHLSvZSOlwGzL2HueDmuWfm/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5yUcSHubmn3rvxNDJNSHJn9Ytro1VxWOaS1OMfFA0SsHFWX_BDtu9lliOJvoMreILJ-6ezaN9mPFWh-FJv0Oqd7Zkx_PHv9sjg21TuvZnV0BIEEVx4n9LNqHLSvZSOlwGzL2HueDmuWfm/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Banda
de sonido y efectos en canal separado</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Trailer
de la película</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Booklet
con fotos y notas sobre el film, escritas por Julie Kirgo</span></b></li>
</ul>
<b>
</b><br />
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<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , sans-serif; font-size: 14pt; margin-left: 1em; margin-right: 1em;"><img class="slick-lightbox-slick-img" height="640" src="https://cdn11.bigcommerce.com/s-h5jyghnz/images/stencil/500x659/products/545/1788/Morituri_BDBookletCover_HighRes__21757.1557019991.png?c=2" style="max-height: 975px;" width="502" /></span></div>
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "arial" , sans-serif; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> BUENO </span></span></span></b></div>
<b>
</b><br />
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "arial" , sans-serif; font-size: 18.0pt;">Puedes adquirir este
blu-ray en <a href="https://www.twilighttimemovies.com/morituri-blu-ray/">https://www.twilighttimemovies.com/morituri-blu-ray/</a></span></b></div>
<b>
</b><br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUYGMkYKbSLjyqHlnuchS-HSYy7BZd0UwaJcwVQCjh1g-5h4ol4gQG_TQAkRMUxYYciIHleuCoIJMc4gnEWKENpQ9L_9BMM7CXH040AQu1YVOBk2fdW5bQGTpyY8FVkQbQSoHjeZdXKYW/s1600/238659_large.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUYGMkYKbSLjyqHlnuchS-HSYy7BZd0UwaJcwVQCjh1g-5h4ol4gQG_TQAkRMUxYYciIHleuCoIJMc4gnEWKENpQ9L_9BMM7CXH040AQu1YVOBk2fdW5bQGTpyY8FVkQbQSoHjeZdXKYW/s320/238659_large.jpg" width="253" /></a></div>
<br /></div>
<b>
</b><br />
<ul>
<li><span style="color: #f1c232;"><u><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Título:
“Morituri” (1965, Limited Edition)</span></b></u></span></li>
<li><span style="color: #f1c232;"><u><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Género:
Bélica, Thriller</span></b></u></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Duración</u>:
123 minutos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Distribuidor</u>:
Twilight Time</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Blu-ray
SRP</u>: $29.95</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Fecha
de Lanzamiento</u>: Mayo 21, 2019</span></b></span></li>
</ul>
<b>
</b><style><b>
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<br />CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-64460730441791935182019-07-04T13:07:00.005-04:002019-07-04T13:09:58.356-04:00"Ibsen's Ghosts". Ballet Nacional de Noruega. Blu-ray Review<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Por</span></span></b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></span></b></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">
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picture-in-picture" allowfullscreen="" frameborder="0" height="360" src="https://www.youtube.com/embed/ZUPD_eKvDWk" width="640"></iframe></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Naxos
USA lanzó al mercado americano la edición en formato blu-ray “Ibsen’s Ghosts”,
producción del Ballet Nacional Noruego, filmado en vivo en Oslo en febrero del
2017. ¿Cuántas mentiras puede tolerar una persona? Esta es la pregunta
planteada por el drama “Ghosts” de Henrik Ibsen, que fue transformado en un
ballet por la directora de teatro Marit Moum Aune y la coreógrafa Cina Espejord.
Oswald Alving regresa de una existencia bohemia en París a la vida de un
pequeño pueblo en un fiordo noruego. Se está construyendo un nuevo orfanato a
la memoria de su padre, diez años después de su muerte. La señora Alving le da
la bienvenida a su hijo tan esperado en casa, pero poco a poco éste descubrirá
los secretos que pesan sobre la familia. Fantasmas, figuras del pasado y del
presente bailarán codo a codo.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimXnNPsPVPX2n8C0DeBTmDZjwOuYJnyws2_iSDIYLQcYzeVuJf154_3AO2kXoSWl2pGOhSQ5nAJKVWlHaA2KHeXLCTBidjRDDkvd8qf7YBzt2o3qvoa27dFN6XJPUJIk4i-dclb2wNWbJH/s1600/IBSEN+GHOSTS+CULT+13.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="703" data-original-width="1600" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimXnNPsPVPX2n8C0DeBTmDZjwOuYJnyws2_iSDIYLQcYzeVuJf154_3AO2kXoSWl2pGOhSQ5nAJKVWlHaA2KHeXLCTBidjRDDkvd8qf7YBzt2o3qvoa27dFN6XJPUJIk4i-dclb2wNWbJH/s640/IBSEN+GHOSTS+CULT+13.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">“Ghosts
es un thriller psicológico en el que los personajes aprenden cada vez más sobre
sus propias historias. Se trata de cómo lo que permanece sin hablar puede
crecer y convertirse en algo insuperable. Se requiere un inmenso coraje para
hacer las paces con las ilusiones de uno, y algunas veces es demasiado tarde
para hacerlo”, dice la directora Marit Moum Aune. “Las mentiras y el
ocultamiento ahogan a estas personas y hacen de la casa y la casa un lugar
peligroso, especialmente para los niños” </span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Moum
Aune (directora) y Cina Espejord (coreógrafa) han creado una representación
narrativa utilizando el lenguaje de la danza contemporánea. La coreografía ha
sido desarrollada a través de una estrecha colaboración con los bailarines,
basada en la improvisación y en el profundo estudio de la obra de Ibsen. Aquí,
los bailarines del Ballet Nacional de Noruega exhiben sus fuertes cualidades
interpretativas. El retrato de Camilla Spidsøe como la Sra. Alving fue aclamado
como “una actuación increíble”, mientras que la crítica de Dance Europe la
llamó “Dancer of the Year” y dijo que la interpretación de Andreas Heise del personaje de
Oswald fue una “performance sobresaliente”. La música fue compuesta por Nils
Petter Molvær, quien la interpreta en el escenario junto a Jan Bang. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV6gv3_SHYsKaULKc3HEAUtGPCtMSiUXbnUBrI7yYU02snWuiw338xXVU0E-qzxxjH0VMYu8o7MMUdlJa4Vj9mhG31m4ieLHLjLEG_ilJcIMzHc-vR-h6HJ19vkTpZtGYGKsfpRREO9Dls/s1600/IBSEN+GHOSTS+CULT+12.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="1600" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV6gv3_SHYsKaULKc3HEAUtGPCtMSiUXbnUBrI7yYU02snWuiw338xXVU0E-qzxxjH0VMYu8o7MMUdlJa4Vj9mhG31m4ieLHLjLEG_ilJcIMzHc-vR-h6HJ19vkTpZtGYGKsfpRREO9Dls/s640/IBSEN+GHOSTS+CULT+12.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">“Ibsen’s
Ghosts” es una experiencia conmovedora, es un ballet emocionante y
spectacular.<span style="mso-spacerun: yes;"> </span>Marit Moum Aune fue
nominada al premio a<span style="mso-spacerun: yes;"> </span>Mejor Libreto en el
prestigioso Benois de la Danse, y en Noruega, Cina Espejord recibió el Premio
de la Crítica por la coreografía. “Ibsen’s Ghosts” realizó una prestigiosa
gira internacional, incluyendo las ciudades de<span style="mso-spacerun: yes;">
</span>Houston y Berlín. </span></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>CALIDAD
DE VIDEO</u>:</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEghmOjt6HQK8Gu9UEscnz_-JKoLm1425kmuFBtB8dBZeQFYQ9vpcaynyZ0-twCDkpWA6K8no-A1ZULTpPpmNcKT6Ry2HEDT09XHJDSHvCnQeScJT-0cZINawZTrmBLTcTuf_cR-jT4SbS/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEghmOjt6HQK8Gu9UEscnz_-JKoLm1425kmuFBtB8dBZeQFYQ9vpcaynyZ0-twCDkpWA6K8no-A1ZULTpPpmNcKT6Ry2HEDT09XHJDSHvCnQeScJT-0cZINawZTrmBLTcTuf_cR-jT4SbS/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<li><b><span style="font-family: "symbol"; font-size: 14.0pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; line-height: normal;"></span></span></span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Resolución de Video</u>:
1080i/60</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación de Video</u>:
MPEG-4 / AVC</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Aspect Ratio</u>: 16:9</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Región</u>: 0 (Todas)</span></b></li>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>CALIDAD
DE AUDIO</u>:</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEghmOjt6HQK8Gu9UEscnz_-JKoLm1425kmuFBtB8dBZeQFYQ9vpcaynyZ0-twCDkpWA6K8no-A1ZULTpPpmNcKT6Ry2HEDT09XHJDSHvCnQeScJT-0cZINawZTrmBLTcTuf_cR-jT4SbS/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEghmOjt6HQK8Gu9UEscnz_-JKoLm1425kmuFBtB8dBZeQFYQ9vpcaynyZ0-twCDkpWA6K8no-A1ZULTpPpmNcKT6Ry2HEDT09XHJDSHvCnQeScJT-0cZINawZTrmBLTcTuf_cR-jT4SbS/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<li><b><span style="font-family: "symbol"; font-size: 14.0pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; line-height: normal;"></span></span></span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación de Audio</u>:
Dos Canales: PCM 2.0 Estéreo & DTS-HD Master 5.1</span></b></li>
<li><b><span style="font-family: "symbol"; font-size: 14.0pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; font-stretch: normal; font-style: normal; font-variant: normal; line-height: normal;"></span></span></span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Idioma</u>: Inglés</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Subtítulos</u>:<span style="mso-spacerun: yes;"> </span>No</span></b></li>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>EXTRAS</u>:</span></b></div>
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<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">No<span style="mso-spacerun: yes;"> </span></span></b></li>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-spacerun: yes;">
</span></span></b><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-spacerun: yes;"></span></span></b><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-spacerun: yes;"></span></span></b><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-spacerun: yes;"></span></span></b>
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<b><span style="font-family: "arial" , sans-serif; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> MUY BUENO </span></span></span></b></div>
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<ul>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Título</u>:
“Ibsen’s Ghots” (2017)</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Género</u>:
Ballet</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Duración</u>:
74 minutos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Estudio</u>:<span style="mso-spacerun: yes;"> </span>Bel Air Media</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Distribuidor</u>:
Naxos USA</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Nro.
de discos</u>: 1 BD-25</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Fecha
de Lanzamiento</u>: Junio 14, 2019</span></b></span></li>
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<br />CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-91917003266214677892019-06-04T13:14:00.001-04:002019-06-04T13:17:43.219-04:00"The Creation": El Oratorio de Joseph Haydn con puesta de la Fura dels Baus. Antiguo Testamento, Milton, el Big Bang y el ADN en un espectáculo único. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Por</span></span></b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Javier Mitchell</span></span></b></span></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><iframe allow="accelerometer; autoplay; encrypted-media;
gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="360" src="https://www.youtube.com/embed/Qrg_OjKgORA" width="640"></iframe></span>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Naxos
USA lanzó al mercado americano la edición en formato blu-ray de “The Creation”,
el oratorio compuesto por Joseph Haydn, producción de la Fura dels Baus,
grabado en vivo en el Auditorium La Seine Musicale, Île Seguin, Francia, el 12
de Mayo del 2017. Está dirigido por Carlus Padrissa (la Fura) y protagonizado
por los cantantes Mari Eriksmoen, Daniel Schmutzhard y Martin Mitterrutzner
junto al Accentus Chamber Choir. La orquestación está a cargo de la Insula
Orchestra conducida por el maestro Laurence Equilbey.</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Haydn
concibió la idea de escribir un gran oratorio en su primer viaje a Inglaterra
en 1791. Después de escuchar varias obras de Haendel, entre ellas “El Mesías”,
Haydn manifestó: “Quiero escribir una obra que proporcione fama universal y
eterna a mi nombre”. Fue compuesto entre 1796 y 1798 y se estrenó el 29 de abril
de 1798 en Viena. La obra ilustra la creación del mundo, tal como se narra en
el Génesis. Además de este libro del Antiguo Testamento, sus fuentes de inspiración
son los salmos y “El Paraíso Perdido”, de John Milton. El barón Gottfried Van
Swieten fue el encargado de escribir el texto.</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Haydn
trabajó sin descanso durante dos años en la composición de ”The Creation” y fue
probablemente la primera obra importante en la historia de la música escrita
pensando en la posteridad. Incluye la proclamación de la humanidad a la imagen
de Dios, concepción típica de la Ilustración y opuesta a la de las "Cantatas" de
Bach de los años 1710 a 1730, las cuales defienden la insignificancia del
hombre frente a Dios. Esta obra mezcla la palabra divina con la Ilustración y el Antiguo
Testamento con Milton. Fiel a esas premisas, Carlus Padrissa conjuga la
Biblia con el Big Bang, los límites de la imaginación con el ADN y la teoría de
la relatividad. Lo molecular con el sentido del espectáculo.</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Parte
de la raíz del principio de los tiempos: “Con la luz, el agua, el fuego, la
tierra… Con globos que elevan nuestra propia dignidad en busca de una vía de
salvación y representan la pureza, la inocencia”, afirma Padrissa. En ‘The
Creation”, con esa inspiración a medio camino entre la leyenda bíblica y la
búsqueda de la ciencia, La Fura plasma su poesía escénica con un discurso
presente.</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">“Todo
gira alrededor del caos”, asegura Padrissa. “Cuando Haydn se enfrenta a lo más
oscuro de su partitura prueba con acordes disonantes. Nos viene perfecto para
adentrarnos en las tinieblas contemporáneas: el drama de los refugiados, la
discriminación sexual y racial, los desastres ecológicos. La luz es para
nosotros la ilusión de salir hacia algún lugar donde salvarse. Esa voluntad,
esa decisión, ese arranque representa la esperanza”.</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Carlus
Padrissa propone una reconciliación equilibrada entre Haydn y el ADN, creando
así un vínculo entre lo infinitamente grande (el macrocosmos y la creación del
mundo) y lo infinitamente pequeño (el microcosmos y el cuerpo humano). Esto se
utiliza para crear en una mirada que embellece el ciclo de la naturaleza, así
como el ciclo de la vida. “The Creation” es una coproducción de Ludwigsburger
Schlossfestspiele, Elbphilarmonie Hambourg, Insula Orchestra y La Fura dels
Baus. Un espectáculo musical y visual imperdible!</span></div>
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<u><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">CALIDAD
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<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Resolución
de Video</u>:<span style="mso-spacerun: yes;"> </span>1080i/60</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Video</u>:<span style="mso-spacerun: yes;"> </span>MPEG-4 / AVC</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Aspect
Ratio</u>:<span style="mso-spacerun: yes;"> </span>1.85:1</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Región</u>:
0 (Todas)</span></b></li>
</ul>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>CALIDAD
DE AUDIO</u>:</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkoAanTEViLbA1FXk1VNFsuCcUKfu88Bv8HWIrRDV9-zWWPC3RnfuWn2DO5WgnAIprGZZdW2GkZkdt0pjj8VSueH3Jtc_qLMwT9QL1CE_VQRtw2TqkWyN0BMVGrV1PPw7FWhZIqHfnIxVg/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkoAanTEViLbA1FXk1VNFsuCcUKfu88Bv8HWIrRDV9-zWWPC3RnfuWn2DO5WgnAIprGZZdW2GkZkdt0pjj8VSueH3Jtc_qLMwT9QL1CE_VQRtw2TqkWyN0BMVGrV1PPw7FWhZIqHfnIxVg/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Audio</u>: Dos Canales: PCM 2.0 Estéreo & DTS-HD Master 5.1</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Idioma</u>:
Alemán </span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Subtítulos</u>:<span style="mso-spacerun: yes;"> </span>Inglés, Francés, Japonés, Alemán y Coreano</span></b></li>
</ul>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>EXTRAS</u>:</span></b></div>
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<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Documental/detrás
de escena sobre “The Creation”</span></b></li>
</ul>
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<b><span style="font-family: "arial" , sans-serif; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> EXCELENTE</span></span></span></b></div>
<b>
</b><br />
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "arial" , sans-serif; font-size: 18.0pt;">Puedes adquirir este
blu-ray en</span></b></div>
<b>
</b><br />
<div class="MsoNormal">
<b><span style="font-family: "arial" , sans-serif; font-size: 18.0pt;"><a href="https://www.amazon.com/Haydn-Creation-behind-scenes-documentary/dp/B07HSM23V8/ref=sr_1_1?keywords=haydn+the+creation+blu-ray&qid=1559360365&s=gateway&sr=8-1">https://www.amazon.com/Haydn-Creation-behind-scenes-documentary/dp/B07HSM23V8/ref=sr_1_1?keywords=haydn+the+creation+blu-ray&qid=1559360365&s=gateway&sr=8-1</a></span></b></div>
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<b>
</b><br />
<ul>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Título</u>:
“The Creation” (2017)</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Género</u>:
Música Clásica, Ópera</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Duración</u>:
138 minutos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Estudio</u>:<span style="mso-spacerun: yes;"> </span>Naxos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Distribuidor</u>:
Naxos USA</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Nro.
de discos</u>: 1 BD-50</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Fecha
de Lanzamiento</u>: Noviembre 9, 2018</span></b></span></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXYk3wTk1KcgsATIgz6VfGDQIb1uofItN-qaZE0A8ZKeFK9gkFJ9WWLk2-HrvDKXtyUikKvkIbzmWLPMTIPtMoI8uM56gGnHQFqvyy5C19G_9c3F7XCwECl2qPMW5PaaFUpSFrrsqnaJ1q/s1600/CulturalmenteSmall.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="127" data-original-width="130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXYk3wTk1KcgsATIgz6VfGDQIb1uofItN-qaZE0A8ZKeFK9gkFJ9WWLk2-HrvDKXtyUikKvkIbzmWLPMTIPtMoI8uM56gGnHQFqvyy5C19G_9c3F7XCwECl2qPMW5PaaFUpSFrrsqnaJ1q/s1600/CulturalmenteSmall.jpg" /></a></span></span></div>
CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-30413863373551172252019-05-31T22:23:00.002-04:002019-05-31T22:24:18.656-04:00"The Snake Pit": Una mirada compleja al sistema hospitalario psiquiátrico. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Por </span></span></b></span></div>
<div class="MsoNormal" style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></span></b></span><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiZrUbk7QHsJmlPI5OzyeMwO81RMguoFHpn5nxGWOCz6C74Bjnv74GCziWUdvjyX_BAhhyphenhyphenwpC9cov501970Sxu1Es5SfUAWyFG6zRfmNDB1UKZ1Jus_-hBdGZZ24q314xWdEPBeu1S6ZDE/s1600/THE+SNAKE+PIT+CULT+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiZrUbk7QHsJmlPI5OzyeMwO81RMguoFHpn5nxGWOCz6C74Bjnv74GCziWUdvjyX_BAhhyphenhyphenwpC9cov501970Sxu1Es5SfUAWyFG6zRfmNDB1UKZ1Jus_-hBdGZZ24q314xWdEPBeu1S6ZDE/s640/THE+SNAKE+PIT+CULT+10+copy.jpg" width="640" /></a></span></span></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span id="goog_820814507"></span><span id="goog_820814508"></span>Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 </span><br />
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">
copias) en
formato blu-ray del film del año 1948 “Snake Pit”, dirigido por Anatole Litvak
y protagonizado por Olivia de Havilland, Mark Stevens, Leo Genn, Celeste Holm,
Glenn Langan, Leif Erickson y Beulah Bondi. Virginia y Robert Cunningham acaban
de casarse, pero su matrimonio está lejos de ser bien avenido. Virginia es
escritora y en los últimos tiempos ha mostrado un comportamiento muy extraño.
Afectada por la culpabilidad de algo que pasó años atrás, Virginia es víctima
de profundas crisis que a menudo la conducen a olvidar los lugares y las personas
con las que está. Además de esto, las alucinaciones son también episodios
constantes en su vida. Ante tal estado, su esposo Robert decide internarla en
un centro psiquiátrico donde puedan ayudarla, pero aquí su estado empeorará aún
más.</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIvoHDMgCYBOoxY_Tmg9llMJ1OWONCOYGI9NxR0MfqZbOQqJBwbplSuuYYPYovNuF9xK31gGtQJ8MQVG5V5rtdNkOPIe0wowRiyeL_zz_b7gynQm7yR0x10p6eZ8GyBlEBXXKN0dFroXMR/s1600/THE+SNAKE+PIT+CULT+11+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIvoHDMgCYBOoxY_Tmg9llMJ1OWONCOYGI9NxR0MfqZbOQqJBwbplSuuYYPYovNuF9xK31gGtQJ8MQVG5V5rtdNkOPIe0wowRiyeL_zz_b7gynQm7yR0x10p6eZ8GyBlEBXXKN0dFroXMR/s640/THE+SNAKE+PIT+CULT+11+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span id="goog_820814467"></span><span id="goog_820814468"></span><span id="goog_820814469"></span><span id="goog_820814470"></span>El
doctor Kik la trata con bastante profesionalidad y somete a la paciente a
muchos tratamientos con la esperanza de sacarla de ese estado. Sin </span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTlIg8nVIC6cZ-JU3OzTfJI_AKypNZUQj4c9ZW-Mgn5bQcA2kCNwSJKt5buxlNzOtYon0CwzT8C4Hn-_apIKdiGCactetZU66_k0qW5mmczJlWu9Pa_1S-ipJKq2nff0u1ShoQpVZP1PIT/s1600/TheSnakePit_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTlIg8nVIC6cZ-JU3OzTfJI_AKypNZUQj4c9ZW-Mgn5bQcA2kCNwSJKt5buxlNzOtYon0CwzT8C4Hn-_apIKdiGCactetZU66_k0qW5mmczJlWu9Pa_1S-ipJKq2nff0u1ShoQpVZP1PIT/s320/TheSnakePit_Back.png" width="247" /></a></span></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">
embargo, la
presencia de otras enfermeras y pacientes alteran a Virginia aún más. La
paciente corre el peligro de conocer el temido “nido de las víboras”, una
habitación donde se encierra a los casos más extremos.</span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"> A
pesar de encontrar la comprensión del doctor Kik, el trato recibido en el
sanatorio por parte de enfermeras y las propias internas, no es el más adecuado
para ayudarle a mejorar, incluso querrán utilizarla para cometer un crimen.</span><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7wUOyscmP3JAgC7LUPAefT4XrOHd1zuip0ln4Qgv88RcUBGdxgtmMu8owPmhJ5QWSfV2SoAf-pXxa-U2aOXOoH_9OeXaZZ3CO9lDu0u64QoSwLPpTpnciFZlDjRg6t2FGxF8-Wf_9uMs1/s1600/THE+SNAKE+PIT+CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7wUOyscmP3JAgC7LUPAefT4XrOHd1zuip0ln4Qgv88RcUBGdxgtmMu8owPmhJ5QWSfV2SoAf-pXxa-U2aOXOoH_9OeXaZZ3CO9lDu0u64QoSwLPpTpnciFZlDjRg6t2FGxF8-Wf_9uMs1/s640/THE+SNAKE+PIT+CULT+6+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">“The
Snake Pit” es es de esas películas extrañas por la temática que tratan y que
merecen la pena visionar. La historia transcurre en los años ‘40 en un centro psiquíatrico
femenino en USA. Todo un documento sociológico interesante que además nos deja ver
la excelente interpretación de la actriz Olivia de Havilland, ya alejada de su
imagen de novia de héroes o papeles tiernos como el de Melany en “Gone With The
Wind”. De Havilland realizó una interpretación potente y realista, una actuación
muy moderna para la época. Por esta interpretación ganó el premio a la Mejor
Actriz en el Festival de Venecia de 1949.</span>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTF39pfjXFizmFfKgQc8DeDZlAJXUf88wThENbK_h8X-NE9aL3OmC_KztXNnGvsqKYZ3sRydlmdM_mCqqYXKwj_l8Hg8wBNZlyhGeUSmgPlI2TF7C0bQfp-xJo3PbJnDw77z0RMJTbTSct/s1600/THE+SNAKE+PIT+CULT+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTF39pfjXFizmFfKgQc8DeDZlAJXUf88wThENbK_h8X-NE9aL3OmC_KztXNnGvsqKYZ3sRydlmdM_mCqqYXKwj_l8Hg8wBNZlyhGeUSmgPlI2TF7C0bQfp-xJo3PbJnDw77z0RMJTbTSct/s640/THE+SNAKE+PIT+CULT+5+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">El
director cuenta la historia entre luces y sombras, con un aire de cine negro, y
plantea situaciones y momentos inolvidables, como el baile entre internos,
hombres y mujeres, y la canción final o la escena que hace alusión al nido de
víboras del título. En su momento fue una película incómoda porque denunciaba
la situación de estos centros de los que se hablaba muy poco porque eran
instituciones cerradas y nadie sabía que pasaba de puertas para adentro.</span>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpFI1vNK6mdAlUyDwN1BFiHgT0l13pSpMk9P4Er9UqQWcqFMg_msmR8qK-M0qKnC4BPLif2grYmBLR9wGMOUN25Wi8gzJWgfuIIZNzDvZee9RsARWnz3pL3BHPKzr_dshgsfcVEd_I8tkw/s1600/THE+SNAKE+PIT+CULT+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpFI1vNK6mdAlUyDwN1BFiHgT0l13pSpMk9P4Er9UqQWcqFMg_msmR8qK-M0qKnC4BPLif2grYmBLR9wGMOUN25Wi8gzJWgfuIIZNzDvZee9RsARWnz3pL3BHPKzr_dshgsfcVEd_I8tkw/s640/THE+SNAKE+PIT+CULT+4+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">La
historia, muy cruda para el momento de su estreno, está basada en la novela homónima
de tintes autobiográficos de Mary Jane Ward, quien pasó varios meses internada
en un sanatorio de las características del aquí expuesto. Además de la crítica
de estos centros psiquiátricos, el film representa un alegato contra la
discriminación de la mujer en la sociedad de aquel tiempo. Fue una de las
primeras películas en tocar el tema de los manicomios femeninos. Cuenta con una
muy buena cinematografía que refleja muy bien el ambiente del manicomio, oscuro
y siniestro. Además, incursionó en el tema de la salud mental desde la
perspectiva de la protagonista enferma y no (como se hacía siempre) desde el
punto de vista de los profesionales que trataban a los pacientes. </span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-l3MnbbPNT_JLFG4kioPENhc27_86oye25jjJWCPnas9XXeGVFFcP7RHq7L9es6RPPfsN21Y3EGPKH07GP9-Glkq4-UF1bukM1h9aJIQ2VHjNM1K-vWdAP4oUailoCrr0NUh6bHYEC6dG/s1600/THE+SNAKE+PIT+CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-l3MnbbPNT_JLFG4kioPENhc27_86oye25jjJWCPnas9XXeGVFFcP7RHq7L9es6RPPfsN21Y3EGPKH07GP9-Glkq4-UF1bukM1h9aJIQ2VHjNM1K-vWdAP4oUailoCrr0NUh6bHYEC6dG/s640/THE+SNAKE+PIT+CULT+9+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">El
film propone una mirada compleja al sistema hospitalario ya que si bien
</span><br />
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEAaIKA7LSqcwby5bLf3U3V5WA542HUM6Tbtq6Nm2StWrmXt96ebxbsIzbtVmmdoVAFGk2z3X28wGRH5xqZ22rf_F_5U7JIcyvtTaVTKAZUxTm4jbF4KQOoV68Qd0FuzV0Sp4TC49tibgX/s1600/TheSnakePit_BDBooklet.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEAaIKA7LSqcwby5bLf3U3V5WA542HUM6Tbtq6Nm2StWrmXt96ebxbsIzbtVmmdoVAFGk2z3X28wGRH5xqZ22rf_F_5U7JIcyvtTaVTKAZUxTm4jbF4KQOoV68Qd0FuzV0Sp4TC49tibgX/s400/TheSnakePit_BDBooklet.png" width="313" /></a></span></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">
denuncia situaciones turbias, también plantea las virtudes de los tratamientos
psiquiatricos. Habla de la dureza de estos centros, de la falta de recursos,
del hacinamiento, de las reglas estrictas y de las condiciones que tenían que
vivir las pacientes. Los doctores (sobre todo los dos que están más cercanos a
la paciente protagonista) no salen mal parados de la crítica. Sobre todo el
personaje del doctor Kik (Leo Genn) que trata a su paciente con los distintos
métodos con los que cuenta (aunque muchos de ellos apenas se emplean en la
actualidad), sabe que está enferma y nunca pierde la perspectiva de que puede
conseguir que tenga una vida más digna o superar su problema mental. Pero sí
salen mal paradas el colectivo de enfermeras que someten a las pacientes a una
disciplina férrea y a normas estrictas, con poca capacidad de cariño y con una
frialdad que por momentos da escalofríos.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCvO_1o_LBenPaAUrQAvo3Y6M66c7FT7K14FDOjqC84Sa_Y4yHx1xctnT1fqAYWZo4oEv5Ldnxoxzo9X53QvYsflTzqzT9AxYG2UE9HCBujbHNXoGP1YL1-pJmZTyj1ONS4lrSVKJRK92H/s1600/THE+SNAKE+PIT+CULT+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCvO_1o_LBenPaAUrQAvo3Y6M66c7FT7K14FDOjqC84Sa_Y4yHx1xctnT1fqAYWZo4oEv5Ldnxoxzo9X53QvYsflTzqzT9AxYG2UE9HCBujbHNXoGP1YL1-pJmZTyj1ONS4lrSVKJRK92H/s640/THE+SNAKE+PIT+CULT+7+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">“The
Snake Pit” ganó un premio un Oscar al Mejor Sonido (Thomas T. Moulton) y fue
nominada en cinco apartados más: película, actriz, director, guión adaptado y
banda sonora (incluída por separado en los extras de este disco blu-ray). Muy recomendable!</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiobyYqpfa8RPPA1DMO5ocqFi_uZ9ROeXdMM_20Abzj1yro07DdzimfOkI_MQtHPfbwWF12oOw-j-v_lsMLXzq057mjfaws4pndz4H4XQxyrxueXQdu_eUJPtd0gtXITu-hqhfTdu-tHZgt/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiobyYqpfa8RPPA1DMO5ocqFi_uZ9ROeXdMM_20Abzj1yro07DdzimfOkI_MQtHPfbwWF12oOw-j-v_lsMLXzq057mjfaws4pndz4H4XQxyrxueXQdu_eUJPtd0gtXITu-hqhfTdu-tHZgt/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<b>
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<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Resolución
de Video</u>: 1080p / 60</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Aspect
Ratio</u>: 1.33:1</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Zona</u>:
0 (Todas)</span></b></li>
</ul>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmH5PzknACuHttpw8veObiiqw8w0m_R0GwKBNQJaDLiXAhdg4GhaWNort2aAkW5yJiPm4RUTdH96eQ3ICXN8FfCX1rY2YOWiQeZnCD43GAwOMe-PKiDu6SYQXcNqtiMF6Aa5Draa7Plr9r/s1600/THE+SNAKE+PIT+CULT+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmH5PzknACuHttpw8veObiiqw8w0m_R0GwKBNQJaDLiXAhdg4GhaWNort2aAkW5yJiPm4RUTdH96eQ3ICXN8FfCX1rY2YOWiQeZnCD43GAwOMe-PKiDu6SYQXcNqtiMF6Aa5Draa7Plr9r/s640/THE+SNAKE+PIT+CULT+8+copy.jpg" width="640" /></a></b></div>
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<b></b><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>CALIDAD
DE AUDIO</u>:</span></b><b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiobyYqpfa8RPPA1DMO5ocqFi_uZ9ROeXdMM_20Abzj1yro07DdzimfOkI_MQtHPfbwWF12oOw-j-v_lsMLXzq057mjfaws4pndz4H4XQxyrxueXQdu_eUJPtd0gtXITu-hqhfTdu-tHZgt/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiobyYqpfa8RPPA1DMO5ocqFi_uZ9ROeXdMM_20Abzj1yro07DdzimfOkI_MQtHPfbwWF12oOw-j-v_lsMLXzq057mjfaws4pndz4H4XQxyrxueXQdu_eUJPtd0gtXITu-hqhfTdu-tHZgt/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Codificación
de Audio</u>: DTS-HD MA 1.0 & DTS-HD MA 2.0</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Idioma</u>:
Inglés</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Subtítulos</u>:
Inglés SDH</span></b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8n8-dmVdQYdQyHYo-jgBq_uUsgz2aKcUDa-kFPJffG5JiSzgKuDt7ttKVdYEb79j__o8GG5LmJYYxEisW2CDCqz7Ifnh20FuHbb12STfUqt_agKAAW2ITRjEjdaBgd39LrgAPWCmAydku/s1600/THE+SNAKE+PIT+CULT+1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8n8-dmVdQYdQyHYo-jgBq_uUsgz2aKcUDa-kFPJffG5JiSzgKuDt7ttKVdYEb79j__o8GG5LmJYYxEisW2CDCqz7Ifnh20FuHbb12STfUqt_agKAAW2ITRjEjdaBgd39LrgAPWCmAydku/s640/THE+SNAKE+PIT+CULT+1+copy.jpg" width="640" /></a></div>
<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>EXTRAS</u>:</span></b><b>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiobyYqpfa8RPPA1DMO5ocqFi_uZ9ROeXdMM_20Abzj1yro07DdzimfOkI_MQtHPfbwWF12oOw-j-v_lsMLXzq057mjfaws4pndz4H4XQxyrxueXQdu_eUJPtd0gtXITu-hqhfTdu-tHZgt/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiobyYqpfa8RPPA1DMO5ocqFi_uZ9ROeXdMM_20Abzj1yro07DdzimfOkI_MQtHPfbwWF12oOw-j-v_lsMLXzq057mjfaws4pndz4H4XQxyrxueXQdu_eUJPtd0gtXITu-hqhfTdu-tHZgt/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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</b><br />
<ul>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Comentario
de audio con la historiadora cinematográfica Aubrey Solomon </span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Dos(2)
“The Snake Pit” Vintage Radio Shows </span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Banda
de sonido compuesta por Alfred Newman y efectos en canal separado </span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Trailer</span></b></li>
<li><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Fox
Movietone Newsreels </span></b></li>
</ul>
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<b><span style="font-family: "arial" , sans-serif; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> MUY BUENO</span></span></span></b></div>
<b>
</b><br />
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<b><span style="font-family: "arial" , sans-serif; font-size: 18.0pt;">Puedes adquirir este
blu-ray en</span></b></div>
<b>
</b><br />
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<b><span style="font-family: "arial" , sans-serif; font-size: 18.0pt;"><a href="https://www.twilighttimemovies.com/snake-pit-the-blu-ray/">https://www.twilighttimemovies.com/snake-pit-the-blu-ray/</a></span></b></div>
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</b><br />
<ul>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Título</u>:
“The Snake Pit” (1948, Limited Edition)</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Género</u>:
Drama</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Duración</u>:
108 minutos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Distribuidor</u>:
Twilight Time</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Blu-ray
SRP</u>: $29.95</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><u>Fecha
de Lanzamiento</u>: Abril 16, 2019</span></b></span></li>
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-56274555504108600902019-05-15T14:16:00.000-04:002019-05-15T14:17:05.005-04:00"Shakespeare: Coriolanus": La nueva producción de la Royal Shakespeare Company. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl3HYr2hVBPogB3-TVdQCH8GDAkeiFOFk_gfunwi4ZJ6sfsCwJs9B6aZ9HEkCaAsX0FU_Y4G84vUJCYtgTNuOfyCAD2gXn_8Z-9wf1eMiGWTXr6i25GnvytLFc5h4SWfWW9cTRkpb7kNnm/s1600/coriolanus+cult+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1110" data-original-width="1600" height="442" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl3HYr2hVBPogB3-TVdQCH8GDAkeiFOFk_gfunwi4ZJ6sfsCwJs9B6aZ9HEkCaAsX0FU_Y4G84vUJCYtgTNuOfyCAD2gXn_8Z-9wf1eMiGWTXr6i25GnvytLFc5h4SWfWW9cTRkpb7kNnm/s640/coriolanus+cult+7+copy.jpg" width="640" /></a></div>
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<div class="MsoNormal">
<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Naxos
USA lanzó al mercado americano la edición en formato blu-ray de “Coriolanus”,
escrita por William Shakespeare y producida por la Royal Shakespeare Company.
Está dirigida por Angus Jackson y protagonizada por Siope Dirisu, Hadyn Gwynne,
Hannah Moorish, Paul Jesson, James Corrigan, Martina Laird, Jackie Morrison,
Katherine Toy, Charles Aitken y Ben Hall. Esta puesta de Angus Jackson comienza
con una secuencia prolongada en la que una carretilla elevadora mueve las
bolsas de maíz lejos del alcance de los ciudadanos. Es además un elemento audaz
en la puesta contemporánea de Jackson colocar al actor Sope Dirisu como
Coriolanus, el hombre que no puede y no será el líder que la gente está
buscando. Dirisu es una presencia formidable que llena el escenario, un hombre
de gran valentía que emerge del campo de batalla saturado en la sangre de
otros, teñido de rojo desde la nariz a la rodilla, aunque tanto el personaje
como el actor parecen menos cómodos en las secuencias posteriores a la batalla.
Parece un poco demasiado castigado, no exuda desprecio.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvoePvx8CPWXXaoodGPtkzpEH38-fxDbhqwSlCdzmhTBtdJUK0cLul8StE63EisWNyG0BcNBIT9DHTkKISGcLF4ty_QMs1A8LMU0QRsYuhnQShAQBZ4WPr56B6nqbaU9KewNrXHcJkX5S-/s1600/coriolanus+cult+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvoePvx8CPWXXaoodGPtkzpEH38-fxDbhqwSlCdzmhTBtdJUK0cLul8StE63EisWNyG0BcNBIT9DHTkKISGcLF4ty_QMs1A8LMU0QRsYuhnQShAQBZ4WPr56B6nqbaU9KewNrXHcJkX5S-/s640/coriolanus+cult+4+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvi6NraRPHcVbYzxE9bfHjQMwEA3rQQx_p3gJqoTG3rINh17uldKE4Ok8NOH80Kofk3bwPduF3tDNqQeVfcy6atOTlq3YJKhtOWjjv2XKZ0zm27r8dHhEDpJzwIYtnPqgD_H6kGrSexKCt/s1600/coriolanus+cult+8+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1417" data-original-width="945" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvi6NraRPHcVbYzxE9bfHjQMwEA3rQQx_p3gJqoTG3rINh17uldKE4Ok8NOH80Kofk3bwPduF3tDNqQeVfcy6atOTlq3YJKhtOWjjv2XKZ0zm27r8dHhEDpJzwIYtnPqgD_H6kGrSexKCt/s400/coriolanus+cult+8+copy.jpg" width="266" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">Jackson
interpreta en su puesta en escena el elemento de la división social en esta
gran obra política: esta es una producción en la que los plebeyos usan t-shirts
con capucha y las chaquetas patricias mientras que los tribunos tienen la
suavidad de los parlamentarios listos para aparecer en televisión. Sin embargo,
se aleja de referencias contemporáneas específicas y la atmósfera de agitación
social se diluye considerablemente a causa de la música elegida, ejecutada por
instrumentos de cuerdas, que parecen estar en contraposición con el tono de la
producción. Aunque esto ciertamente no afecta a las otras muchas cualidades de
la producción, podría haber sido más emocionante tomar los sonidos de la música
moderna y traducirlos a un arreglo clásico.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn2TG94D19gxY03_DC0NploR1fmHz_suKNFgZS9_MQ6I84G71T_zOY3Nf8rOKNW-VmzlRX2byrLJjK1e0UBEZx1y7VW6sPpwAY8ji6o1_bzMMkKrJkAKTFcWiQ68I-sU8iKsXyD1c51awp/s1600/coriolanus+cult+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="773" data-original-width="1024" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn2TG94D19gxY03_DC0NploR1fmHz_suKNFgZS9_MQ6I84G71T_zOY3Nf8rOKNW-VmzlRX2byrLJjK1e0UBEZx1y7VW6sPpwAY8ji6o1_bzMMkKrJkAKTFcWiQ68I-sU8iKsXyD1c51awp/s640/coriolanus+cult+6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">Mientras
que la producción, particularmente en la primera mitad, parece cubrir
políticamente todas sus apuestas, se acelera después de un intervalo con una
serie de escenas impresionantes que se centran en las relaciones centrales que
impulsan a Coriolanus: una dependencia paralizante de su madre, Volumnia y su
mutua fascinación y el vínculo guerrero con el enemigo convertido en aliado,
Aufidio. Esta mezcla de lo privado y lo público es lo que hace que Coriolanus
sea tan extraordinario. Esto es apuntalado por el poderoso giro de Sope Dirisu
en el rol protagónico en lo que es su debut profesional en el RSC. Dirisu no
solo tiene la estatura físicamente imponente requerida para ser un maestro
convincente de la disciplina militar, sino que también equilibra perfectamente
la mezcla de frases encantadoras y angustia petulante. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigaY6j1-0UTnA8s5ozDXW7OGY4W9S1utIbLlnmf8tskNOQIWwWi-mFQFZ46NZaOH0OoPiBEKVoafHntnS-ndkQhu6WiPwH0a-EQotYvgzHPdGFjTKNWVqJ_QTlcLRCU5Lm3cjeToDwDMx-/s1600/coriolanus+cult+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1273" data-original-width="1340" height="608" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigaY6j1-0UTnA8s5ozDXW7OGY4W9S1utIbLlnmf8tskNOQIWwWi-mFQFZ46NZaOH0OoPiBEKVoafHntnS-ndkQhu6WiPwH0a-EQotYvgzHPdGFjTKNWVqJ_QTlcLRCU5Lm3cjeToDwDMx-/s640/coriolanus+cult+2+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">También debe ser
elogiado por otorgar a su personaje ciertos toques de humor, mezclando su furia
contra las serpientes políticas con la exasperación humorística. Es a la vez
emocionante y divertido verlo encogerse como un adolescente torpe bajo la
mirada de su madre. Este vínculo materno es lo que hace y deshace a Coriolanus
y, en lo que seguramente es uno de los mejores papeles de Shakespeare para una
actriz experimentada, Haydn Gwynne es conmovedora y poderosa, particularmente
en sus escenas finales.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBM9YO5m1_CghnGRe3UfbdwD7N0BOIRHGR3yUXU-ltmhgFj-JtG-EUwxvH5Zd84QoYbyUdsuapP-ssngO5ZGOB332SMMLGgI9I7t_PBl7SV52ryJ9qc7PPpZ70yCwEhZib3N_qYJGrhJt-/s1600/coriolanus+cult+1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1066" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBM9YO5m1_CghnGRe3UfbdwD7N0BOIRHGR3yUXU-ltmhgFj-JtG-EUwxvH5Zd84QoYbyUdsuapP-ssngO5ZGOB332SMMLGgI9I7t_PBl7SV52ryJ9qc7PPpZ70yCwEhZib3N_qYJGrhJt-/s640/coriolanus+cult+1+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO0VXPfuEfYuS8PgyO6XW1Z9_0Nim52IzV3ntg4lkjzsyotagQPsXXmcMa6u6bfiRqd0waTQB9fvAi-ZdN7I7R3bQHFPoAuxydJQR-xlutFgAtPcuebLkTPcwUBLVmQrCK9kLjGEugE8Ls/s1600/CORIOLANUS+BACK.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1128" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO0VXPfuEfYuS8PgyO6XW1Z9_0Nim52IzV3ntg4lkjzsyotagQPsXXmcMa6u6bfiRqd0waTQB9fvAi-ZdN7I7R3bQHFPoAuxydJQR-xlutFgAtPcuebLkTPcwUBLVmQrCK9kLjGEugE8Ls/s400/CORIOLANUS+BACK.jpg" width="281" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">Hannah
Morrish es una Virgilia brillante, creando una dinámica intrigante y extraña
con su esposo, particularmente durante el abrazo de despedida antes de su
destierro. La otra actuación notable de la obra, que con frecuencia amenaza con
robar el centro de atención (incluso a Dirisu), es el Aufidius de James
Corrigan. Desde su primera escena de pelea juntos, Jackson destaca el lado
homoerótico de la relación, ya que el conflicto se parece por momentos a una
relación sexual, especialmente cuando Disiru levanta y apoya a su oponente
contra la parrilla del backstage. La fusión del lenguaje de la guerra y el amor
(que no es exclusiva de Coriolanus), se pone de relieve también cuando Corrigan
mira a su enemigo de arriba a abajo y da un gracioso grito de deleite cuando
salen juntos del escenario. Él y Disiru ofrecen la mejor entrega de
Shakespeare, combinando una comprensión clara del texto con una calidad naturalista,
que a menudo se pierde en gran parte del conjunto declamatorio del RSC.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoZtI1EC51WGAJyAF2OpENf6YQzbe5trEvqtKgNiwSVOQo-AmhugxsF2HQs7F7Va0IQFwmgY49M9XDKvK3316DtCb-azhd2gg0yiG_lNnlB2L4dNeQUsLeedD_bu2hEhez8Dwlayh2UUb5/s1600/coriolanus+cult+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1600" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoZtI1EC51WGAJyAF2OpENf6YQzbe5trEvqtKgNiwSVOQo-AmhugxsF2HQs7F7Va0IQFwmgY49M9XDKvK3316DtCb-azhd2gg0yiG_lNnlB2L4dNeQUsLeedD_bu2hEhez8Dwlayh2UUb5/s640/coriolanus+cult+3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">El
diseño de la escenografía y la iluminación son simples y sencillos, y apoyan
con éxito las impresionantes actuaciones del elenco. La impresionante
versatilidad de las actuación de Dirisu y Corrigan y los vínculos que
Coriolanus desarrolla con su familia y su archienemigo hacen de esta producción
una obra maestra emocional y atractiva: una presentación desconcertante de la
relación entre la gente común y las figuras públicas. Estaproducción
ultramoderna de “Coriolanus” de la Royal Shakespeare Company equilibra el humor
con la puesta en escena minimalista em una nueva versión de una de las obras
menos interpretadas de Shakespeare.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyqcDJGBMvtlrbLNM5wCKEz8KTJEi9jA9K-Ox-8vSLe2yXg6hhbjeIDSnZOqawI21swzfVBDFAm0MUFKCBS2Ks1zYe65VMNlAAr1KAZCRzO10cyGN1A5KZDG0ZbvMXz6RH5WnUSpHz6yyc/s1600/coriolanus+cult+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1000" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyqcDJGBMvtlrbLNM5wCKEz8KTJEi9jA9K-Ox-8vSLe2yXg6hhbjeIDSnZOqawI21swzfVBDFAm0MUFKCBS2Ks1zYe65VMNlAAr1KAZCRzO10cyGN1A5KZDG0ZbvMXz6RH5WnUSpHz6yyc/s640/coriolanus+cult+5+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>CALIDAD
DE VIDEO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8qgwa0rYQkgw5G3b2QINIER-SL9eOOEkPZVvgFSSDI9E9SRCP5LCq1vGw-Q4cD02_g08gF89E0tbBDpCZjuo0vDtzpaM9sbZZ47ix0u3W1sM-jLJu1yl0zaNcJ8Lpn6H6d_Cz7zQA0lg/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8qgwa0rYQkgw5G3b2QINIER-SL9eOOEkPZVvgFSSDI9E9SRCP5LCq1vGw-Q4cD02_g08gF89E0tbBDpCZjuo0vDtzpaM9sbZZ47ix0u3W1sM-jLJu1yl0zaNcJ8Lpn6H6d_Cz7zQA0lg/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Resolución
de Video</u>:<span style="mso-spacerun: yes;"> </span>1080i/60</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Codificación
de Video</u>:<span style="mso-spacerun: yes;"> </span>MPEG-4 / AVC</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Aspect
Ratio</u>:<span style="mso-spacerun: yes;"> </span>1.77:1</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Región</u>:
0 (Todas)</b></span></li>
</ul>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>CALIDAD
DE AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8qgwa0rYQkgw5G3b2QINIER-SL9eOOEkPZVvgFSSDI9E9SRCP5LCq1vGw-Q4cD02_g08gF89E0tbBDpCZjuo0vDtzpaM9sbZZ47ix0u3W1sM-jLJu1yl0zaNcJ8Lpn6H6d_Cz7zQA0lg/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8qgwa0rYQkgw5G3b2QINIER-SL9eOOEkPZVvgFSSDI9E9SRCP5LCq1vGw-Q4cD02_g08gF89E0tbBDpCZjuo0vDtzpaM9sbZZ47ix0u3W1sM-jLJu1yl0zaNcJ8Lpn6H6d_Cz7zQA0lg/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Codificación
de Audio</u>: Dos Canales: PCM 2.0 Estéreo & DTS-HD Master 5.1</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Idioma</u>:
Inglés</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Subtítulos</u>:<span style="mso-spacerun: yes;"> </span>Inglés</b></span></li>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFuj0cHENCqXMrs3wx0zKd_y_eod4j_jX-OCl3p54A8C6TFAEy2CpDq7i98hW5AjQh3IwR0huGzDbJC9BZGEqrK-ThnaeHOzmq1u2r4t3DqibA4NFQsW4Z5mhm94r1-WmZzpUDMMzg0UKn/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFuj0cHENCqXMrs3wx0zKd_y_eod4j_jX-OCl3p54A8C6TFAEy2CpDq7i98hW5AjQh3IwR0huGzDbJC9BZGEqrK-ThnaeHOzmq1u2r4t3DqibA4NFQsW4Z5mhm94r1-WmZzpUDMMzg0UKn/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Comentario
de audio a cargo de Angus Jackson </b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Entrevista
a Sope Dirisu</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Galería
de personajes</b></span></li>
</ul>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><o:p><b></b></o:p></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0VCNL4ZRTM-msX4l82o-Itb33b_wBfD1J6a6XYpk-FzjfJOhVP58j7MZe4Sdcs71Ty8FnWXvWi7u7aDMwaFp9ql5_YLN1o6BIRyraAEn2NSLtUEKeGT5-13Rc_hbM9r-Dpo3QS-Ysdyz-/s1600/coriolanus+cult+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="432" data-original-width="768" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0VCNL4ZRTM-msX4l82o-Itb33b_wBfD1J6a6XYpk-FzjfJOhVP58j7MZe4Sdcs71Ty8FnWXvWi7u7aDMwaFp9ql5_YLN1o6BIRyraAEn2NSLtUEKeGT5-13Rc_hbM9r-Dpo3QS-Ysdyz-/s640/coriolanus+cult+9+copy.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8qgwa0rYQkgw5G3b2QINIER-SL9eOOEkPZVvgFSSDI9E9SRCP5LCq1vGw-Q4cD02_g08gF89E0tbBDpCZjuo0vDtzpaM9sbZZ47ix0u3W1sM-jLJu1yl0zaNcJ8Lpn6H6d_Cz7zQA0lg/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP8qgwa0rYQkgw5G3b2QINIER-SL9eOOEkPZVvgFSSDI9E9SRCP5LCq1vGw-Q4cD02_g08gF89E0tbBDpCZjuo0vDtzpaM9sbZZ47ix0u3W1sM-jLJu1yl0zaNcJ8Lpn6H6d_Cz7zQA0lg/s400/culturalmente+r4+stars.jpg" width="400" /></a></b></div>
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<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial" , sans-serif; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> MUY BUENO</span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial" , sans-serif; font-size: 18.0pt;"><b>Puedes adquirir este
blu-ray en<o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<a href="https://www.amazon.com/Coriolanus-Shakespeare-Blu-ray/dp/B07KSLHC5V/ref=sr_1_fkmrnull_2?keywords=coriolanus+bluray&qid=1557941893&s=gateway&sr=8-2-fkmrnull">h<span style="font-size: large;"><b>ttps://www.amazon.com/Coriolanus-Shakespeare-Blu-ray/dp/B07KSLHC5V/ref=sr_1_fkmrnull_2?keywords=coriolanus+bluray&qid=1557941893&s=gateway&sr=8-2-fkmrnull</b></span></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHZlc5Qp1kMjlsOsIv4rsOiavioF3T_ijJBlr7vpqlJ3NNAlFo6QkuASnDrXipFo4TCIh3WbvbT6rBt8rVIkTMxL8ALwkoZzLOQXUeRrns9uXLNd3II2keatzumvBEkFit0Ad-pC-Jquy0/s1600/CORIOLANUS+BLURAY.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="398" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHZlc5Qp1kMjlsOsIv4rsOiavioF3T_ijJBlr7vpqlJ3NNAlFo6QkuASnDrXipFo4TCIh3WbvbT6rBt8rVIkTMxL8ALwkoZzLOQXUeRrns9uXLNd3II2keatzumvBEkFit0Ad-pC-Jquy0/s320/CORIOLANUS+BLURAY.jpg" width="252" /></a></b></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Título</u>:
“Coriolanus” (2017)</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Género</u>:
Teatro</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Duración</u>:
170 minutos</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Estudio</u>:<span style="mso-spacerun: yes;"> </span>RSC</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Distribuidor</u>:
Naxos USA</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;">Nro.
de discos: 1 BD-50</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;">Fecha
de Lanzamiento: Noviembre 16, 2018</span></b></span></li>
</ul>
<br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0tag:blogger.com,1999:blog-1626149513312580838.post-58988573775039583042019-05-06T15:12:00.001-04:002019-05-06T15:13:08.355-04:00"The River's Edge": Un film de Allan Dwan, protagonizado por Anthony Quinn, Ray Milland y Debra Paget. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">Después
de acumular un substancioso botín, un ladrón de bancos planea huir a México con
la intención de retirarse. Para burlar la vigilancia de las autoridades
fronterizas, contrata a un guía que lo lleve por las montañas. Lo malo es que
el guía es el marido de la mujer que siempre ha amado y a la que no ve desde
hace tiempo. Twilight Time lanzó al mercado americano la edición limitada (sólo
3.000 copias) en formato blu-ray del film del año 1957 “The River’s Edge”,
dirigido por Allan Dwan y protagonizado por Ray Milland, Anthony Quinn, Debra
Paget, Harry Carey Jr., Byron Foulger, Chubby Johnson y Tom McKee.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">El
director Allan Dwan realizó su primer film en 1911. Estaba allí cuando nació el
cine y fue testigo y actor de su desarrollo. Dirigió varios films de Gloria
Swanson y Douglas Fairbanks. Su obra quizás más conocida sea "Sands of Iwo
Jima" (1949), uno de los grandes films de guerra, modelo de obras
posteriores como las de Sam Fuller o "Men in War" de A. Mann, como
así también de las películas de Clint Eastwood sobre Iwo Jima. Tuvo una carrera
notablemente larga y dirigió cuatrocientas cinco películas. Muchas de las
películas en la lista eran cortometrajes, hechos antes de la Primera Guerra
Mundial, pero también triunfó con la llegada del cine sonoro, realizando hasta cuatro películas por año. En 1954, a la edad de sesenta y nueve años, hizo tres películas,
incluida un gran western, "Cattle Queen of Montana", protagonizada
por Barbara Stanwyck y Ronald Reagan, en una historia de sorprendente densidad histórica
sobre las relaciones de los grandes terratenientes y los recientes colonos,
diferentes facciones de los nativos americanos y sus relaciones con los blancos
recién llegados y el ejército de los Estados Unidos. Fue también un precursor
del último western de John Ford, "Cheyenne Autumn" (1964), de una
década más tarde.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga7-OzEAYxUfywuCOeIT9t-DaVDbtFMFj8cY7Uerx1ZeeG638PE9weXZcueMY1kJi8rc1nMA15241hvn-H6sdPWslM2wJZ12EKRznJriz9uzsAJtHK3xWzHX1nUJdEA5QqUWVRFOg8qGfX/s1600/The_Rivers_Edge_CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="1600" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga7-OzEAYxUfywuCOeIT9t-DaVDbtFMFj8cY7Uerx1ZeeG638PE9weXZcueMY1kJi8rc1nMA15241hvn-H6sdPWslM2wJZ12EKRznJriz9uzsAJtHK3xWzHX1nUJdEA5QqUWVRFOg8qGfX/s640/The_Rivers_Edge_CULT+6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;">“The
River’s Edge” está filmada con una simplicidad que parece no contar la historia
sino más bien revelarla, desenredarla de un denso entramado de relaciones
personales, emociones agitadas y problemas no resueltos. Es un gran film en
cuanto al discurrir de los acontecimientos, lo que se denomina fisicidad
de la puesta en escena y fisicidad de los personajes que se transforman en el
desarrollo de la acción. Todo ello incluso aunque se note que las rocas o
cuevas del paisaje están realizadas con cartón piedra de estudio.<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBx4AGHkj92uaY7UOwD8qehrKaQLlIJi5Rz-Lg7Sj2tGERCOr4BAL7QPDplDaRHiFSwpia3prwk-G1w4RZXKcltdk2Ni53IMna5ymA9iJbqloK0UXdZykny0ysMCi-Gx_p6MH3PQpamyxg/s1600/The_Rivers_Edge_CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="673" data-original-width="1600" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBx4AGHkj92uaY7UOwD8qehrKaQLlIJi5Rz-Lg7Sj2tGERCOr4BAL7QPDplDaRHiFSwpia3prwk-G1w4RZXKcltdk2Ni53IMna5ymA9iJbqloK0UXdZykny0ysMCi-Gx_p6MH3PQpamyxg/s640/The_Rivers_Edge_CULT+9+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVfyrU_E2yW_ixgTv8t4CXEwmhwTQgtuQeQyuiEj0DawvkTQ2Ln2bdvlI3bA-GA_JJnShTlN_Vq11U33ezKfKUnamxfmu8CRRcN4jjxt_pMMT6gBG2Jb_7praUR4-yDKPMvUaFZLfDQ1OV/s1600/TheRiversEdge_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVfyrU_E2yW_ixgTv8t4CXEwmhwTQgtuQeQyuiEj0DawvkTQ2Ln2bdvlI3bA-GA_JJnShTlN_Vq11U33ezKfKUnamxfmu8CRRcN4jjxt_pMMT6gBG2Jb_7praUR4-yDKPMvUaFZLfDQ1OV/s400/TheRiversEdge_BDBooklet.png" width="313" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">“The
River’s Edge” es uno de los títulos de clase B de la Fox, aquellos que eran revestidos
de un <i>look</i> muy lujoso, sobre todo en el cuidado de su fotografía en color (muy
buena, perteneciente a Harold Lipstein) y centrados en pocos personajes, en
cuya intensidad se despliega el conjunto de la película. “The River’s Edge” </span><span style="font-family: "arial" , sans-serif; font-size: 14pt;"> </span><span style="font-family: "arial" , sans-serif; font-size: 14pt;">se inicia en sus títulos de crédito teniendo
como fondo el plano de ese río por el que discurren los billetes que serán el
eje de las tensiones sobre las que girará el conflicto dramático. Tras ello nos
metemos en el hogar de los Cameron. Allí vive el bueno y bruto Ben (Anthony
Quinn) y su esposa, Margaret (Debra Pager), quien estuvo casada con un <i>gangster</i>
y estuvo incluso con libertad provisional, siendo rescatada de la cárcel al
casarse con Ben. Pero lo cierto es que el matrimonio no funciona y en el fondo
Margaret añora su antigua y peligrosa relación. Por esos hechos erráticos de la
vida, su anterior amante se presentará en sus vidas de forma casual. Se trata
de Nardo Denning (Ray Milland), un hombre de amables modales que localiza a Ben
con la intención de que lo guíe hasta la frontera mexicana.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM43WAp0qTQV7l98Qa3TJCsEJDyv7Zb3c-BLZOzji1pUOH_qSduK6GP3kfzutEDYBb-Q_1UNaSOlYanVMuss1ihY42Hw0R9IH9dblfIgmyyHT5HBsfJZsRYqVXYFhJyca-_Cwkh4yepPOI/s1600/The_Rivers_Edge_CULT+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="685" data-original-width="1600" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM43WAp0qTQV7l98Qa3TJCsEJDyv7Zb3c-BLZOzji1pUOH_qSduK6GP3kfzutEDYBb-Q_1UNaSOlYanVMuss1ihY42Hw0R9IH9dblfIgmyyHT5HBsfJZsRYqVXYFhJyca-_Cwkh4yepPOI/s640/The_Rivers_Edge_CULT+8+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">El
recorrido moral de los protagonistas está mostrado por la cámara de Dwan mediante
composiciones que potencian el uso de la pantalla ancha, la
utilización de espejos y reflejos que sirven para acentuar la dualidad de los
sentimientos del trío protagonista (por ejemplo, las secuencias que se
desarrollan en el interior del hogar de los Cameron) y, en los momentos
iniciales, impulsando con enorme fuerza el costado erótico del personaje
encarnado por Debra Paget. Para ello simplemente hay que prestar atención a los instantes en
los que se la muestra mientras se prepara para ducharse, aplastando un
escorpión que se introduce en uno de sus suntuosos zapatos de andar por casa (una
metáfora de la definición de su propio personaje), o embadurnándose en la ducha
con un barro.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF4d5Rc68Ippam9prcPwYh_BWiU1LRgM-xEQioxkTyUBHFx90PBeHa29veKRibip9sf55iXXzVE4Lfow5keSSvmBypZi2V63jNwlMTWy2RJ5lkdfV7KQ9t77ccED_KkvLWqIgpSVBFqOb5/s1600/The_Rivers_Edge_CULT+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="1600" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF4d5Rc68Ippam9prcPwYh_BWiU1LRgM-xEQioxkTyUBHFx90PBeHa29veKRibip9sf55iXXzVE4Lfow5keSSvmBypZi2V63jNwlMTWy2RJ5lkdfV7KQ9t77ccED_KkvLWqIgpSVBFqOb5/s640/The_Rivers_Edge_CULT+4+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14pt;">“The
River’s Edge” es una parábola sobre la búsqueda de la redención personal a
través del sacrificio. Un valioso e interesante film pertenecientes al grupo de
de manifestaciones tardías de la serie B de finales de los años ‘50s, definidas
por su extrañeza formal y heterogeneidad. Es también uno de los
últimos exponentes de un gran realizador al que no se le recuerda con justicia
en la historia del cine. </span><span style="font-family: "arial" , sans-serif; font-size: 14pt;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcdJsq7IQUlh2Un1YhQJexflZgSFiEllF104STU0z52p5iYAs8G3LBOr2yzd-MtcxJUTIlecUyBShmQPiD6Wq9seHq2jmqjRK1yz8_9eIyn0Fi0rrIt50n7NQydlab2QMAFEB-_HnYcb2W/s1600/The_Rivers_Edge_CULT+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="1600" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcdJsq7IQUlh2Un1YhQJexflZgSFiEllF104STU0z52p5iYAs8G3LBOr2yzd-MtcxJUTIlecUyBShmQPiD6Wq9seHq2jmqjRK1yz8_9eIyn0Fi0rrIt50n7NQydlab2QMAFEB-_HnYcb2W/s640/The_Rivers_Edge_CULT+7+copy.jpg" width="640" /><span style="font-family: "arial" , sans-serif; font-size: 14pt;"> </span></a></div>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>CALIDAD
DE VIDEO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7CrdhOWSXzBM2PrkI0aDxgm1MAgCo0JTq4djHWXmCHrmXFPhtIg9pVn5U-O2TtpEeJlixeEXE-PKNeVsPg7XUzcuymRMuTSgv9RdApNMeVwwETNQcuowL69hmwV0vFxQGV3P_oFIRKxz4/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7CrdhOWSXzBM2PrkI0aDxgm1MAgCo0JTq4djHWXmCHrmXFPhtIg9pVn5U-O2TtpEeJlixeEXE-PKNeVsPg7XUzcuymRMuTSgv9RdApNMeVwwETNQcuowL69hmwV0vFxQGV3P_oFIRKxz4/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4IE8Mdz91ydGW5cx6QlqAkKAXLQDO191UqmSO2yAzgCL7bQdbSpEbxP3NwBRpejzXhlKZ0Xqqk4mudYk8jOLJk1cb3zJq7h6bJ096YkEspW7niMwDg8HtZ7537vqURU_HPgCaQE9N1fPh/s1600/The_Rivers_Edge_CULT+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="674" data-original-width="1600" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4IE8Mdz91ydGW5cx6QlqAkKAXLQDO191UqmSO2yAzgCL7bQdbSpEbxP3NwBRpejzXhlKZ0Xqqk4mudYk8jOLJk1cb3zJq7h6bJ096YkEspW7niMwDg8HtZ7537vqURU_HPgCaQE9N1fPh/s640/The_Rivers_Edge_CULT+10+copy.jpg" width="640" /></a></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Resolución
de Video</u>:<span style="mso-spacerun: yes;"> </span>1080p / 60</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Codificación
de Video</u>: AVC / MPEG-4</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Aspect
Ratio</u>: 2.35:1</b></span></li>
</ul>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>CALIDAD
DE AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7CrdhOWSXzBM2PrkI0aDxgm1MAgCo0JTq4djHWXmCHrmXFPhtIg9pVn5U-O2TtpEeJlixeEXE-PKNeVsPg7XUzcuymRMuTSgv9RdApNMeVwwETNQcuowL69hmwV0vFxQGV3P_oFIRKxz4/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7CrdhOWSXzBM2PrkI0aDxgm1MAgCo0JTq4djHWXmCHrmXFPhtIg9pVn5U-O2TtpEeJlixeEXE-PKNeVsPg7XUzcuymRMuTSgv9RdApNMeVwwETNQcuowL69hmwV0vFxQGV3P_oFIRKxz4/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ5_uPqLIFJd_y2Zk574TroGdG0cMePajOpfYq4Cv9RoofY3sqwOjFdU4pJ6LKIFr6v3CLA0ecExpfVEs7R4_C4aDtd9knwk4Qndik61QYEYZzVcbsHGh4XCNhRMaIplyFzwxlwKeTG3xx/s1600/The_Rivers_Edge_CULT+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="687" data-original-width="1600" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ5_uPqLIFJd_y2Zk574TroGdG0cMePajOpfYq4Cv9RoofY3sqwOjFdU4pJ6LKIFr6v3CLA0ecExpfVEs7R4_C4aDtd9knwk4Qndik61QYEYZzVcbsHGh4XCNhRMaIplyFzwxlwKeTG3xx/s640/The_Rivers_Edge_CULT+2+copy.jpg" width="640" /></a></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Codificación
de Audio</u>: English DTS-HD Master Audio 2.0</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Idioma</u>:
Inglés</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>Subtítulos</u>:
Inglés</b></span></li>
</ul>
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<span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIHlheHpiDQzWRGCAZ-T8to96LKKibkmwfHHIv0rm2qlCP4lFMNQ9XVgsNs7AXLRmqpVnXxozE2uYEfFdwxLBpdWCTOOlckveIq8Hz2vsQlsD7EbjCDYA7Chb03WNqbvBELet9KAzJ0jJt/s1600/culturalmente+r3+AND+HALF+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIHlheHpiDQzWRGCAZ-T8to96LKKibkmwfHHIv0rm2qlCP4lFMNQ9XVgsNs7AXLRmqpVnXxozE2uYEfFdwxLBpdWCTOOlckveIq8Hz2vsQlsD7EbjCDYA7Chb03WNqbvBELet9KAzJ0jJt/s200/culturalmente+r3+AND+HALF+stars.jpg" width="200" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsjFLfXvGfEX8DO9FVcuw6JqwT3PzGwtmxbKZSWQrZsvgfJqM1UudLycaTOKsclUM6-JDN671_Tcwtdzt92Awdc7R53QQQiWSi9FMgxnuvsZH2Odf-pwP5K8FCS32M8Q5-jZGHfffk-CBy/s1600/The_Rivers_Edge_CULT+11+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsjFLfXvGfEX8DO9FVcuw6JqwT3PzGwtmxbKZSWQrZsvgfJqM1UudLycaTOKsclUM6-JDN671_Tcwtdzt92Awdc7R53QQQiWSi9FMgxnuvsZH2Odf-pwP5K8FCS32M8Q5-jZGHfffk-CBy/s640/The_Rivers_Edge_CULT+11+copy.jpg" width="640" /></a></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Comentario
de audio a cargo de los historiadores cinematográficos Alain Silver y James
Ursini</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Banda
de Sonido Original en track separado, DTS-HD Master Audio 2.0 stereo.</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Trailer</b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b>Booklet
con fotos del film, poster y ensayo sobre el film a cargo de la historiadora
cinematográfica Julie Kirgo</b></span></li>
</ul>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIHlheHpiDQzWRGCAZ-T8to96LKKibkmwfHHIv0rm2qlCP4lFMNQ9XVgsNs7AXLRmqpVnXxozE2uYEfFdwxLBpdWCTOOlckveIq8Hz2vsQlsD7EbjCDYA7Chb03WNqbvBELet9KAzJ0jJt/s1600/culturalmente+r3+AND+HALF+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIHlheHpiDQzWRGCAZ-T8to96LKKibkmwfHHIv0rm2qlCP4lFMNQ9XVgsNs7AXLRmqpVnXxozE2uYEfFdwxLBpdWCTOOlckveIq8Hz2vsQlsD7EbjCDYA7Chb03WNqbvBELet9KAzJ0jJt/s400/culturalmente+r3+AND+HALF+stars.jpg" width="400" /></a></b></div>
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<b><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"> </span><span style="font-family: "arial" , sans-serif; font-size: 22pt; text-align: center;"><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO +</span></span></b></div>
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<span style="font-family: "arial" , sans-serif; font-size: 18.0pt;"><b>Puedes adquirir este
blu-ray en <a href="https://www.twilighttimemovies.com/rivers-edge-the-blu-ray/">https://www.twilighttimemovies.com/rivers-edge-the-blu-ray/</a></b><o:p></o:p></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhskZsuEebgCadw773TPsyzpaALPJsOWbeFSjcawjSZrmToVPXwh6EOesQQIyXveqKT2roPqXWV6rHToqT-65dlOuzlhNJVnIgN4J5XkyTL01YBwzkjNxCyXorA-R5lTmyb7Cj0PM4XnYe/s1600/TheRiversEdge_Bluray.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhskZsuEebgCadw773TPsyzpaALPJsOWbeFSjcawjSZrmToVPXwh6EOesQQIyXveqKT2roPqXWV6rHToqT-65dlOuzlhNJVnIgN4J5XkyTL01YBwzkjNxCyXorA-R5lTmyb7Cj0PM4XnYe/s320/TheRiversEdge_Bluray.png" width="253" /></a></b></div>
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<ul>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Título</u>:
“The River’s Edge” (1957)</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Género</u>:
Acción</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Duración</u>:<span style="mso-spacerun: yes;"> </span>87 minutos</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></span></li>
<li><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><b><span style="color: #f1c232;"><u>Fecha
de Lanzamiento</u>: Marzo 19, 2019</span></b></span></li>
</ul>
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-->CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com1Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-40451564114629832792019-04-27T14:52:00.001-04:002019-04-27T14:53:59.803-04:00"The Big Fix": Una mezcla interesante de nuevo cine negro y comedia. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Por</span></span></b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjybEujif7g_fCQS10o6kJf4lZE3k2siLyAaqhx-DZfoppqTizt1PDIfY3vqnTNmzvz82zlA-1-9imFnwwdDdhdUN_pLLD35IjxpYJhILgiuuoaB7dAOjKmyiRSQmS76bzHf6o-0GXVRh9B/s1600/THE+BIG+FIX+CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjybEujif7g_fCQS10o6kJf4lZE3k2siLyAaqhx-DZfoppqTizt1PDIfY3vqnTNmzvz82zlA-1-9imFnwwdDdhdUN_pLLD35IjxpYJhILgiuuoaB7dAOjKmyiRSQmS76bzHf6o-0GXVRh9B/s640/THE+BIG+FIX+CULT+6+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6SKMxr-qUecxEZEjgLfRcwQcliPXQZLvwlJqkYVIItZLgGmV7e6s2Z8iog1HTNbGf2DyBZPbNZGju_RBDoJY6Oa5pISDYeb2_lgnIGHak8fYYW3FOncyrF-P8vzBWddmKdMGb3CKrsg5r/s1600/TheBigFix_Bluray.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6SKMxr-qUecxEZEjgLfRcwQcliPXQZLvwlJqkYVIItZLgGmV7e6s2Z8iog1HTNbGf2DyBZPbNZGju_RBDoJY6Oa5pISDYeb2_lgnIGHak8fYYW3FOncyrF-P8vzBWddmKdMGb3CKrsg5r/s400/TheBigFix_Bluray.png" width="316" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Moisés es
un detective privado con serias dificultades para pagarle la pensión a su ex
mujer, que no tiene ningún interés en saber quién será elegido gobernador de
california. Pero tendrá que cambiar de opinión cuando Lila, una vieja amiga de
la universidad, reaparezca en su vida. Twilight Time lanzó al mercado americano
la edición limitada (sólo 3.000 copias) en formato blu-ray del film del año 1978
“The Big Fix”, dirigido por Jeremy Paul Kagan, con guión cinematográfico de
Roger L. Simon y banda de sonido compuesta por el gran Bill Conti. Está
protagonizado por Richard Dreyfuss, Susan Anspach, Bonnie Bedelia, John
Lithgow, F. Murray Abraham y Fritz Weaver.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuEJT9EWNBIatD3Ux0svZ5R2nRW4CH0r82PkJsIQSFwe_7BtaCM8Z5tgH-ObUAIweQFtsyA92Zquc_w5t-63xuXjc0eNkZwbU_bf2aHY_nQa82qVUibNqBleZfFr-cL9uRDxrLzHxqlscC/s1600/THE+BIG+FIX+CULT+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuEJT9EWNBIatD3Ux0svZ5R2nRW4CH0r82PkJsIQSFwe_7BtaCM8Z5tgH-ObUAIweQFtsyA92Zquc_w5t-63xuXjc0eNkZwbU_bf2aHY_nQa82qVUibNqBleZfFr-cL9uRDxrLzHxqlscC/s640/THE+BIG+FIX+CULT+2+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;">“The Big
Fix” mezcla misterio politico, crimen y una buena dosis de intriga. </span>
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<span style="font-family: "arial"; font-size: 14.0pt;">Es también
una película que tiene el deseo de ser una comedia a veces, a pesar de que
posee momentos más serios. Posee, además, crítica política al apuntar tanto a
los radicales de la Guerra de Vietnam como a los comunistas americanos que
ahora viven plácidamente disfrutando del capitalismo.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheAUqhcTViL2lQMyIfLiHeemph8ET7E3GI2-ZxISBs3aeRBSiWvwfjXmWShdFITqN5KhxjYpoK7Xn0QHTwoTby7GzgbCEgCzBAESL-7uvAAq2eZ3OlN1kDAdIxkNiISusZnRD-LKl5IOfU/s1600/THE+BIG+FIX+CULT+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheAUqhcTViL2lQMyIfLiHeemph8ET7E3GI2-ZxISBs3aeRBSiWvwfjXmWShdFITqN5KhxjYpoK7Xn0QHTwoTby7GzgbCEgCzBAESL-7uvAAq2eZ3OlN1kDAdIxkNiISusZnRD-LKl5IOfU/s640/THE+BIG+FIX+CULT+3+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;">La trama de
misterio está bien escrita y se condice con el tipo de películas </span><br />
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<span style="font-family: "arial"; font-size: 14.0pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdKTzO4zMYqzXsHtcnj649mPKq1875qdf_PZ09iqZkAEe4O4OYz6QzTtw-hFu8xVGDYEpZAzpctid8c9iv8XXqiX1PWtBQ7s5BLht6b5eA9MXIMQ3cuWApqrKSGaA3kwD6PwlD8Zp0Bj5w/s1600/TheBigFix_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdKTzO4zMYqzXsHtcnj649mPKq1875qdf_PZ09iqZkAEe4O4OYz6QzTtw-hFu8xVGDYEpZAzpctid8c9iv8XXqiX1PWtBQ7s5BLht6b5eA9MXIMQ3cuWApqrKSGaA3kwD6PwlD8Zp0Bj5w/s400/TheBigFix_Back.png" width="308" /></a></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><i>neo-noir</i>cínicas y bañadas por el sol de Los Ángeles en la década del ’70. Estamos
frente a una gran película sobre el idealismo perdido, el envejecimiento y los
jóvenes radicales que se adaptan a la sociedad. Richard Dreyfuss que también es
un producto de su época: en los años ‘70s se produjo un resurgimiento de los
films de misterio con detectives de protagonistas. Los más arquetípicos fueron
"Chinatown", "The Long Goodbye" y "Night Moves".
"The Big Fix" no es tan definitivo, inquietante o artísticamente
importyante como las anteriores: comparte un segundo nivel junto a films como
"The Late Show" y "The Black Bird". Posee un tono más ligero, un poco más cómico. Aún así, todos se adhieren
a ese cinismo de bajo perfil que impregnó las películas de esta
década y lo hicieron ideal para actualizar el fatalismo sin esperanza
inherente al género negro. Efectivamente, este film es sobre la corrupción
política local y las agendas bizantinas de encubrimiento de hombres poderosos. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguvhkzEw4Yre3OC-73Dx1M5AYnpGaCwfZWZnTZcWk-pdtslnZ_5OiSWYQJgut-cErwjqZVNXbNl4FDiUeU9mCgosK3jUpGMhmGB7s4Q0V_-4cRs6Ye0G6i75B1hzx8CanW9c9YatrbHUdK/s1600/THE+BIG+FIX+CULT+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguvhkzEw4Yre3OC-73Dx1M5AYnpGaCwfZWZnTZcWk-pdtslnZ_5OiSWYQJgut-cErwjqZVNXbNl4FDiUeU9mCgosK3jUpGMhmGB7s4Q0V_-4cRs6Ye0G6i75B1hzx8CanW9c9YatrbHUdK/s640/THE+BIG+FIX+CULT+4+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;">Dreyfuss
nunca carece de energía como actor, por lo que trae tanto encanto como el director
se lo permita. Es un tipo sabio, tiene buen humor (desde el principio disfruta
jugar el juego de mesa "Clue" con él mismo en su casa para
perfeccionar sus habilidades como detective privado), lleva a sus dos hijos
pequeños a sus investigaciones porque es su turno de cuídalos (esto es en los
años ‘70s, por supuesto que está divorciado), pero cuando las cosas se ponen
serias, es ingenioso y cáustico. </span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP_FI5H_e0OvdPbNqucHigErA0KHkJoHbR1lYvsfp2hZF8sPBzbo75oFPVxYUCgZkZ2ReitISqpw6-7n453ZkDOH4AFKRAiRadMEIRxMKtPyxwcJlJoI9KCYVqJJBPkeO21gRaRzpFJtRU/s1600/THE+BIG+FIX+CULT+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP_FI5H_e0OvdPbNqucHigErA0KHkJoHbR1lYvsfp2hZF8sPBzbo75oFPVxYUCgZkZ2ReitISqpw6-7n453ZkDOH4AFKRAiRadMEIRxMKtPyxwcJlJoI9KCYVqJJBPkeO21gRaRzpFJtRU/s640/THE+BIG+FIX+CULT+7+copy.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;"><span id="goog_51388407"></span><span id="goog_51388408"></span>“The Big
Fix” posee un buen trabajo de cámara, un reparto sólido (con un muy</span><br />
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<span style="font-family: "arial"; font-size: 14.0pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidfXCEhOa0skILJ6WwygfG4Un_S42ytaOmp-0aos4NIITk8xhRb66ONNnoVNb2rSyrDAvIsIilbs32hfAsIiYw2ih0LUo9vSiJ35LrQLKDiPYfvq5HWep3mLqL6tteMi319ROtnECwoPlb/s1600/TheBigFix_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidfXCEhOa0skILJ6WwygfG4Un_S42ytaOmp-0aos4NIITk8xhRb66ONNnoVNb2rSyrDAvIsIilbs32hfAsIiYw2ih0LUo9vSiJ35LrQLKDiPYfvq5HWep3mLqL6tteMi319ROtnECwoPlb/s400/TheBigFix_BDBooklet.png" width="313" /></a></span></div>
<span style="font-family: "arial"; font-size: 14.0pt;">
joven y
barbudo John Lithgow), una trama que en realidad se explica de manera coherente
por el final (poco común para este tipo de película), y una escena final más
endulzada. Dreyfuss lleva la película y para cuando el segundo acto comienza,
la historia toma plena forma. Una mezcla interesante de noir y comedia que
entretiene todo el tiempo. Es una película de detectives fundamentalmente
diferente. La historia es sólida, posee una trama sencilla que da giros
ordenados e inteligentes<span style="mso-spacerun: yes;"> </span>y tiene un buen
giro argumental con un parecía ser un poco turbio pero se entendía bien por
qué. La historia se desarrolla bien y se desarrolla sin insultar la
inteligencia de nadie.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXGEl9d52nn0qQNlHiyZZsDhJ8jzRMobcq5Lr8D3q6M_3G_WEPXsuqvu3VeoRU62wEJtcNX_f6O2CtL71yNnh8E44WuSMNLmRCMWF0ExEXkV1sExwNxQtpH4RJTu9L7A3OgDs56ErE6yoM/s1600/THE+BIG+FIX+CULT+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXGEl9d52nn0qQNlHiyZZsDhJ8jzRMobcq5Lr8D3q6M_3G_WEPXsuqvu3VeoRU62wEJtcNX_f6O2CtL71yNnh8E44WuSMNLmRCMWF0ExEXkV1sExwNxQtpH4RJTu9L7A3OgDs56ErE6yoM/s640/THE+BIG+FIX+CULT+5+copy.jpg" width="640" /></a></div>
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<b><span style="font-family: "arial"; font-size: 14.0pt;"><u>CALIDAD DE
VIDEO</u>:</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizB1be2fNVtqPxrDzeaGekfwMvB0uxh6t_HWC5NCQp72BoLikeFaAdc6UFbFKJ0nAttpnNKXeDzaF72wdGC0qR9o5RPBnSfallujY9tg6swiXpW4OqpGtJybFcLefmdpLpo65LOvpIl4BQ/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizB1be2fNVtqPxrDzeaGekfwMvB0uxh6t_HWC5NCQp72BoLikeFaAdc6UFbFKJ0nAttpnNKXeDzaF72wdGC0qR9o5RPBnSfallujY9tg6swiXpW4OqpGtJybFcLefmdpLpo65LOvpIl4BQ/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwWwv0sBM4GxdirvNbjEgm_If_D_3l6ZnXpI_U2oBL6wF_UEKJU1UKuYqN-wGyjsTTpu89dwxh1odqYb3DbD9O92R0iV9-8m6cceTH9CVwLpgkvz4H1nS3et9f2t9l3tBMh-shy9cbyOkC/s1600/THE+BIG+FIX+CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwWwv0sBM4GxdirvNbjEgm_If_D_3l6ZnXpI_U2oBL6wF_UEKJU1UKuYqN-wGyjsTTpu89dwxh1odqYb3DbD9O92R0iV9-8m6cceTH9CVwLpgkvz4H1nS3et9f2t9l3tBMh-shy9cbyOkC/s640/THE+BIG+FIX+CULT+9+copy.jpg" width="640" /></a></div>
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<ul>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Resolución
de Video</u>: 1080p / 60</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Aspect
Ratio</u>: 1.85:1</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Zona</u>: 0 (Todas)</span></b></li>
</ul>
<b></b><b><span style="font-family: "arial"; font-size: 14.0pt;"> </span></b><b></b><b><span style="font-family: "arial"; font-size: 14.0pt;"></span></b><b><span style="font-family: "arial"; font-size: 14.0pt;"> </span></b><br />
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<b><span style="font-family: "arial"; font-size: 14.0pt;"><u>CALIDAD DE
AUDIO</u>:</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizB1be2fNVtqPxrDzeaGekfwMvB0uxh6t_HWC5NCQp72BoLikeFaAdc6UFbFKJ0nAttpnNKXeDzaF72wdGC0qR9o5RPBnSfallujY9tg6swiXpW4OqpGtJybFcLefmdpLpo65LOvpIl4BQ/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizB1be2fNVtqPxrDzeaGekfwMvB0uxh6t_HWC5NCQp72BoLikeFaAdc6UFbFKJ0nAttpnNKXeDzaF72wdGC0qR9o5RPBnSfallujY9tg6swiXpW4OqpGtJybFcLefmdpLpo65LOvpIl4BQ/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6PKDNnbEV47C8x3zrK5i2lvD6fp6VXHHvgYE9enw9QnBg44o5H6oYOUo75QlKflaenRlF2kEvvCGQcsnLlksMmWVtUDBwcbMN2IJxVyW_l7lXILDmViN3zLisM3JIyOUb5OOmJaNlJgkI/s1600/THE+BIG+FIX+CULT+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6PKDNnbEV47C8x3zrK5i2lvD6fp6VXHHvgYE9enw9QnBg44o5H6oYOUo75QlKflaenRlF2kEvvCGQcsnLlksMmWVtUDBwcbMN2IJxVyW_l7lXILDmViN3zLisM3JIyOUb5OOmJaNlJgkI/s640/THE+BIG+FIX+CULT+10+copy.jpg" width="640" /></a><b><span style="font-family: "arial"; font-size: 14.0pt;"> </span></b></div>
<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Codificación
de Audio</u>: DTS-HD MA </span></b><b><span style="font-family: "arial"; font-size: 14.0pt;"><b><span style="font-family: "arial"; font-size: 14.0pt;">1.0 </span></b></span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Idioma</u>:
Inglés</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Subtítulos</u>:
Inglés SDH</span></b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQqgYThtcDSBHF2Rkwbgrtx2scYYbAJBPuSgTswCSsqHulZ7xT6zz1oAWPTf3T3OyRohbYJjtedBiFlwrIZDdoQ1JhOqlrNsrcSGWTlglBWhw0YCO3KThSb94ryl-DIVpSWIgW9TfZtYzv/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQqgYThtcDSBHF2Rkwbgrtx2scYYbAJBPuSgTswCSsqHulZ7xT6zz1oAWPTf3T3OyRohbYJjtedBiFlwrIZDdoQ1JhOqlrNsrcSGWTlglBWhw0YCO3KThSb94ryl-DIVpSWIgW9TfZtYzv/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Trailer</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Banda de
sonido compuesta por Bill Conti y efectos en canal separado</span></b></li>
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<b><span style="font-family: "arial"; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> BUENO + </span></span></span></b></div>
<b>
</b><br />
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<b><span style="font-family: "arial"; font-size: 18.0pt;">Puedes adquirir este blu-ray en</span></b></div>
<b>
</b><br />
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<b><span style="font-family: "arial"; font-size: 18.0pt;"><a href="https://www.twilighttimemovies.com/big-fix-the-blu-ray/">https://www.twilighttimemovies.com/big-fix-the-blu-ray/</a></span></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6SKMxr-qUecxEZEjgLfRcwQcliPXQZLvwlJqkYVIItZLgGmV7e6s2Z8iog1HTNbGf2DyBZPbNZGju_RBDoJY6Oa5pISDYeb2_lgnIGHak8fYYW3FOncyrF-P8vzBWddmKdMGb3CKrsg5r/s1600/TheBigFix_Bluray.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6SKMxr-qUecxEZEjgLfRcwQcliPXQZLvwlJqkYVIItZLgGmV7e6s2Z8iog1HTNbGf2DyBZPbNZGju_RBDoJY6Oa5pISDYeb2_lgnIGHak8fYYW3FOncyrF-P8vzBWddmKdMGb3CKrsg5r/s320/TheBigFix_Bluray.png" width="253" /></a></b></div>
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<b>
</b><br />
<ul>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Título</u>:
“The Big Fix” (1978, Limited Edition)</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Género</u>:
Comedia, Misterio</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Duración</u>:
108 minutos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Distribuidor</u>:
Twilight Time</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Blu-ray
SRP</u>: $29.95</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Fecha de
Lanzamiento</u>: Marzo 19, 2019</span></b></span></li>
</ul>
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-17150263649588445922019-04-08T13:20:00.001-04:002019-04-08T13:21:43.931-04:00"Talk Radio": La demencia y la intolerancia a través de las ondas radiales. Blu-ray Review.<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;">Por</span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz9PynDIfzNfmLJWSh0_VQxv7aucsNxlPX4Njd_yGYkIZZ5r0SSkzWT0tOdRzoGGFxDur3PHtA8BEDlJjR3A0aDEf9MwQLPlM2kSOMMKhgryqr_P9nE7kZHuOMDe0j_MJAydN45j-hn1GO/s1600/talk+radio+cult+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz9PynDIfzNfmLJWSh0_VQxv7aucsNxlPX4Njd_yGYkIZZ5r0SSkzWT0tOdRzoGGFxDur3PHtA8BEDlJjR3A0aDEf9MwQLPlM2kSOMMKhgryqr_P9nE7kZHuOMDe0j_MJAydN45j-hn1GO/s640/talk+radio+cult+1.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTpCXpSRjqPK6xhChiaPO3WVQDZkLKr0JRJEZNut6MGfW_Prjo-4PZyqzjeJ9RGbe5dFiYoMe5qF7M7S217Q7VEOiW8nY42TArrANbv1AYbhHtZvJ1_iyD9bGN-5rDXoo9061MyBE1IPT-/s1600/TalkRadio_Bluray.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTpCXpSRjqPK6xhChiaPO3WVQDZkLKr0JRJEZNut6MGfW_Prjo-4PZyqzjeJ9RGbe5dFiYoMe5qF7M7S217Q7VEOiW8nY42TArrANbv1AYbhHtZvJ1_iyD9bGN-5rDXoo9061MyBE1IPT-/s400/TalkRadio_Bluray.png" width="316" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray del film del año 1988 “Talk Radio”, dirigido por Oliver Stone.
El guión cinematográfico está escrito por el director junto a Eric Bogosian,
basado en la obra teatral escrita por este ultimo y Tad Savinar. Algunas partes
de la película se inspiraron en el asesinato del locutor de radio Alan Berg en
1984, conductor de un talk show controversial que fue ejecutado por supremacistas blancos, y en el libro al respecto “The Life and Murder of Alan
Berg”, de Stephen Singular, sobre el asesinato de un locutor de Denver a manos
de un grupo neonazi en 1984. La película está protagonizada también por Eric
Bogosian junto a Alec Baldwin, Ellen Greene, Leslie Hope, John C. McGinley,
John Pankow y Michael Wincott.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiVfPvu47osfWgLf3_Zdtbslp0hlbmiyi2zRzetTyBcQ6F1R4ADb5LUFjOMRyqLmefr5O27a5sTL0rBdBOEa_uJf-JUjdhXX6v9g4cC-tuPhXH82Xko-lbyc3w4e3YEOB4a6ET2dX9DKzn/s1600/talk+radio+cult+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1200" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiVfPvu47osfWgLf3_Zdtbslp0hlbmiyi2zRzetTyBcQ6F1R4ADb5LUFjOMRyqLmefr5O27a5sTL0rBdBOEa_uJf-JUjdhXX6v9g4cC-tuPhXH82Xko-lbyc3w4e3YEOB4a6ET2dX9DKzn/s640/talk+radio+cult+2+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXS2Jlqi-EgT3kfJdc9DfYLYPQ4varrQesq9fre7BOUTwrjQK9rEzx00gbtDW2zmbY-sHoeBNKD3q1ms3VN34rNQoRyq7il92FzKlC34PJgVowF2G6Zx3WWV7VkeNlqxxApWWvWjzZoDXd/s1600/TalkRadio_BackOfBD.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXS2Jlqi-EgT3kfJdc9DfYLYPQ4varrQesq9fre7BOUTwrjQK9rEzx00gbtDW2zmbY-sHoeBNKD3q1ms3VN34rNQoRyq7il92FzKlC34PJgVowF2G6Zx3WWV7VkeNlqxxApWWvWjzZoDXd/s400/TalkRadio_BackOfBD.png" width="310" /></a></div>
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<span style="font-family: "arial"; font-size: medium;">Barry
Champlain es un cínico y cruel animador de un programa de gran audiencia en
Dallas. Es una persona inestable, muchas veces simpático, pero también cínico y
odioso en ocasiones. Una actitud personal le irá generando una gran cantidad de
enemigos poco a poco, hasta que, un día de trabajo en la radio, Barry recibe la
llamada de un psicópata que dice que lo quiere matar esta misma noche. “Talk
Radio” está filmada en su mayor parte dentro de un estudio de radio pero es sumamente entretenida y ágil y mantiene la atención en base a diálogos inteligentes y a un guión dinámico y reflexivo.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLAq5ktoKK6oBTXm8xTInqq9ZYZtWtvPRMFgnlEczOxo9QNpfF4RtUKqUG-8QK35x5EIayECrr9xnYdUvwlfrxLbPOVPe5pFeYsO-njEqmzOXELenkmfq_daCNVju1-_idJkDQySp3lqHg/s1600/talk+radio+cult+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="1468" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLAq5ktoKK6oBTXm8xTInqq9ZYZtWtvPRMFgnlEczOxo9QNpfF4RtUKqUG-8QK35x5EIayECrr9xnYdUvwlfrxLbPOVPe5pFeYsO-njEqmzOXELenkmfq_daCNVju1-_idJkDQySp3lqHg/s640/talk+radio+cult+5+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVyI2QwufitQD4u56meepirAUixJSo2XNnjVGryKsavtPbUs3o02Mki39-WJfFzsxEi2HI05NykIs7dbuWgSRcXlzlPo7yttqI8rCm5ImnpS2mgig3RAF4eIEi9AfIV8dfseJA8j4ldQS0/s1600/TalkRadio_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVyI2QwufitQD4u56meepirAUixJSo2XNnjVGryKsavtPbUs3o02Mki39-WJfFzsxEi2HI05NykIs7dbuWgSRcXlzlPo7yttqI8rCm5ImnpS2mgig3RAF4eIEi9AfIV8dfseJA8j4ldQS0/s400/TalkRadio_BDBooklet.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Antes de
que existieran las redes sociales, los <i>talk shows</i>, tanto en radio como en
televisión, se habían convertido en cuadrilátero feroz donde se ventilaban todo
tipo de conflictos y obsesiones. Las reglas del juego eran sencillas: llamar,
proponer un tema y discutirlo con un anfitrión que por lo general hace las
veces de psicólogo, trabajador social, psiquiatra, terapista sexual y hasta de
verdugo. “Talk Radio” es el sexto largometraje de Oliver Stone, filmado luego
del éxito alcanzado con “Wall Street” (1987) y antes de meterse a fondo con el
tema de Vietnam en “Born on the Fourth of July” (1989). Stone se mete en la
difícil tarea de filmar un programa radial, tratando de mantener la atención
del espectador durante las casi dos horas en los estudios de la KGAB en Dallas.
Bogosian interpreta a Barry Charnplain, anfitrión de “Night Talks”, un <i>talk
show</i> local a punto de lograr radiodifusión nacional. Durante el fin de semana
que narra la película, asistimos a las emisiones donde
Champlain trata temas como antisemitismo, racismo, drogas, homosexualidad y suicidio. </span><span style="font-family: "arial"; font-size: 14pt;">La
agresividad del locutor no tiene límites y tampoco conocemos el por qué de esa
agresividad. Se convierte en una especie de semi-dios con la capacidad de
callar a sus oyentes con sólo cambiar la llamada.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH384uuad-aFhiZc7bhIj1tBC-lpzooOsNvKRgP85rX7oIRD1lq2988K9HOhnoin2y_RxympwD1dvPelHu-nP6r_VLBep_BL9JE3quGHLWSESu6D1SRPALuK4aXT1gMaceXq4Z8CBuZEAQ/s1600/talk+radio+cult+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH384uuad-aFhiZc7bhIj1tBC-lpzooOsNvKRgP85rX7oIRD1lq2988K9HOhnoin2y_RxympwD1dvPelHu-nP6r_VLBep_BL9JE3quGHLWSESu6D1SRPALuK4aXT1gMaceXq4Z8CBuZEAQ/s640/talk+radio+cult+6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La
interpretación de Bogosian es excelente en el papel de un hombre llevado a los
límites de la insania por un grupo de psicópatas que se enorgullecen al retar
de palabra y amenazar de hecho a un ser que aman y odian simultáneamente. El
asombro de Champlain al tener frente a frente en el estudio radial a uno de sus
oyentes es el asombro de ver materializada una pesadilla, una que él mismo ha
ayudado a crear. El novelista, guionista y actor nos brinda un performance muy
certera y creíble.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjktI5rrdy1dxHprQCjoYqIfZBOoMPueIWqoocmWgNXCJYvTBK9tBhCO2ufCYiHlGjCt07b8Y7zpEI2DcoV6X4W7jXqjJSRXfCjFgIc1DHR-a233amorSdovZnt-pCilwlrpAeAzjgTlkDG/s1600/talk+radio+cult+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="1280" height="346" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjktI5rrdy1dxHprQCjoYqIfZBOoMPueIWqoocmWgNXCJYvTBK9tBhCO2ufCYiHlGjCt07b8Y7zpEI2DcoV6X4W7jXqjJSRXfCjFgIc1DHR-a233amorSdovZnt-pCilwlrpAeAzjgTlkDG/s640/talk+radio+cult+4+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">El ritmo de
la película no decae nunca y, ayudados por un gran manejo de cámaras, logramos
sentir toda esa locura que vivimos en la sociedad contemporánea, haciéndonos
testigos una vez más de la demencia y odio colectivos que hoy continuamos
viviendo sobre todo a través de las redes sociales. “Talk Radio” es una película
de vista obligada para los amantes del cine, arriesgada en sus ideas y llevada
a cabo con muy buena dirección de Oliver Stone. Cine con contenido de crítica
social, una marca registrada de la filmografía del director.</span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88VD5eiexm8M_MAlbyopEtWeCmc6Te4HwFZr-G8wEisWSIF8jd4MXV6lmQUxdSHRIkeqE6iJIMQ4FNuxa2uHDPgoj0VhNK-pz2w6XXq5AWdpcjJlPjwY0YRvKxoXJnUvxceSrc5CADaTc/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88VD5eiexm8M_MAlbyopEtWeCmc6Te4HwFZr-G8wEisWSIF8jd4MXV6lmQUxdSHRIkeqE6iJIMQ4FNuxa2uHDPgoj0VhNK-pz2w6XXq5AWdpcjJlPjwY0YRvKxoXJnUvxceSrc5CADaTc/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.85:1</b></li>
</ul>
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<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><b>La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena. La cinematografía de Robert Richardson capta a la perfección el
espíritu de clautrofobia del studio de radio y la transferencia permite
disfrutar de cada pequeño detalle de los escenarios. Robert Richardson es el
responsable de la cinematografía de films como “Salvador” (1986, <a href="http://www.culturalmenteincorrecto.com/2014/10/salvador-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2014/10/salvador-blu-ray-review.html</a>),
“Kill Bill: Vol I (2003), “Inglorious Basterds” (2009), “Shutter Island”
(2009), “Hugo” (2011) y "Django Unchained” (2012), entre otros.<o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88VD5eiexm8M_MAlbyopEtWeCmc6Te4HwFZr-G8wEisWSIF8jd4MXV6lmQUxdSHRIkeqE6iJIMQ4FNuxa2uHDPgoj0VhNK-pz2w6XXq5AWdpcjJlPjwY0YRvKxoXJnUvxceSrc5CADaTc/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88VD5eiexm8M_MAlbyopEtWeCmc6Te4HwFZr-G8wEisWSIF8jd4MXV6lmQUxdSHRIkeqE6iJIMQ4FNuxa2uHDPgoj0VhNK-pz2w6XXq5AWdpcjJlPjwY0YRvKxoXJnUvxceSrc5CADaTc/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés</b></li>
</ul>
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<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><b>La
transferencia de audio es muy buena y se escucha con extrema fidelidad a través
del canal DTS-HD Master Audio 2.0. Los diálogos son claros y la música
compuesta por Stewart Copeland fluye perfectamente sin ningún tipo de
intromisión en los diálogos. Stewart Copeland es el baterista del grupo The
Police, pero también es compositor y productor musical. Es responsable de
bandas de sonido de films como “Rumble Fish” (1983), “Wall Street" (1987),
“She’s Having a Baby” (1988), entre otros films y numerosos programas de TV.<o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-UkqGX0_zuUaGVlhcYusipCkbt23CQFzFir3qtfgm8V4drIMZPHlDsNFMQ_1a10r8PFysJe9Vc-ZUlhE68iWOa8Qz6Z44VcwyA4SDxPthr__3MEAgFM5Yg40yeEQZro9aZ8swsuMnlWl/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-UkqGX0_zuUaGVlhcYusipCkbt23CQFzFir3qtfgm8V4drIMZPHlDsNFMQ_1a10r8PFysJe9Vc-ZUlhE68iWOa8Qz6Z44VcwyA4SDxPthr__3MEAgFM5Yg40yeEQZro9aZ8swsuMnlWl/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Filming
Rage: Oliver Stone on Talk Radio: featurette</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda de
Sonido Original en track separado, DTS-HD Master Audio 2.0 stereo.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos del film, poster y ensayo sobre el film a cargo de la historiadora
cinematográfica Julie Kirgo</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEb3H2WzW-6nQWGGjSn59mQyZz6Fi5wcsbZS_NqhuXYWK93ePZCmhO3VP1TAOXwf199rQvOf-axran9UE9YdtzzzQeSf25ipMeCU7yOV9FTjkCON3ZlKS38KtwB0Jib89M7daOox2a_6ZK/s1600/talk+radio+cult+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="706" data-original-width="1062" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEb3H2WzW-6nQWGGjSn59mQyZz6Fi5wcsbZS_NqhuXYWK93ePZCmhO3VP1TAOXwf199rQvOf-axran9UE9YdtzzzQeSf25ipMeCU7yOV9FTjkCON3ZlKS38KtwB0Jib89M7daOox2a_6ZK/s640/talk+radio+cult+3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b> </b></o:p></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88VD5eiexm8M_MAlbyopEtWeCmc6Te4HwFZr-G8wEisWSIF8jd4MXV6lmQUxdSHRIkeqE6iJIMQ4FNuxa2uHDPgoj0VhNK-pz2w6XXq5AWdpcjJlPjwY0YRvKxoXJnUvxceSrc5CADaTc/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="font-family: Arial; font-size: 14pt; font-weight: bold; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88VD5eiexm8M_MAlbyopEtWeCmc6Te4HwFZr-G8wEisWSIF8jd4MXV6lmQUxdSHRIkeqE6iJIMQ4FNuxa2uHDPgoj0VhNK-pz2w6XXq5AWdpcjJlPjwY0YRvKxoXJnUvxceSrc5CADaTc/s400/culturalmente+r4+stars.jpg" width="400" /></a></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> MUY BUENO </span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/talk-radio-blu-ray/">https://www.twilighttimemovies.com/talk-radio-blu-ray/</a><o:p></o:p></b></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTpCXpSRjqPK6xhChiaPO3WVQDZkLKr0JRJEZNut6MGfW_Prjo-4PZyqzjeJ9RGbe5dFiYoMe5qF7M7S217Q7VEOiW8nY42TArrANbv1AYbhHtZvJ1_iyD9bGN-5rDXoo9061MyBE1IPT-/s1600/TalkRadio_Bluray.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTpCXpSRjqPK6xhChiaPO3WVQDZkLKr0JRJEZNut6MGfW_Prjo-4PZyqzjeJ9RGbe5dFiYoMe5qF7M7S217Q7VEOiW8nY42TArrANbv1AYbhHtZvJ1_iyD9bGN-5rDXoo9061MyBE1IPT-/s320/TalkRadio_Bluray.png" width="253" /></a></b></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Talk Radio” (1988)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Drama</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>: 109 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Febrero 19, 2019</span></b></li>
</ul>
<br />
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-88871211250835967922019-04-01T22:56:00.000-04:002019-04-01T22:57:40.280-04:00"Will Success Spoil Rock Hunter?": Una comedia sobre Hollywood y las agencias de publicidad. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim8yh7BCNMvyiX2duwBrnwl3-8N24Nqn_sTUPxMbuTuc45WJvBZIMO4k3H-ICRNiyOKGyviQIpri7y6GLKc6rPZrwXhB88vzRDE-kFhlG9IWPMbb2V67QAS1CdBJAtQ2dGUr4AqskCuorM/s1600/Will_Success_Spoil_Hock_Hunter_CULT8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim8yh7BCNMvyiX2duwBrnwl3-8N24Nqn_sTUPxMbuTuc45WJvBZIMO4k3H-ICRNiyOKGyviQIpri7y6GLKc6rPZrwXhB88vzRDE-kFhlG9IWPMbb2V67QAS1CdBJAtQ2dGUr4AqskCuorM/s640/Will_Success_Spoil_Hock_Hunter_CULT8+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqD3XTZ7uitNwBcwbhzYj6_MOSSNXImIsqWkSWf_EXepGBgDbQyXuw6aHOuXinUKu18kdSBZOlyNS4QsQ1Sce7Rd2hPjpi6AW1DvyP7nrb1dSiXb5mMZJ2AFSxuMSVbcYGoty9H3Kf0CqA/s1600/WillSuccessSpoilRockHunter_BLURAY.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqD3XTZ7uitNwBcwbhzYj6_MOSSNXImIsqWkSWf_EXepGBgDbQyXuw6aHOuXinUKu18kdSBZOlyNS4QsQ1Sce7Rd2hPjpi6AW1DvyP7nrb1dSiXb5mMZJ2AFSxuMSVbcYGoty9H3Kf0CqA/s400/WillSuccessSpoilRockHunter_BLURAY.png" width="316" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray de “Will Success Spoil Rock Hunter?”, una comedia satírica de
1957 protagonizada por Jayne Mansfield y Tony Randall, con Betsy Drake, Joan
Blondell, John Williams, Henry Jones, Lili Gentle, Mickey Hargitay y con un
cameo de Groucho Marx. La película es una sátira sobre la cultura popular de
los fans, de Hollywood y la industria de la publicidad, que estaba en esos años
ganando millones de dólares de los crecientes ingresos de los anuncios de
televisión. También apunta a la TV y la reducción que causó al tamaño de las
audiencias del cine en los años ‘50s. <o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikJDa4LYnhrUdr2u3K2qXVdRlV8RNk7_0wsUWQ6o0z9iVvCF-XIw5-M_3jcgvrLDskm-cCRwJu_ta9R_s50tw2jYUf6UmT21wGoX33LdB0RJBLud26KpXOhvTU4iP5kc-Q4kgxNnuxCnmk/s1600/Will_Success_Spoil_Hock_Hunter_CULT5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikJDa4LYnhrUdr2u3K2qXVdRlV8RNk7_0wsUWQ6o0z9iVvCF-XIw5-M_3jcgvrLDskm-cCRwJu_ta9R_s50tw2jYUf6UmT21wGoX33LdB0RJBLud26KpXOhvTU4iP5kc-Q4kgxNnuxCnmk/s640/Will_Success_Spoil_Hock_Hunter_CULT5+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">La película
fue producida y dirigida por Frank Tashlin, quien también escribió el guión en
gran parte original, usando poco más que el título y el personaje de Rita
Marlowe de la exitosa obra de Broadway homónima escrita por George Axelrod. La
obra se presentó entre 1955 y 1956 y también tuvo a Jayne Mansfield en el rol
de Rita.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1YI0u5qR8rewuM6xLj5DpRGvd9t2DkZLIUvPrIa_8G7yk9yeJx05PTD1Gob5loDcIbrkaftIGGYkiBPBtDPAiMeMAK6e-6JXJYud-3-8m9IY9Fo_2zfdnSvdQ_oJSDaVV-HyPKxgkZfXT/s1600/Will_Success_Spoil_Hock_Hunter_CULT6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1YI0u5qR8rewuM6xLj5DpRGvd9t2DkZLIUvPrIa_8G7yk9yeJx05PTD1Gob5loDcIbrkaftIGGYkiBPBtDPAiMeMAK6e-6JXJYud-3-8m9IY9Fo_2zfdnSvdQ_oJSDaVV-HyPKxgkZfXT/s640/Will_Success_Spoil_Hock_Hunter_CULT6+copy.jpg" width="640" /><span style="font-family: "arial"; font-size: 14pt;"> </span></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">En lugar de
una canción original para la apertura de la película, Tashlin colocó los
créditos de apertura tradicionales en anuncios de televisión falsos de
productos que no cumplieron lo que prometieron. A partir de este segmento
cómico, la película muestra a un escritor de publicidad televisiva, Rockwell P.
Hunter (Tony Randall), quien se encuentra en la cima de su apogee en la agencia
La Salle, la compañía donde trabaja. Con la agencia a punto de perder su cuenta
más grande, el lápiz labial Stay-Put, se le ocurre una idea para conseguir a la
modelo perfecta y la portavoz de la nueva línea de lápiz labial de Stay-Put, la
famosa actriz Rita Marlowe (Jayne Mansfield).<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfWU3SO9KWaEJa8Go3YuyjWdMa24Y4aM6VXHboDEZc2yBY1tLOyulyBkbmQfYDWsqdgei3-430yi_sJH_Y1S4GrK8MxSjmF33eCvJSLYIz0FJKyCfZVEAA0T0iR59mwf1ZqreofyyzgDPY/s1600/WillSuccessSpoilRockHunter_BackOfBD.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfWU3SO9KWaEJa8Go3YuyjWdMa24Y4aM6VXHboDEZc2yBY1tLOyulyBkbmQfYDWsqdgei3-430yi_sJH_Y1S4GrK8MxSjmF33eCvJSLYIz0FJKyCfZVEAA0T0iR59mwf1ZqreofyyzgDPY/s400/WillSuccessSpoilRockHunter_BackOfBD.png" width="310" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">Sin
embargo, para que Rita respalde el producto, Rock tiene que pretender ser su
novio para hacer que su verdadero novio, Bobo Branigansky (Hargitay), la
estrella de un programa de televisión de Tarzán, esté celoso. Bobo filtra las
noticias del nuevo romance de Rita a los tabloides y Rock Hunter es
repentinamente famoso como juguete sexual de Marlowe. Cuando Hunter también
logra que Marlowe acuerde realizer un show televisivo patrocinado por Stay-Put,
Hunter se convierte en el empleado mejor considerado de la empresa de
publicidad. Pero mientras tanto, es miserable; ella cree que se está enamorando
de Hunter, pero su verdadero verdadero amor es el hombre que la descubrió,
George Schmidlap (Groucho Marx). Al no poder encontrar a Schmidlap, ella
persigue a Hunter, aunque su secretaria "Vi" (Joan Blondell) le
advierte que está jugando un juego peligroso. (Irónicamente, Blondell, que
interpreta a la maliciosa secretaria de negocios de Mansfield, fue uno de los
símbolos sexuales de la industria del cine unos 30 años antes, pero cayó en
desgracia a causa<span style="mso-spacerun: yes;"> </span>de la censura del
Código Hays).<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOityB8_6IjfNxbzCZx0IaHfBK827dyxikw-m_wtfw_Fq-mDd1voNGy3sLHVU742S4S8-b-oX9uKeqeGwxcZxtknebWeWGEEWzhPEfQWAO9wiaBCyQTmsTYNYMFGnA6ihKTeh7CVrMhK-8/s1600/Will_Success_Spoil_Hock_Hunter_CULT4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="678" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOityB8_6IjfNxbzCZx0IaHfBK827dyxikw-m_wtfw_Fq-mDd1voNGy3sLHVU742S4S8-b-oX9uKeqeGwxcZxtknebWeWGEEWzhPEfQWAO9wiaBCyQTmsTYNYMFGnA6ihKTeh7CVrMhK-8/s640/Will_Success_Spoil_Hock_Hunter_CULT4+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">Hunter
pronto encuentra que la fama es una espada de doble filo, que le da lo que
quiere, pero con un precio a pagar por ese éxito. Las mujeres están locas por
él, pero él no tiene paz mental. En última instancia, asciende, convirtiéndose
en presidente de la compañía, solo para descubrir que no es lo que realmente
quería. Hunter le confiesa a su enojada novia, Jenny, que se encuentra en la
cima pero que eso no significa nada para él. </span><span style="font-family: "arial"; font-size: 14pt;">Cuando Rita
Marlowe abre su espectacular televisor para Stay-Put Lipstick, queda
sorprendida por la aparición de la estrella invitada "sorpresa" del
programa (y el único amor verdadero de su vida), George Schmidlap. Liberados de
la presión de la publicidad, Rock y Jenny se retiran al país para atender una
granja de pollos, anunciando que ha encontrado el verdadero fin de la vida.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoRd5E_cs04aTyZ6PYTXPo7JWnaz9n66SuD8tKGwcPGPiuY3zM4SKlV6A8IuAVKWIDuTZ8-Qz0AB_8TaJCsEfFlBqIvntRm7IbGpcdwpq6wBKpE8c4ZJU7qcLPSY1dM9HluZlmrKmANKPi/s1600/Will_Success_Spoil_Hock_Hunter_CULT7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoRd5E_cs04aTyZ6PYTXPo7JWnaz9n66SuD8tKGwcPGPiuY3zM4SKlV6A8IuAVKWIDuTZ8-Qz0AB_8TaJCsEfFlBqIvntRm7IbGpcdwpq6wBKpE8c4ZJU7qcLPSY1dM9HluZlmrKmANKPi/s640/Will_Success_Spoil_Hock_Hunter_CULT7+copy.jpg" width="640" /></a></div>
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</div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">“Will
Success Spoil Rock Hunter?” recibió una nominación para el Globo de Oro a Mejor
Actor en Musical / Comedia (Tony Randall) y una nominación para el Sindicato de
Escritores de América, Premio de la WGA del Este a la Mejor Comedia Americana
Escrita (Frank Tashlin). El personaje, Rita Marlowe, se basa en el estereotipo
de la chica rubia tonta de los roles realizados por Marilyn Monroe en ese
momento.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp8xqT5tJgcTyQSqtJwY2X0Ed_79V68IAls5F0UrKS02icjpjUapsb83t6FmiDZzOUvAc6Uusbi-vX9o5pJ6ttvUL34sZNh-niDjdb_rWO9ynw7ySkndXuPem6ijBdBkjAN6ytzzwxb3eN/s1600/Will_Success_Spoil_Hock_Hunter_CULT3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp8xqT5tJgcTyQSqtJwY2X0Ed_79V68IAls5F0UrKS02icjpjUapsb83t6FmiDZzOUvAc6Uusbi-vX9o5pJ6ttvUL34sZNh-niDjdb_rWO9ynw7ySkndXuPem6ijBdBkjAN6ytzzwxb3eN/s640/Will_Success_Spoil_Hock_Hunter_CULT3+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">La película
contiene referencias en broma a varios de los otros papeles de Mansfield, entre
ellos “The Girl Can't Help It” (1956; también dirigida por Tashlin), “Kiss Them
for Me” (1957) y “The Wayward Bus” (1957). El libro que Mansfield lee en la
escena de la bañera es “Peyton Place” (1956) de Grace Metalious, que se
convirtió en un largometraje
(</span><a href="http://www.culturalmenteincorrecto.com/2017/04/peyton-place-blu-ray-review.html" style="font-family: Arial; font-size: 14pt;">http://www.culturalmenteincorrecto.com/2017/04/peyton-place-blu-ray-review.html</a><span style="font-family: "arial"; font-size: 14pt;">)
y en una popular serie de televisión que se dice que es el precursor de las
telenovelas en horario estelar. Los grandes personajes del libro fueron
inspirados por Mansfield.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLv3HZ08Tb0b4BwY_qOfkQWo11DvenFAhV33d4cdZ7rQqCDxqExP2YbU46XGRglSaOx363BnbFDhca_rrACftXazUj8OvB27l9Oo0PwjPEanhaAsxc5eOk8jHu1QUfUKOUGVz7DIyCDp-M/s1600/Will_Success_Spoil_Hock_Hunter_CULT2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLv3HZ08Tb0b4BwY_qOfkQWo11DvenFAhV33d4cdZ7rQqCDxqExP2YbU46XGRglSaOx363BnbFDhca_rrACftXazUj8OvB27l9Oo0PwjPEanhaAsxc5eOk8jHu1QUfUKOUGVz7DIyCDp-M/s640/Will_Success_Spoil_Hock_Hunter_CULT2+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsXOitGbsLrFijZxAJ3iWacX0VC9IP7NGjpIQaip08Bh44nfrTATr34AOrYZwQ7MiFFigmKA-HywpUyljMdU1eApNOG41xajHukOV7zRFJsvcFvtZgJ1U5XQm5nFVKZqGswD0Lmd91P3dh/s1600/WillSuccessSpoilRockHunter_BACK.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsXOitGbsLrFijZxAJ3iWacX0VC9IP7NGjpIQaip08Bh44nfrTATr34AOrYZwQ7MiFFigmKA-HywpUyljMdU1eApNOG41xajHukOV7zRFJsvcFvtZgJ1U5XQm5nFVKZqGswD0Lmd91P3dh/s400/WillSuccessSpoilRockHunter_BACK.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">“Will
Success Spoil Rock Hunter?” es conocida como la película más representativa de
Mansfield. En el año 2000, el film fue seleccionado para su preservación en el
Registro Nacional de Películas de los Estados Unidos por la Biblioteca del
Congreso como "cultural, histórica o estéticamente significativa. Una de
las mejores películas de Frank Tashlin. Propone una sátira feroz hacia diversos
frentes: la estupidez televisiva, la moral del triunfo, la manipulación
publicitaria y puritanismo sexual. En conjunto resulta una inteligente y mordaz
visión de la moral social de los años ‘50s, mostrada en términos muy poco
complacientes. A todo esto se suma la brillante creatividad del director en lo
referente al humor visual.</span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.35:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhojCik_tNThyphenhyphenACf4xm8c4vbsAEi-VVnjs_obDmUiISdOSJ0Owt-IKYM3EL7FMxT_GFmxFquXDUiJWr0g08JMoo63wJjZkrx_Pd6EyRlsta49bc4ivy-y82h82Eo71Mni1xUbe2-Qrk2jnq/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhojCik_tNThyphenhyphenACf4xm8c4vbsAEi-VVnjs_obDmUiISdOSJ0Owt-IKYM3EL7FMxT_GFmxFquXDUiJWr0g08JMoo63wJjZkrx_Pd6EyRlsta49bc4ivy-y82h82Eo71Mni1xUbe2-Qrk2jnq/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhakWxkf61Sm_hXFkJsu14zA9Tq8wJEfg0KdlSl-KRXaVu5LOW-rIszf573mcMhvUu8ITrGCwEz-0miQwS8UPQBVAde0mJrLcGx5Yk-22Ye1KdH1_hJgeYaI1sAjpn1np57Ft6Sr6EYsS7K/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhakWxkf61Sm_hXFkJsu14zA9Tq8wJEfg0KdlSl-KRXaVu5LOW-rIszf573mcMhvUu8ITrGCwEz-0miQwS8UPQBVAde0mJrLcGx5Yk-22Ye1KdH1_hJgeYaI1sAjpn1np57Ft6Sr6EYsS7K/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de Audio a cargo de la hustoriadora fílmica Dana Polan</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Fox
Movietone Reel News</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
</ul>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-tv0NigEDyOHXVS7J-htmqHD2aTKHLREQdIuwQR2_EmlRgqMm4ghxhRnPoYimpALgsccn4n42IqhyxcUdIIWmjKfG_0fY9c-jmY5SfbCPnQq9DJzpZqMEO9dnbCnUjmZ1fVb_fWyN5jCd/s1600/Will_Success_Spoil_Hock_Hunter_CULT10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="615" data-original-width="1464" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-tv0NigEDyOHXVS7J-htmqHD2aTKHLREQdIuwQR2_EmlRgqMm4ghxhRnPoYimpALgsccn4n42IqhyxcUdIIWmjKfG_0fY9c-jmY5SfbCPnQq9DJzpZqMEO9dnbCnUjmZ1fVb_fWyN5jCd/s640/Will_Success_Spoil_Hock_Hunter_CULT10+copy.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT3fpEMjdFlORXZatIv_WKxJhyphenhyphen0yOaFylu1nRoIXQweH2HZtrBCG43BWyVDhhHE9XNUVDueVRXWiSD9yQ7aBz5JSU2GXfm4JPcJfBAXBUIseUHZMCGPM07t2PIBNsHKC06BbYuxXbY6r8W/s1600/Will_Success_Spoil_Hock_Hunter_CULT1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="771" data-original-width="1600" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT3fpEMjdFlORXZatIv_WKxJhyphenhyphen0yOaFylu1nRoIXQweH2HZtrBCG43BWyVDhhHE9XNUVDueVRXWiSD9yQ7aBz5JSU2GXfm4JPcJfBAXBUIseUHZMCGPM07t2PIBNsHKC06BbYuxXbY6r8W/s640/Will_Success_Spoil_Hock_Hunter_CULT1+copy.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyDZmUHFg6IeHn6vKeuSSkCK8pSTDMJmQTRq1CnsshxMxy9EIFFnAi8xbQpAr4cCRH9Hub8S4baQVwslAg2zKc-JMpRMqStvWuhkAp9PBeE_IqAZDmkQnC0qQ8r-lmt-QjGEenIzeEhBWy/s1600/culturalmente+r3+AND+HALF+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyDZmUHFg6IeHn6vKeuSSkCK8pSTDMJmQTRq1CnsshxMxy9EIFFnAi8xbQpAr4cCRH9Hub8S4baQVwslAg2zKc-JMpRMqStvWuhkAp9PBeE_IqAZDmkQnC0qQ8r-lmt-QjGEenIzeEhBWy/s400/culturalmente+r3+AND+HALF+stars.jpg" width="400" /></a></b></div>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO +</span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/will-success-spoil-rock-hunter-blu-ray/">https://www.twilighttimemovies.com/will-success-spoil-rock-hunter-blu-ray/</a><o:p></o:p></b></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqD3XTZ7uitNwBcwbhzYj6_MOSSNXImIsqWkSWf_EXepGBgDbQyXuw6aHOuXinUKu18kdSBZOlyNS4QsQ1Sce7Rd2hPjpi6AW1DvyP7nrb1dSiXb5mMZJ2AFSxuMSVbcYGoty9H3Kf0CqA/s1600/WillSuccessSpoilRockHunter_BLURAY.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqD3XTZ7uitNwBcwbhzYj6_MOSSNXImIsqWkSWf_EXepGBgDbQyXuw6aHOuXinUKu18kdSBZOlyNS4QsQ1Sce7Rd2hPjpi6AW1DvyP7nrb1dSiXb5mMZJ2AFSxuMSVbcYGoty9H3Kf0CqA/s320/WillSuccessSpoilRockHunter_BLURAY.png" width="253" /></a></b></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Will Success Spoil Rock Hunter?” (1957, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Comedia</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
93 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Febrero 19, 2019</span></b></li>
</ul>
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-54086606896761161092019-02-28T20:41:00.002-05:002019-02-28T20:47:30.991-05:00"Sunshine": Una historia real sobre el calvario del cáncer. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj32nAzyNtIngpFXVOMOyjD-Bu7yr3Fx7TuZqv2PWmSSUdUkKE7gq66M36qG5a-XTTIo5_WP3v1yiqHJGTsZC053Js8GydF9QCKSdrSfCjpvGQTJ3wO-Dvf3fVW83vHWypahXXBPPIc9o1A/s1600/SUNSHINE+BLURAY.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj32nAzyNtIngpFXVOMOyjD-Bu7yr3Fx7TuZqv2PWmSSUdUkKE7gq66M36qG5a-XTTIo5_WP3v1yiqHJGTsZC053Js8GydF9QCKSdrSfCjpvGQTJ3wO-Dvf3fVW83vHWypahXXBPPIc9o1A/s400/SUNSHINE+BLURAY.jpg" width="316" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Redwind
Signature lanzó al mercado americano la edición en formato blu-ray del film
televisivo “Sunshine”, que en su estreno, el 9 de noviembre de 1973, fue
transmitido por la cadena CBS convirtiéndose en el momento en la película de
televisión más vista de la historia. El film trata sobre la vida de Kate, quien
tiene todo lo que desea para su vida, su esposo y su bebé, pero solo tiene unos
meses para vivir. Está basada en una historia real, basada en los diarios de
una joven esposa y madre diagnosticada con cáncer terminal. Está protagonizada
por Cristina Raines, Cliff De Young, Meg Foster y Brenda Vaccaro. Está dirigida
por Joseph Sargent y producida por George Eckstein. La banda de sonido está
compuesta por música y canciones de John Denver. "Sunshine on My
Shoulders", de la cual la película toma su título, fue el primer éxito
número uno de John Denver (pasó desapercibido en su álbum "Poems, Prayers
& Promises" en 1971, pero se convirtió en un éxito en vinilo sencillo
en 1973).<o:p></o:p></span></div>
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<!--StartFragment-->
<!--EndFragment--><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNt4Ls0ySyWvM9ESZwOTK36k-zZD8-e_DbPKWsZ2FGiYALsL5E0NyKkCil63KQY56wM2PEZC1HQR6VIqqFmPOp1cgvG4ZWmHbkmmqBbbVwiyDl6s9d2pdMOZhhLrbsLzCmFpjKOsvgWy2r/s1600/SUNSHINE+BACK.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="500" data-original-width="386" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNt4Ls0ySyWvM9ESZwOTK36k-zZD8-e_DbPKWsZ2FGiYALsL5E0NyKkCil63KQY56wM2PEZC1HQR6VIqqFmPOp1cgvG4ZWmHbkmmqBbbVwiyDl6s9d2pdMOZhhLrbsLzCmFpjKOsvgWy2r/s400/SUNSHINE+BACK.jpg" width="310" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Redwind
Productions volvió a los elementos originales de la película para crear un scan
4K DPX de la misma, restaurando completamente la película en su aspecto
original para su presentación en el formato Master Blu-Ray, sorprendentemente
superior. Este es un tesoro televisivo perdido y Redwind Productions tiene el
privilegio de tener la oportunidad de llevar esta conmovedora y bella película
en formato blu-ray. La película tuvo una secuela en 1977, “A Sunshine
Christmas” (Universal, NBC) que tuvo menos impacto, así como una serie de
televisión de corta duración en 1975, por lo extraño es que como todas las
películas que tienen una exposición bastante constante en los canales de
televisión a través de secuelas y series derivadas de la original, “Sunshine”,
el film nunca ha sido emitida nuevamente. Y es un film que quedó muy presente
en el imaginario popular.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjURQW4POAmKkjCHdavTj4zoZwg-ClPzimPKjQqso-FMz2UZ5q2huW9bV4FV3Mogo8_jJUIII9_2mpRFCgNaq2FlvvQzLibHa39rj5NvOCicoUpWs8PEVY_MM9R0_9QfKWx8S7Z7Zh62Ylz/s1600/SUNSHINE+BACK.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW_o0XjPd5ULaFi0jYFH0UW8yRei2HdJQIANqNVIkzQnn-2CYe7dA96L5vBE_ge-IA3J7TuXFICjKPAtIQIZ8HnfTkJL2k4lofP2zcicGyJVht5k1ZRucSkVMr-UboGg4-jF85w5uAyeXx/s1600/sunshine_CULT6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="709" data-original-width="718" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW_o0XjPd5ULaFi0jYFH0UW8yRei2HdJQIANqNVIkzQnn-2CYe7dA96L5vBE_ge-IA3J7TuXFICjKPAtIQIZ8HnfTkJL2k4lofP2zcicGyJVht5k1ZRucSkVMr-UboGg4-jF85w5uAyeXx/s320/sunshine_CULT6+copy.jpg" width="320" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">“Sunshine”
se basó en la verdadera historia de vida de Jacquelyn M. “Lyn” Helton, quien, a
los 18 años, después de dar a luz a su hija Jennifer, descubrió que tenía
cáncer de huesos. Comenzó a dejar diarios y cintas de audio para su bebé y su
esposo Tom, con el objetivo de recordarles lo importantes que eran, así como
para inspirar a las personas que enfrentan enfermedades graves.cAlguien le robó
su grabadora en 1971, lo que indignó a la gente y, después de la cobertura
nacional, recibió un nuevo dispositivo de grabación. Murió el 7 de noviembre de
1971, con su historia publicada por la prensa nacional. <o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3jSEjDvtFvkJlqHHBi7r95iTQPqcXui3mMqqXr1IGRpYCQnWT5gv-mGJmymrY6QYmBazUECQDISwMLK3vten9KgepP8C6CXVpZjmEyaMhVjDgm9oXKl-UFPuf5ARmAf_BavKnSSUgBcA/s1600/sunshine_CULT5+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="870" data-original-width="712" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3jSEjDvtFvkJlqHHBi7r95iTQPqcXui3mMqqXr1IGRpYCQnWT5gv-mGJmymrY6QYmBazUECQDISwMLK3vten9KgepP8C6CXVpZjmEyaMhVjDgm9oXKl-UFPuf5ARmAf_BavKnSSUgBcA/s400/sunshine_CULT5+copy.jpg" width="326" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">Lawrence
Schiller adquirió los derechos de su historia, y así, dos años y dos días
después (9 de noviembre de 1973), su historia se emitió como “Sunshine”. Los
nombres fueron cambiados para la historia de la televisión (los créditos de
apertura dicen que la historia fue "sugerida por" la vida de Helton)
pero parece seguir el triste pero inspirador relato, Christina Raines, en su
debut en el cine, interpreta a Kate Hayden. Kate es una joven divorciada
embarazada que se enamora del músico Sam (Cliff DeYoung). Sam ama a Kate tanto
que cuando nace la bebé Jill, ambos la aceptan como su propia hija. Kate
descubre que tiene cáncer de huesos y la quimioterapia agresiva que obtiene la
deja prácticamente incapaz de realizar sus actividades diarias. </span><span style="font-family: arial; font-size: 14pt;">Frustrada,
decide que preferiría vivir una vida corta como una madre y una esposa
funcionales, en lugar de seguir siendo lo que percibe como una carga. Kate
sigue manteniéndose en contacto con los investigadores médicos mientras
comienza a documentar sus sentimientos y enfermedades mientras lucha contra la
terrible enfermedad. Alguien le roba la grabadora, deprimiéndola por la
pérdida. Sin embargo, su historia recibe atención nacional, y su historia
inspira a muchos a enviar regalos, incluida una nueva máquina para que pueda
continuar escribiendo en su diario.</span></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiPSgNuTHEhEf_LMSQtg3w6NN1LGlBpcJJ7s94ppRFIDLZsvufjJMJGB8xgGQ8V91h4O_x9ixEB3MzYBLs2AHwDlnEwu4tf3iKuFjHLLtm7px_NvjbSr5-s8GQdNBVn6riGJHyGD35DuOt/s1600/sunshine_CULT3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="622" data-original-width="1083" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiPSgNuTHEhEf_LMSQtg3w6NN1LGlBpcJJ7s94ppRFIDLZsvufjJMJGB8xgGQ8V91h4O_x9ixEB3MzYBLs2AHwDlnEwu4tf3iKuFjHLLtm7px_NvjbSr5-s8GQdNBVn6riGJHyGD35DuOt/s640/sunshine_CULT3+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">La
película, si bien hace que los personajes sean agradables, no los convierte en
santos aburridos, sino que trata el estrés de ser el paciente y su efecto en quienes
los rodean. Cristina Raines se retiró de la actuación, y se convirtió en una
enfermera que trabaja con pacientes que se someten a diálisis renal. Uno se
pregunta hasta qué punto su papel inspiró su decisión sobre esta elección de
vida. Antes de que dejara de actuar, tuvo una buena carrera, apareciendo en
películas como “The Sentinel” (Universal, 1977) y “The Duellists” (Paramount,
1977). </span><span style="font-family: "arial"; font-size: 14pt;">Cliff
DeYoung comenzó como músico y había actuado con grupos como The Doors antes de
convertirse en actor, apareciendo en la producción original de Broadway en 1969
de “Hair”. Después de cuatro años en Nueva York, regresó a California y
consiguió su papel en “Sunshine”. Continuó su vida como actor. El guión fue de
Carol Sobieski, quien también escribió las adaptaciones para “Annie” (Columbia,
1982) y “Fried Green Tomatoes” (Universal, 1991), esta última obtuvo una
nominación al Oscar póstumo para el escritor.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7qN5i5-vXaOOUH9eYzrOYVzhhIVrIVCiM-V8bCKD61NLKmJvSXP1-G4h-CkOZxt3W-CPkhP6yiDjelqkLO6wi3MkkaHg5lKATFUQhnqLMVSYSz11rIftCN7Ai5oo3jWN_80VqfLfh9zhW/s1600/sunshine_CULT4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="754" data-original-width="1024" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7qN5i5-vXaOOUH9eYzrOYVzhhIVrIVCiM-V8bCKD61NLKmJvSXP1-G4h-CkOZxt3W-CPkhP6yiDjelqkLO6wi3MkkaHg5lKATFUQhnqLMVSYSz11rIftCN7Ai5oo3jWN_80VqfLfh9zhW/s640/sunshine_CULT4+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">“Sunshine”
es un film típico de los años ‘70s, con una temática similar al gran éxito
cinematográfico de 1970 “Love Story”, pero con la diferencia de que “Sunshine”
recoge una historia de la vida real que causó gran impacto en el pueblo
estadounidense de esos años. Merece verse.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUh7i3qwcC38HRLs4rDIkSFKHrnK5D1QIbUAKsOkzwa8rBO06dXaFK6JkIcUecJgK_FeGTGKHJoJmHqk0SBeRcEQjoNr-3w47hOAJKKWyzrqAVFhiLcoT8jLYKijXhp6T5x878gGAPUOX-/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUh7i3qwcC38HRLs4rDIkSFKHrnK5D1QIbUAKsOkzwa8rBO06dXaFK6JkIcUecJgK_FeGTGKHJoJmHqk0SBeRcEQjoNr-3w47hOAJKKWyzrqAVFhiLcoT8jLYKijXhp6T5x878gGAPUOX-/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<br /></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
<div class="MsoNormal">
</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Resolución
de Video: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Codificación
de Video: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.33:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
</ul>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUh7i3qwcC38HRLs4rDIkSFKHrnK5D1QIbUAKsOkzwa8rBO06dXaFK6JkIcUecJgK_FeGTGKHJoJmHqk0SBeRcEQjoNr-3w47hOAJKKWyzrqAVFhiLcoT8jLYKijXhp6T5x878gGAPUOX-/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUh7i3qwcC38HRLs4rDIkSFKHrnK5D1QIbUAKsOkzwa8rBO06dXaFK6JkIcUecJgK_FeGTGKHJoJmHqk0SBeRcEQjoNr-3w47hOAJKKWyzrqAVFhiLcoT8jLYKijXhp6T5x878gGAPUOX-/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
<div class="MsoNormal">
</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
</ul>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
</ul>
<br />
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b></b></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiK6u_wQ0E0nPiyt5DQ_KYKwcz4Lb199Xt2Dbzg_ghF-opbVgjBtPrlkO_g6qLrt7T-BF69oR5eu_JTX_WDtmA5i5dcW8u39h3pFBUh4vWruIy5iOydoF21xWUpWKavujFaVJ7-albIurB/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiK6u_wQ0E0nPiyt5DQ_KYKwcz4Lb199Xt2Dbzg_ghF-opbVgjBtPrlkO_g6qLrt7T-BF69oR5eu_JTX_WDtmA5i5dcW8u39h3pFBUh4vWruIy5iOydoF21xWUpWKavujFaVJ7-albIurB/s400/culturalmente+r3+stars.jpg" width="400" /></a></b></div>
<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 20.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO </span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en<o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<a href="https://www.twilighttimemovies.com/sunshine-signature-release-blu-ray/"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>https://www.twilighttimemovies.com/sunshine-signature-release-blu-ray/</b></span></a></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj32nAzyNtIngpFXVOMOyjD-Bu7yr3Fx7TuZqv2PWmSSUdUkKE7gq66M36qG5a-XTTIo5_WP3v1yiqHJGTsZC053Js8GydF9QCKSdrSfCjpvGQTJ3wO-Dvf3fVW83vHWypahXXBPPIc9o1A/s1600/SUNSHINE+BLURAY.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj32nAzyNtIngpFXVOMOyjD-Bu7yr3Fx7TuZqv2PWmSSUdUkKE7gq66M36qG5a-XTTIo5_WP3v1yiqHJGTsZC053Js8GydF9QCKSdrSfCjpvGQTJ3wO-Dvf3fVW83vHWypahXXBPPIc9o1A/s320/SUNSHINE+BLURAY.jpg" width="253" /></a></b></div>
<br />
<div class="MsoNormal">
</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Sunshine” (1973, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Drama</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
124 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Redwind Productions</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Noviembre 20, 2018</span></b></li>
</ul>
<br />
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-48132077042252359862019-02-27T16:47:00.001-05:002019-02-27T16:48:01.096-05:00"Yanks": Richard Gere y Vanessa Redgrave dirigidos por John Schlesinger. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray del film del año 1979 “Yanks”, dirigido por John Schlesinger.
Es la conmovedora historia de los militares estadounidenses estacionados en
Inglaterra durante la Segunda Guerra Mundial y el impacto que su presencia tuvo
en la vida de las personas de un pequeño pueblo de Lancashire. Este drama
bellamente filmado sigue a tres soldados estadounidenses (Richard Gere, William
Devane y Chick Vennera) y las relaciones que forman con tres mujeres locales:
Jean (Lisa Eichhorn), Helen (Vanessa Redgrave) y Mollie (Wendy Morgan). Las
relaciones que nacen se generan entre ellos afectarán sus vidas para siempre.<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14pt;">Los eventos
que se describen en la película ocurren a fines de 1943 y luego en 1944 en una
pequeña ciudad provincial de Inglaterra. El Ejército de USA ha establecido una
base enorme allí y toda el área ha cobrado vida cambiando el modo de vida local:
el tráfico, los negocios, las opciones de entretenimiento, etc. Los lugareños
están de acuerdo en que la ciudad se ve diferente ahora, que era inevitable
porque hay una guerra en curso. Cuando los últimos refuerzos llegan a la base,
la cámara comienza a seguir de cerca a un par de personajes diferentes. Los dos
primeros son buenos amigos, Matt Dyson (Richard Gere) y Danny Ruffello (Chick
Venera) que no pueden esperar para comenzar a mezclarse con las chicas de la
ciudad y luego está el viejo Capitán John (William Devane) quien ha estado allí
por un tiempo y se ha relacionado con la esposa aristocrática (Vanessa
Redgrave) de un teniente británico que está en el extranjero para luchar contra
el enemigo. Matt y Danny se conocen rápidamente con dos chicas en el teatro
popular, pero en lugar de divertirse un poco, el primero se enamora
instantáneamente de Jean (Lisa Eichhorn) y comienzan a verse. Pero lo que
sucede es que Jean se iba a casar con Ken (Derek Thompson), su novio de la
infancia, que también está luchando contra el enemigo en una tierra lejana, por
lo que hay una parte de ella que es bastante renuente a dejar que Matt entre en
su vida. Sin embargo, cuanto más tiempo pasa con el soldado, más comienza a
darse cuenta de que él puede ser el hombre adecuado con el que puede envejecer.
Sus padres son muy críticos con sus salidas con Matt, pero ella hace todo lo
posible para convencerlos de que él es verdaderamente diferente. Esto, por
supuesto, conduce a un montón de situaciones dramáticas.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRr-akY6ySbNCnVkjkn3yG8oBXKwXgpU3mXQC124jlNjpn3xJrwO79ddTzLxf-tW9X3kohUhh9GMLEQZAGXphXnA9hKUpz-eRBHSLEL7JoJCMvL3s_AO_3UEjthxmffQo9QkTYBggqgvX4/s1600/yanks+Cult+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="547" data-original-width="1001" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRr-akY6ySbNCnVkjkn3yG8oBXKwXgpU3mXQC124jlNjpn3xJrwO79ddTzLxf-tW9X3kohUhh9GMLEQZAGXphXnA9hKUpz-eRBHSLEL7JoJCMvL3s_AO_3UEjthxmffQo9QkTYBggqgvX4/s640/yanks+Cult+5+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjziU2P33nO-6RjTw6fe-TTBRZAd0DRVOvoBCMBoxtAJnwUEdHefzk3ovY9OK8wsfq8AxxjPOSeHbFT-5hMMPrPYwe7nwwICwNwYSEfNfunzhAHoQQl5WoGyWGxhTkBQ-vcNRldra8ithie/s1600/Yanks_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjziU2P33nO-6RjTw6fe-TTBRZAd0DRVOvoBCMBoxtAJnwUEdHefzk3ovY9OK8wsfq8AxxjPOSeHbFT-5hMMPrPYwe7nwwICwNwYSEfNfunzhAHoQQl5WoGyWGxhTkBQ-vcNRldra8ithie/s400/Yanks_BDBooklet.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">“Yanks” es
un film que atrapa al espectador a través de su propia realidad para luego
generar melancolía. Schlesinger (“Midnight Cowboy”, 1969; “Sunday Bloody
Sunday”, 1971; “Darling”, 1965; “Marathon Man”, 1976) era un director talentoso
que entendía cómo crear una gran atmósfera de época. “Yanks” está llena de
melodrama, pero equilibradamente, ya que la oscuridad y la fealdad de la guerra
se recrea con eficacia, sin caer en golpes bajos. Finalmente, hay una suave
ligereza mezclada con incertidumbre y fragilidad que define la actuación de
Lisa Eichhorn y hace que su personaje se vea muy real, y esta es una fuerza que
tiene un efecto tremendamente positivo en la evolución igualmente auténtica de
la relación de su personaje con el soldado. Richard Gere está bien también,
aunque en las escenas en las que su mente comienza a desvanecerse no son del
todo auténticas. Vanessa Redgrave interpreta a un personaje introvertido que
habitualmente toma decisiones que parecen completamente aleatorias. Incluso
durante los episodios románticos clave, parece extrañamente fría y, sin
embargo, por alguna razón, el capitán compuesto por William Devane no puede
resistirse a ella y continúan su aventura.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiWnYSvnb9ZYn569JOsYVeoxhyphenhyphen4BYg3aHWIjtXN-L-Fz1TSStm4u9XwojOU8LpdfCttN4pWK7u-EthLhqCxvftA_eoI0Dw9ygtBNgVijq_Ps4Xw92RhFdk7DD9zF63bJCKkFwwb5h4jWgi/s1600/yanks+Cult+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="549" data-original-width="943" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiWnYSvnb9ZYn569JOsYVeoxhyphenhyphen4BYg3aHWIjtXN-L-Fz1TSStm4u9XwojOU8LpdfCttN4pWK7u-EthLhqCxvftA_eoI0Dw9ygtBNgVijq_Ps4Xw92RhFdk7DD9zF63bJCKkFwwb5h4jWgi/s640/yanks+Cult+6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Lo que
podría criticarse de “Yanks” es el modo predecible con que se desarrollan
algunas acciones.</span><span style="font-family: "arial"; font-size: 14pt;"> </span><span style="font-family: "arial"; font-size: 14pt;">Se puede predecir cómo
llegarán a su clímax los diversos episodios y con qué mensaje, y con frecuencia
podemos prever incluso algunos de los los conflictos (La pelea de baile es el
ejemplo más obvio, o los viajes románticos a Irlanda y el hotel de lujo). Se
muestran además algunos estereotipos, como el hecho de que los soldados son
seres muy simples que suelen estar orgullosos de su ignorancia, mientras que
los locales son gente normal muy en sintonía con los tiempos difíciles. Al final
los yanquis se legitimarán como los extranjeros molestos que básicamente tienen
que soportar para que puedan hacer su trabajo correctamente.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7arKot_VBbwnqee9t_YTIiVDfsaHmjwsXR8tEAIXhd_h83LK1PaSHvBdhDVxASsgeyXMuMFeki5ZTTpRKg6GSQ9vg8vPq2Mm4yRRHd3CH2OuKlogAhizl3ZnHdi83IPP4yukyl1MSdaI0/s1600/yanks+Cult+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="544" data-original-width="942" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7arKot_VBbwnqee9t_YTIiVDfsaHmjwsXR8tEAIXhd_h83LK1PaSHvBdhDVxASsgeyXMuMFeki5ZTTpRKg6GSQ9vg8vPq2Mm4yRRHd3CH2OuKlogAhizl3ZnHdi83IPP4yukyl1MSdaI0/s640/yanks+Cult+8+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La gran
melancolía que impregna a “Yanks” de John Schlesinger es su mayor fortaleza.
Todo lo demás se podría criticar legítimamente y, en el proceso, es muy fácil
señalar numerosos ejemplos en los que se podrían haber realizado cambios
específicos y obvios para hacer que la película se vea más creíble. Su mensaje
es quizás demasiado transparente. No obstante es un film interesante, con
altibajos pero con un muy buen elenco y una historia interesante. No es lo
mejor de Schlesinger pero se disfruta</span><span style="font-family: "arial"; font-size: 14pt;">
</span><span style="font-family: "arial"; font-size: 14pt;">verlo remasterizado, en alta definición y para muchos esta es una
excelente oportunidad de ver por primera vez este film que no era fácil de conseguir.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFgcD_KcuygWBRP43vPZ-J2dtlMMZVIyUOcqDzDcXguMzkr7iu_ugwmI8VjrXSjyWZSHwfQZUQricEg06iA52a51Ai2mYoS7qqF_YOTwiXt-qS0Bb-vuEsr9RjRQIJoA5c9UaxzJf1yy0w/s1600/yanks+Cult+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="547" data-original-width="943" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFgcD_KcuygWBRP43vPZ-J2dtlMMZVIyUOcqDzDcXguMzkr7iu_ugwmI8VjrXSjyWZSHwfQZUQricEg06iA52a51Ai2mYoS7qqF_YOTwiXt-qS0Bb-vuEsr9RjRQIJoA5c9UaxzJf1yy0w/s640/yanks+Cult+9+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdqvENbGjvP6vmV0HrjUlr4nLjqgLi98XUi9nDQxgsDNKhqNRcEoKoTDOhq-KIIUFrtE6biHx3zkMcpGUnrXQIY8cmAboMMy-hizlV3cG5aFHO3m5kX997FfpkUmqoLBuf1tUU7lLIau6d/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdqvENbGjvP6vmV0HrjUlr4nLjqgLi98XUi9nDQxgsDNKhqNRcEoKoTDOhq-KIIUFrtE6biHx3zkMcpGUnrXQIY8cmAboMMy-hizlV3cG5aFHO3m5kX997FfpkUmqoLBuf1tUU7lLIau6d/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.85:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdqvENbGjvP6vmV0HrjUlr4nLjqgLi98XUi9nDQxgsDNKhqNRcEoKoTDOhq-KIIUFrtE6biHx3zkMcpGUnrXQIY8cmAboMMy-hizlV3cG5aFHO3m5kX997FfpkUmqoLBuf1tUU7lLIau6d/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdqvENbGjvP6vmV0HrjUlr4nLjqgLi98XUi9nDQxgsDNKhqNRcEoKoTDOhq-KIIUFrtE6biHx3zkMcpGUnrXQIY8cmAboMMy-hizlV3cG5aFHO3m5kX997FfpkUmqoLBuf1tUU7lLIau6d/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 1.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFQanMjZr_TlN_4X6YxPDEidtRgg2nuKi22rRfuzIK-b8BLB7ieEe-yYXonMLsHsIYp9EPew2m52TX-xToLU7K_x0KYLD5lMvBVqs_VX9pJhj3_Y4aE59QU5z9ci2JJsHKLRDDnJEumuc1/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFQanMjZr_TlN_4X6YxPDEidtRgg2nuKi22rRfuzIK-b8BLB7ieEe-yYXonMLsHsIYp9EPew2m52TX-xToLU7K_x0KYLD5lMvBVqs_VX9pJhj3_Y4aE59QU5z9ci2JJsHKLRDDnJEumuc1/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de audio a cargo del actor Chick Vennera y los historiadores fílmicos Julie
Kirgo y Nick Redman</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda de
sonido en pista aislada (también con algunos efectos) </b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1_T7ZKJcx3H-jRE524FcZ6bEIIvzQS3tdb5cubkGN-SpUgkJ4sRPKYQTJ6YJ9cQx_5ua5VoUGr_0_PSfUIxj3iChWYJK3nxhYpvVSQiraMGDnBwY5YNJc2lr_PpksmSA6qxJzUCcCJWLH/s1600/yanks+Cult+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="547" data-original-width="1032" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1_T7ZKJcx3H-jRE524FcZ6bEIIvzQS3tdb5cubkGN-SpUgkJ4sRPKYQTJ6YJ9cQx_5ua5VoUGr_0_PSfUIxj3iChWYJK3nxhYpvVSQiraMGDnBwY5YNJc2lr_PpksmSA6qxJzUCcCJWLH/s640/yanks+Cult+3+copy.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJZkwNbuyw9dpmCDNXB67uPVeIdGtqnM0JngwpVt7ykn22xWhkHU4U61Hf19f7vjRgz8XLs96kcLv-ijDgfHuV9dqRcoNnnTSeLGfxQUIC4xqHsG92PBLIzmdEV60pH0Aesf_ZHXXfdkvO/s1600/yanks+Cult+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="545" data-original-width="971" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJZkwNbuyw9dpmCDNXB67uPVeIdGtqnM0JngwpVt7ykn22xWhkHU4U61Hf19f7vjRgz8XLs96kcLv-ijDgfHuV9dqRcoNnnTSeLGfxQUIC4xqHsG92PBLIzmdEV60pH0Aesf_ZHXXfdkvO/s640/yanks+Cult+10+copy.jpg" width="640" /></a><b><span style="font-size: 14pt;"></span></b></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaw4WV5CLQNvdjpphIC8BovRQGPj-XSfBI9clE-P3fIlrexLP-x75oBdVxJU6RNKeLP9mq0wBbawzNHMp9nMRvlSHsDzyb8WZLAjVWuHePVWf5LOvaA4oOm5JJcmqL9LEN9OSDLAYpLLIz/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaw4WV5CLQNvdjpphIC8BovRQGPj-XSfBI9clE-P3fIlrexLP-x75oBdVxJU6RNKeLP9mq0wBbawzNHMp9nMRvlSHsDzyb8WZLAjVWuHePVWf5LOvaA4oOm5JJcmqL9LEN9OSDLAYpLLIz/s400/culturalmente+r3+stars.jpg" width="400" /></a></div>
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<b style="font-family: Arial; font-size: 22pt;"><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO</span></b></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en<o:p></o:p></b></span></div>
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<a href="https://www.twilighttimemovies.com/yanks-blu-ray/"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-large;"><b>https://www.twilighttimemovies.com/yanks-blu-ray/</b></span></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Yanks” (1979, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Darama</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
139 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Enero 20, 2019</span></b></li>
</ul>
<br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-59902015178016400692019-02-21T14:04:00.003-05:002019-02-21T14:05:15.390-05:00"Untamed": Aventuras y romance en tierras africanas. Blu-ray Review <div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">A causa de
una gran crisis económica en Irlanda, el matrimonio formado por Katie O’Neill
Kildare (Susan Hayward) y Shawn Kildare (John Justin) deciden emigrar hasta
África del Sur. Al llegar, Shawn muere asesinado tras un ataque sorpresa de la
tribu de los zulúes. La historia da un giro cuando Katie se encuentra con el
que fue el amor de su vida, Paul Van Riebeck (Tyrone Power), un colono holandés
que busca apoderarse del comercio de los diamantes en la región. Twilight Time
lanzó al mercado americano la edición limitada (sólo 3.000 copias) en formato
blu-ray de “Untamed”, film del año 1955 dirigido por Henry King, uno de los
títulos más logrados del último periodo de su obra. Completan el elenco<span style="mso-spacerun: yes;"> </span>Agnes Moorehead, Richard Egan, Rita Moreno,
John Justin y Hope Emerson.<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">El film forma parte de la marcada tendencia del estudio de Zanuck a partir de la
implementación del CinemaScope, poniendo este formato visual al servicio de
producciones enclavadas dentro del cine de aventuras, insertas todas ellas en
locaciones más o menos exóticas y ofreciendo en dicho contexto historias por lo
general caracterizadas por el enfrentamiento de mundos contrapuestos. King sabe
combinar lo espectacular y lo íntimo con verdadera maestría, aplicando a este
relato de aventuras un tratamiento similar al género del western. Realiza
además una magnífica utilización del CinemaScope, que se manifiesta tanto en el
dominio de los planos generales de exteriores, como en la tensión que logra
aplicar a buena parte de los momentos desarrollados en interiores
(especialmente la escena con un prolongado plano largo dentro de la vivienda de
Kurt, que exhibe su pierna de madera, al regreso Katie).<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Henry King
es uno de los directores clásicos de la edad dorada de Hollywood. Con una
carrera que transita entre el período mudo de los años ‘20s y los primeros años
‘60s, su filmografía se destaca por resultar absolutamente heterogénea en
cuanto a géneros cinematográficos: “The Black Swan” (1942), “Captain from
Castile” (1947, <a href="http://www.culturalmenteincorrecto.com/2017/11/captain-from-castile-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2017/11/captain-from-castile-blu-ray-review.html</a>),
“The Snows of Kilimanjaro” (1952), “Love is a Many-Splendored Thing” (1955, <a href="http://www.culturalmenteincorrecto.com/2013/07/love-is-many-splendored-thing-blu-ray.html">http://www.culturalmenteincorrecto.com/2013/07/love-is-many-splendored-thing-blu-ray.html</a>),
“The Bravados” (1958, <a href="http://www.culturalmenteincorrecto.com/2018/11/the-bravados-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2018/11/the-bravados-blu-ray-review.html</a>),
“Beloved Infidel” (1959, <a href="http://www.culturalmenteincorrecto.com/2012/12/beloved-infidel-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2012/12/beloved-infidel-blu-ray-review.html</a>),
“The Song of Bernadette” (1943, uno de los films más nominados al Oscar®, <a href="http://www.culturalmenteincorrecto.com/2013/03/the-song-of-bernadette-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2013/03/the-song-of-bernadette-blu-ray-review.html</a>),
entre más de cien films que lo tuvieron como director.<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14pt;">En
“Untamed” la historia posee por momentos golpes de intensidad, en los que el
recurso de la voz en off sirve para hacer progresar un relato en el que combina la dimensión espectacular de su argumento con esa innata
característica del cine de King para mostrar visualmente esos momentos
románticos e incluso místicos, que en esta ocasión tendrán su símbolo más
notable en el árbol que para la protagonista simbolizará aquello que de manera
más auténtica representa el sentido de la pasión. Ese árbol en el que en un
momento dado se manifestaron los momentos más sensuales y felices de su vida,
aunque la inclinación hacia la responsabilidad política de su eterno enamorado no logre retenerlo para vivir con él una plácida existencia.</span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">No
obstante, posee en su trama una serie de saltos temporales no muy bien
justificados en el guión y quizás le falte un poco más de pasión en la
narración. Pero pese a sus carencias es notable el número de cualidades que
posee el film, lo que hace que la crítica sea positiva. “Untamed” se erige como una
atractiva combinación de géneros: aventuras, romance y western.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2KLHZQSM9xF_BbUxey4sBAkvZMxElI6nSh3_NuV9iJ6-cQBiZGc_6eNtdAKX_aQEjjA4VO1b1cjl7PL7Uh-qzVbHLYrfHFUkdlo6ihDDEA7Tg-cCoJJRtwNTlhVVKSTxB0dcn4jzzOl5_/s1600/UNTAMED+CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="1600" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2KLHZQSM9xF_BbUxey4sBAkvZMxElI6nSh3_NuV9iJ6-cQBiZGc_6eNtdAKX_aQEjjA4VO1b1cjl7PL7Uh-qzVbHLYrfHFUkdlo6ihDDEA7Tg-cCoJJRtwNTlhVVKSTxB0dcn4jzzOl5_/s640/UNTAMED+CULT+6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.55:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmtm21HC8ruu_iWapBO7gR1Rw3-Bs_VyDippge2GJ1bYZ6LWcQxISzBRBe0GOOtdKCzJWTBMpZt4bDvI_Cl_FK7XOlvvti-SgV8U7zngT6ZxalCOxCNkQKRDPnpY-DMoEHhh5pVN3hGpG-/s1600/UNTAMED+CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="631" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmtm21HC8ruu_iWapBO7gR1Rw3-Bs_VyDippge2GJ1bYZ6LWcQxISzBRBe0GOOtdKCzJWTBMpZt4bDvI_Cl_FK7XOlvvti-SgV8U7zngT6ZxalCOxCNkQKRDPnpY-DMoEHhh5pVN3hGpG-/s640/UNTAMED+CULT+9+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b>“Untamed”
tiene una muy buena fotografía en majestuoso CinemaScope a cargo del dos veces
nominado al Oscar® Leo Tover. Conserva la textura original del celuloide
(granosidad) pero con gran claridad de detalles, con contrastes fuertes y buen
balance de negros. Tover es el responsable de films como “The Day the Earth
Stood Still” (1951), “Journey to the Center of the Earth” (1959), “The Heiress”
(1949) y “The Snake Pit” (1948), “From the Terrace” (1960, <a href="http://www.culturalmenteincorrecto.com/2016/02/from-terrace-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/02/from-terrace-blu-ray-review.html</a>),
“Follow That Dream” (1962, <a href="http://www.culturalmenteincorrecto.com/2014/09/follow-that-dream-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2014/09/follow-that-dream-blu-ray-review.html</a>),
“Blue Denim” (1959, <a href="http://www.culturalmenteincorrecto.com/2018/05/blue-denim-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2018/05/blue-denim-blu-ray-review.html</a>),
entre otros. La transferencia de esta edición en blu-ray permite disfrutar de
cada pequeño detalle tanto de los interiores en estudio, escenografía y
vestuario como así también de las locaciones exteriores donde el film fue
rodado.<o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3dYyrNOX82Kq4VP1yzyaAUQ67aaguGr_ZbM2v3E81dPSdW-UCd6Kd4WYzS2VsDgp8apZIOoXYUhMK9x6RdK4LYpq7FgOwE8DlaQ01zD8qbK2O3EYRow7lVE6JNi8jguqVtMrhewzZU3Vc/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3dYyrNOX82Kq4VP1yzyaAUQ67aaguGr_ZbM2v3E81dPSdW-UCd6Kd4WYzS2VsDgp8apZIOoXYUhMK9x6RdK4LYpq7FgOwE8DlaQ01zD8qbK2O3EYRow7lVE6JNi8jguqVtMrhewzZU3Vc/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 5.1 y English DTS-HD Master Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b>Tanto el
canal English DTS-HD Master Audio 5.1 como el canal DTS HD Master Audio 2.0
proveen muy buena transferencia tanto de los diálogos como de la música,
captando los climas dramáticos del film, brindando los tonos perfectos de los
diálogos así como también los sonidos ambientales de las locaciones. La banda
sonora del film está compuesta por Franz Waxman, compositor ganador del premio
Oscar® por “Sunset Boulevard" (1950), y nominado al mismo premio por “Rebecca”
(1940), “Dr, Jekyll y Mr. Hyde” (1941), “Humoresque” (1946), “A Place in the
Sun” (1951) y Taras Bulba” (1963), entre otros. El soundtrack se presenta
también en track separado, como ya es costumbre de las ediciones de Twilight Time,
en DTS HD Master Audio 2.0.<o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgViCKh54mY1qGldgvTl1AYceS8TRZkgXbvvF3q8E_g4o2iTo0v5SxfTWFavYcYlgPMeskYFKGB6top3NPqrH4HCyP9B9LaUxDNdD2lrdHtjMWt1lbH8cpmJ3T31FHp_Dcckw4wGlZzvWIL/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgViCKh54mY1qGldgvTl1AYceS8TRZkgXbvvF3q8E_g4o2iTo0v5SxfTWFavYcYlgPMeskYFKGB6top3NPqrH4HCyP9B9LaUxDNdD2lrdHtjMWt1lbH8cpmJ3T31FHp_Dcckw4wGlZzvWIL/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, presentada en DTS-HD Master Audio 2.0 estéreo.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO</span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/untamed-blu-ray/">https://www.twilighttimemovies.com/untamed-blu-ray/</a></b><o:p></o:p></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKRBzqKUchHpAcihkSTvNibvuwlpGR0ZQHQLLPD1TCIT3AvvjxUVXyVtDI_tvQAPuUVvsQIT_LpDJ9B9cYbya7is9czTOftqtA4vdSmu69EB_UWOsjBQ-MWMcWFTbpR7d2oQpqSILrNV9M/s1600/Untamed_BLURAY.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKRBzqKUchHpAcihkSTvNibvuwlpGR0ZQHQLLPD1TCIT3AvvjxUVXyVtDI_tvQAPuUVvsQIT_LpDJ9B9cYbya7is9czTOftqtA4vdSmu69EB_UWOsjBQ-MWMcWFTbpR7d2oQpqSILrNV9M/s320/Untamed_BLURAY.png" width="253" /></a></b></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Untamed” (1955, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Aventuras</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
111 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Enero 22, 2019</span></b></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-40047552656141580892019-02-08T11:57:00.001-05:002019-02-08T11:58:16.347-05:00"The Return of Frank James": El primer western filmado por el maestro Fritz Lang. Blu-ray Review<div style="text-align: right;">
<b style="color: #f1c232; font-family: Arial, Helvetica, sans-serif;">Por</b></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
<div>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
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</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO6Zqo74CtMsi9iMP4ofPOw09gdhLdlksQk2g4GCeSyLE19pil09CqBr4aE9063GM_I75nypUsZbqkpZDJXEtr4JS6qoOpSswmL5YZrxxMPlf4YA_iGL3yrXQvTYI1Be7htkqAbm6uudre/s1600/Return_of_Frank_James_Cult+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO6Zqo74CtMsi9iMP4ofPOw09gdhLdlksQk2g4GCeSyLE19pil09CqBr4aE9063GM_I75nypUsZbqkpZDJXEtr4JS6qoOpSswmL5YZrxxMPlf4YA_iGL3yrXQvTYI1Be7htkqAbm6uudre/s640/Return_of_Frank_James_Cult+9+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn_FfiihHa8DNJQppXJEZbW3zdywT3ozzq5KKn_ldtStlGGYqY3BARKnDW7PCYHikzt-l79p_o0egEuzm7vzBVLP25Jfd3w8F4QQaKf8m4_TuolVbaeu7jHdUYXWJ-28FqumXm4dFHoMXz/s1600/TheReturnOfFrankJames_BLURAY.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn_FfiihHa8DNJQppXJEZbW3zdywT3ozzq5KKn_ldtStlGGYqY3BARKnDW7PCYHikzt-l79p_o0egEuzm7vzBVLP25Jfd3w8F4QQaKf8m4_TuolVbaeu7jHdUYXWJ-28FqumXm4dFHoMXz/s400/TheReturnOfFrankJames_BLURAY.png" width="316" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray del film “The Return of Frank James”, un western dirigido por
el gran Fritz Lang en 1940, secuela de “Jesse James”, de Henry King (1939), y
que junto con “Western Union” (1941) y “Rancho Notorius” (1952) son los tres
westerns del director de origen alemán. Está protagonizado por Henry Fonda,
Gene Tierney, Jackie Cooper, Henry Hull, John Carradine, J. Edward Bromberg y
Donald Meek.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">Tras la
muerte de Jesse James, los hermanos Ford que le han asesinado a traición se
ganan la vida haciendo una representación de cómo mataron al famoso forajido,
adecuando la historia para quedar como héroes. En ese momento llega la noticia
de que el hermano de Jesse James, Frank (Henry Fonda), ha vuelto para vengar su
muerte. Tras una primera persecución, Frank mata a Charlie Ford, pero es
capturado y Bob escapa. La mayor parte de la película transcurre en el juicio
en el que se pone de manifiesto la rivalidad entre Norte y Sur y donde después
de una articulada defensa del abogado de Frank James, éste consigue ser
absuelto ante la sorpresa de todos, incluido Bob Ford que había acudido al
juicio para ver la condena. Tan pronto es absuelto, Frank irá tras Bob Ford
para tratar de matarlo.<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQRz20GEBYe4ISL178rzUbUT0gaeR00VfQAYvodsS1I7gX_2bcpWIrK-_BM39O1lkRKJoJSuYWpJ-9LEYPPnzdKRzMTwTMFyicb_Bwra7jRDmuTtB4HSmg7YIQctzVPwOcwWwf85-eBPSh/s1600/Return_of_Frank_James_Cult+12+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQRz20GEBYe4ISL178rzUbUT0gaeR00VfQAYvodsS1I7gX_2bcpWIrK-_BM39O1lkRKJoJSuYWpJ-9LEYPPnzdKRzMTwTMFyicb_Bwra7jRDmuTtB4HSmg7YIQctzVPwOcwWwf85-eBPSh/s640/Return_of_Frank_James_Cult+12+copy.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMDNnq5nNgzH-JVaEFJRh6xM13qvtDWtj2cmsCuYGk7Ty8igma8-M8OMEkl7dqFg12G3e5yvTZ1uNVSRUv9DiRFuijLbmkxqYV2e0YD6WSnwCR9s0tvpyWJNgyn8PrItGPmsnFJm1MRHxa/s1600/TheReturnOfFrankJames_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMDNnq5nNgzH-JVaEFJRh6xM13qvtDWtj2cmsCuYGk7Ty8igma8-M8OMEkl7dqFg12G3e5yvTZ1uNVSRUv9DiRFuijLbmkxqYV2e0YD6WSnwCR9s0tvpyWJNgyn8PrItGPmsnFJm1MRHxa/s400/TheReturnOfFrankJames_Back.png" width="310" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">La 20th
Century Fox, impulsada por el éxito de “Jesse James” (1939) produce al año
siguiente esta especie de secuela, “The Return of Frank James”. De modo que el
estudio le encargó el proyecto a Fritz Lang. Para el director de “Metropolis”
(1927) esta película no fue sólo su primer western sino también su primer film
en color. Volvería a filmar el género del western con “Western Union” (1941) y
una década después en “Rancho Notorious” (1952). Lang vuelve a trabajar de
nuevo con Henry Fonda, tras su anterior experiencia en “You Only Live Once”
(1937) y el actor compone un personaje introspectivo, trabajado desde la
sobriedad interpretativa. Fonda tiene aquí la oportunidad de lucirse todo lo
que no pudo en el anterior film ("Jesse James"), en el que su personaje quedaba un poco
desdibujado. Está soberbio, componiendo un rol lleno de matices que enriquece
con simples gestos o miradas o su forma de caminar. Por otro lado, la película
recupera la mayoría del reparto de “Jesse James”. El film tiene a dos actores
secundarios implacables: Jackie Cooper, correcto y desprendiendo una enorme
simpatía y John Carradine, que hace gala de sus dotes para este tipo de
personajes malvados, fanfarrones y cobardes.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tSebFQsQTqnqJJQq8lTEwYk-8CemG-WnDY-07MPzohI5RbrrDyoPBfarIJLRd7rsHTyZUaFoSTR-iEsPn9FTlVZg64M3x2uhOYQBbPNNO2z0BcP-o05c-gjSRx3jNQRAhgD9z8mHbxop/s1600/Return_of_Frank_James_Cult+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="950" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tSebFQsQTqnqJJQq8lTEwYk-8CemG-WnDY-07MPzohI5RbrrDyoPBfarIJLRd7rsHTyZUaFoSTR-iEsPn9FTlVZg64M3x2uhOYQBbPNNO2z0BcP-o05c-gjSRx3jNQRAhgD9z8mHbxop/s640/Return_of_Frank_James_Cult+7+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">Gene
Tierney fue una de las actrices más bellas de aquellos años y se
convertiría en estrella a lo largo de los años '40s, con rasgos levemente exóticos y su
innegable talento. Tras iniciarse muy joven en el teatro, fue contratada por la
Fox y tenía sólo 19 años cuando se estrenó en la película de Lang. Fue su
primera aparición ante las cámaras.Tuvo una exitosa carrera cinematográfica,
pero difícil en lo personal. Estando embarazada una admiradora le contagió
rubeola al besarla y dio a luz a una hija sorda y ciega de nacimiento y con un
severo retraso mental. Eso y sucesivos problemas afectivos la hicieron caer en
una profunda depresión, siendo internada en un sanatorio psiquiátrico donde se
le aplicaron numerosas sesiones de electroshock, afectando gravemente a su
memoria y otras facultades. En 1961 contrajo un nuevo matrimonio con el magnate
texano del petróleo W. Howard Lee, que había sido marido de otra estrella, Hedy
Lamarr. Estuvieron casados hasta la muerte de este, en 1981 y Gene se convirtió
en una gran benefactora de los niños con problemas de retraso mental. Falleció
a los 70 años, a consecuencia de un efisema pulmonar.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivLPsPSynDWUBAKdkzp1zNpBk8m1d8NX820DGIVI2vY_FA51U1esGT8PyLLLSzR3EIARS8Z7RqvE5pkuRVhZxZjdsoKt_d4KNdlhu8TQOeqNEGpapw51AAXRWZDRqVnInHUqKdSVa5_OLZ/s1600/Return_of_Frank_James_Cult+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="950" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivLPsPSynDWUBAKdkzp1zNpBk8m1d8NX820DGIVI2vY_FA51U1esGT8PyLLLSzR3EIARS8Z7RqvE5pkuRVhZxZjdsoKt_d4KNdlhu8TQOeqNEGpapw51AAXRWZDRqVnInHUqKdSVa5_OLZ/s640/Return_of_Frank_James_Cult+5+copy.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi04uKXipqc_9SaYea4kzR4MHw5fJzP76im44uz8gumyLuAZ1uZlWV_qd1yruswHk2rPI5K9Ko7JhmEfN7kZFfinCcZprwafi1uRUFl6QqaFiTTLqlWvW2SbI9RKroogGYh-o-0J6r1FUUZ/s1600/TheReturnOfFrankJames_BOOKLET.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi04uKXipqc_9SaYea4kzR4MHw5fJzP76im44uz8gumyLuAZ1uZlWV_qd1yruswHk2rPI5K9Ko7JhmEfN7kZFfinCcZprwafi1uRUFl6QqaFiTTLqlWvW2SbI9RKroogGYh-o-0J6r1FUUZ/s400/TheReturnOfFrankJames_BOOKLET.png" width="315" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">“The Return
of Frank James”, como su título bien indica, versa sobre los deseos de venganza
por parte del hermano de Jesse James después de que éste fuera asesinado
cobardemente por la espalda por Robert Ford. El film es una secuela que parte
de la última escena “Jesse James” en la que Tyrone Power daba vida al
legendario personaje. Tanto es así que da la sensación de que ambas películas
se rodaron seguidas, pero no fue así. Lang hace una excelente puesta en escena
que se ve por momentos afectada a causa de un guión que tal vez no está
totalmente a la altura de las circunstancias. Estamos frente a una simple
historia de venganza con pocas ramificaciones y sin demasiadas complicaciones,
aunque en determinadas escenas vemos cómo su director imprime su propia
personalidad. “The Return of Frank James” es una buena película que, aunque no
se encuentra entre las grandes obras de Lang, podemos ver su gran impronta
directorial. Un film difícil de conseguir que llega ahora en excelente alta
definición gracias a Twilight Time. Un placer indiscutible e imperdible para
todo fan de Fritz Lang y del western clásico.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5C4EMqHNRh4-7fPY0PKY6TdgCvCk2FB3laMC1Yj6pKPXE2FsxbL1BVH2lCHkh5jMXfMSSipBLQe47usvnlD3iy_665EpEg7_dimuUbi73v_BCUDysV6Ez2T53otpSfKzaQSOyaeqsKGXA/s1600/Return_of_Frank_James_Cult+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="947" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5C4EMqHNRh4-7fPY0PKY6TdgCvCk2FB3laMC1Yj6pKPXE2FsxbL1BVH2lCHkh5jMXfMSSipBLQe47usvnlD3iy_665EpEg7_dimuUbi73v_BCUDysV6Ez2T53otpSfKzaQSOyaeqsKGXA/s640/Return_of_Frank_James_Cult+6+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6asXTb8KRE_9Q85LqLp2uWLyBrj8tx5af9KqK2CRVo6HUc8m_5_w-hlHvf_9My4rLiw1sJPiFCgQ4uP9YCLlY7-qSE92FPPkRBIhT893OrBPIP3hefyab9R4vXMgcbV9ns6xkRnYH9VWO/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6asXTb8KRE_9Q85LqLp2uWLyBrj8tx5af9KqK2CRVo6HUc8m_5_w-hlHvf_9My4rLiw1sJPiFCgQ4uP9YCLlY7-qSE92FPPkRBIhT893OrBPIP3hefyab9R4vXMgcbV9ns6xkRnYH9VWO/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.33:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0X7kLNbzcDa2USObq31HU2tm444ZZmA1R3MwM0fBtq_o5Pd88fNfF42br97Y4QtTJnxJYne7qFD0R8B5APhhDOLTbt7fQ6VBZzELqfzfGRr0NnMFAMCVldww9YnAMuEC-sZ5oU2GNiGO8/s1600/Return_of_Frank_James_Cult+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0X7kLNbzcDa2USObq31HU2tm444ZZmA1R3MwM0fBtq_o5Pd88fNfF42br97Y4QtTJnxJYne7qFD0R8B5APhhDOLTbt7fQ6VBZzELqfzfGRr0NnMFAMCVldww9YnAMuEC-sZ5oU2GNiGO8/s640/Return_of_Frank_James_Cult+10+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">“The Return
of Frank James” tiene una muy buena fotografía en color a cargo de George
Barnes. La calidad de transferencia de imagen en la presente edición en blu-ray
de Twilight Time es también muy buena. Conserva la textura original del
celuloide (granosidad) pero con gran claridad de detalles. Barnes ganó un
premio Oscar® de la Academia de Hollywood por “Rebecca” (1940), de Alfred
Hitchcock y fue nominado al mismo premio por “Sadie Thompson” (1928), “The
Magic Flame” (1927), “The Devil Dancer” (1927), “Our Dancing Daughters” (1928),
“The Spanish Main” (1945), “Spellbound’ (1945, también de Hitchcock) y “Samson
and Delilah” (1949) de Cecil B. DeMille. También es el responsable de la
cinematografía de films como “The Greatest Show on Earth” (1952, también de
DeMille) y “The Bells of St. Mary” (1945), entre muchos otros. Luce realmente
fantástica en esta transferencia a alta definición.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6asXTb8KRE_9Q85LqLp2uWLyBrj8tx5af9KqK2CRVo6HUc8m_5_w-hlHvf_9My4rLiw1sJPiFCgQ4uP9YCLlY7-qSE92FPPkRBIhT893OrBPIP3hefyab9R4vXMgcbV9ns6xkRnYH9VWO/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6asXTb8KRE_9Q85LqLp2uWLyBrj8tx5af9KqK2CRVo6HUc8m_5_w-hlHvf_9My4rLiw1sJPiFCgQ4uP9YCLlY7-qSE92FPPkRBIhT893OrBPIP3hefyab9R4vXMgcbV9ns6xkRnYH9VWO/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 1.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiioYeOM631pmhJIuNTxAGNgCa_eDkjF4E2EH7XqdCDWHdiis7nWDKfGgYwmNjm18J0zEdHhSFqVq_vfCTalcOYZA41hPCeUWQVjEWIoZxNOiOWfa9vSJkkd4vwvx5Y0Szaj8vCWPJr7m02/s1600/Return_of_Frank_James_Cult+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiioYeOM631pmhJIuNTxAGNgCa_eDkjF4E2EH7XqdCDWHdiis7nWDKfGgYwmNjm18J0zEdHhSFqVq_vfCTalcOYZA41hPCeUWQVjEWIoZxNOiOWfa9vSJkkd4vwvx5Y0Szaj8vCWPJr7m02/s640/Return_of_Frank_James_Cult+2+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La transferencia
de audio es cuidada y ha sido remasterizada a un canal DTS-HD Master Audio 1.0.
Se escucha muy bien, es sólida tanto los diálogos como la música y efectos
especiales de sonido. La banda sonora
está compuesta por David Buttolph, quien también compuso la banda de sonido de
“13 Rue Madelaine” (1946), “The Enforcer” (1951), entre muchos otros.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">No</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO </span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en<o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<a href="https://www.twilighttimemovies.com/return-of-frank-james-the-blu-ray//"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>https://www.twilighttimemovies.com/return-of-frank-james-the-blu-ray//</b></span></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“The Return of Frank James” (1940, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Western</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
93 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Enero 20, 2019</span></b></li>
</ul>
<br /></div>
<div>
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-53216134732369486592019-02-01T10:05:00.000-05:002019-02-01T10:06:59.045-05:00"Beat The Devil": Un raro film de John Huston junto a Truman capote, Humphrey Bogart, Gina Lollobrigida y Jennifer Jones. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8gaDDU5mCAYIA64lOrw-BV2eGzJ0b67wejq0azW74puSyz0-VHZ9ithtX6ewiIijOZfXopi0Dtdna6n3YlrC3zMBsiBJX8pRh-ROoWMM0w2UobGdsQw_yeoVNSmbukzYV7dYw0hJAL-Cx/s1600/Beat_the_Devil_Cult+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8gaDDU5mCAYIA64lOrw-BV2eGzJ0b67wejq0azW74puSyz0-VHZ9ithtX6ewiIijOZfXopi0Dtdna6n3YlrC3zMBsiBJX8pRh-ROoWMM0w2UobGdsQw_yeoVNSmbukzYV7dYw0hJAL-Cx/s640/Beat_the_Devil_Cult+8+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray del film “Beat the Devil”, una película británica dirigida en
1953 por John Huston. El guión fue escrito por Huston y Truman Capote, version
libre de la novela homónima del británico Claud Cockburn, quien la publicó con
el seudónimo de James Helvick. Es considerada una parodia burlesca del clásico
de Huston “The Maltese Falcon” (1941) y de otras películas del género. La
película no fue bien recibida por la crítica al momento de su estreno, aunque
fue premiada por el National Board of Review of Motion Pictures.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWfDlGlcB5PVN6lz0GcaJU4yHIBBl-QcsdquPVRy5ZD1wAIuFd0-GI2BITsO3oQKsEqEyepl37aOD2ODTDG3Q_9T_4d7jokKL1-XLSERUVj1X_W9TKokAPhkoIycpg108qt2IMloVNM-1r/s1600/Beat_the_Devil_Cult+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWfDlGlcB5PVN6lz0GcaJU4yHIBBl-QcsdquPVRy5ZD1wAIuFd0-GI2BITsO3oQKsEqEyepl37aOD2ODTDG3Q_9T_4d7jokKL1-XLSERUVj1X_W9TKokAPhkoIycpg108qt2IMloVNM-1r/s640/Beat_the_Devil_Cult+4+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">El guión,
que fue escrito a medida que se iba rodando la película, narra las aventuras de
un grupo de estafadores que planean apoderarse de unos terrenos ricos en uranio
situados en Kenia. Los protagonistas aguardan en un pequeño puerto italiano
esperando embarcarse en un buque rumbo a Mombasa. El reparto incluye a
numerosas estrellas, como Humphrey Bogart, Jennifer Jones, Gina Lollobrigida,
Robert Morley, Peter Lorre y Bernard Lee (que más tarde conseguiría fama
mundial por sus apariciones como "M" en las películas de James Bond).</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXn8fZ7pvlghkv14xwk_BQFw4FXijIpQyceEIulLGWKDT5Z-_yHV7mEDGiz8ULOfcyoB3bpN5nf_rL7zcD3ZBNZOsO5dMepfWWJIe-s1lmxywqmyhM9SLcpegkCqBuaGXHc0WLNe28fTxH/s1600/Beat_the_Devil_Cult+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXn8fZ7pvlghkv14xwk_BQFw4FXijIpQyceEIulLGWKDT5Z-_yHV7mEDGiz8ULOfcyoB3bpN5nf_rL7zcD3ZBNZOsO5dMepfWWJIe-s1lmxywqmyhM9SLcpegkCqBuaGXHc0WLNe28fTxH/s640/Beat_the_Devil_Cult+10+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">Este film
de Huston no es fácil de encasillar en un género concreto: ha sido clasificada
como thriller, comedia, drama, cine negro o romántico. Por encima de todo, se
trata de una parodia de las películas de cine negro, bien interpretada, repleta
de diálogos sarcásticos, equívocos, enredos y abundantes insinuaciones entre
líneas que van mucho más allá de lo que la censura de la época toleraba.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8xfp5OLKzZIM5_3Nrxg8GIlxLA8HXHyg8LKV6v7i4w672FkHC3iuF5f5waEp_j34APh3Y4d2M8ex3PC1vohGWIHttNFqsljyz1cGtSzkNUCXPubBN1uBZAYq4pHtLG5gJrJw44hE7DsG2/s1600/Beat_the_Devil_Cult+11+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8xfp5OLKzZIM5_3Nrxg8GIlxLA8HXHyg8LKV6v7i4w672FkHC3iuF5f5waEp_j34APh3Y4d2M8ex3PC1vohGWIHttNFqsljyz1cGtSzkNUCXPubBN1uBZAYq4pHtLG5gJrJw44hE7DsG2/s640/Beat_the_Devil_Cult+11+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">“Beat the
Devil” plantea tres atmósferas que coinciden en lo temporal y en lo geográfico.
En primer lugar, la psicosis por la carrera nuclear generada por la Guerra Fría
y la decisiva importancia del dominio y la posesión del uranio, fuente de
grandes y peligrosos negocios; en segundo lugar, la Italia rural posterior a la
Segunda Guerra Mundial, sus pueblos tranquilos y tradicionales en los que el
recuerdo de los soldados americanos sigue muy presente, como también la
aparición de ricos aristócratas ingleses que ocupan lujosas villas, se
interesan por los yacimientos arqueológicos o viven románticas aventuras a la
orilla del mar; por último, la constante realidad de la colonización europea en
África, sus intereses económicos y políticos y la rebelión de los países
dominados para sacarse de encima a los extranjeros.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZhFa54TtlMTGWEfxYPw_NbwS04mO2cVxbHjV9hKb9msZBzBcSi5JjZ120OgjF5eu813bOd0c-OIhglYMTmiFtgrF3fs2u0gCPziVlIH4nmQi8NxgBf42s4g-KzZisLSFmYgC2jaVkxz1a/s1600/Beat_the_Devil_Cult+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZhFa54TtlMTGWEfxYPw_NbwS04mO2cVxbHjV9hKb9msZBzBcSi5JjZ120OgjF5eu813bOd0c-OIhglYMTmiFtgrF3fs2u0gCPziVlIH4nmQi8NxgBf42s4g-KzZisLSFmYgC2jaVkxz1a/s640/Beat_the_Devil_Cult+7+copy.jpg" width="640" /></a></div>
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<!--StartFragment-->
<!--EndFragment--><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8XgfqKQZYQChVopnCTPaTupgkobmcy3IdPMwutH2elsOgMmG0pN67lbSwZeOdXIVdgEfidFN9UWQtIas-6bUfHVNSx9P79jF9V60NcH-tFTKXKCLMCJ33s-dPT4ZwU2P8dFYDiW-vJWZr/s1600/BeatTheDevil_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8XgfqKQZYQChVopnCTPaTupgkobmcy3IdPMwutH2elsOgMmG0pN67lbSwZeOdXIVdgEfidFN9UWQtIas-6bUfHVNSx9P79jF9V60NcH-tFTKXKCLMCJ33s-dPT4ZwU2P8dFYDiW-vJWZr/s400/BeatTheDevil_Back.png" width="310" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">No
obstante, el tono en el que se desarrolla la historia está totalmente alejado
del estilo habitual de Huston y pareciera que éste se encuentra realmente
incómodo en la dirección, haciendo un trabajo bastante desangelado, raro en él.
Cuentan los biógrafos que el guión fue redactado tarde, dos semanas antes de
rodar. Capote iba escribiendo diariamente mientras se filmaba y los actores
recibían sus diálogos con poca antelación. La producción engañaba al productor
inversionista haciéndole creer que todo iba según el plan de filmación,
mientras Huston y su elenco disfrutaban de las maravillas de la costa
Amalfitana y las bebidas alcohólicas. También cuentan que se sumaron a la
fiesta unos cuantos amigos de Huston que andan por allí: el escritor Ray
Bradbury, el escritor y guionista Peter Viertel y el cineasta y también
escritor Richard Brooks. Y por si fuera poco, tabién se sumaba la pareja de
Bogart, la mítica Lauren Bacall, Orson Welles y Rita Hayworth.<o:p></o:p></span></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU-wfWY7c6XAeAvDA1RGT38vKv_8BKHmbFTfGj-7V1sI1u82qQc4VQ3BRLoYteqfPNukKzrzHHHBh4MPhK5gf_g836arOorfl7_cGxyGGsZKPA3vGzW3VCrOa9ZPOWdy9lYHvrWLPi-_1Y/s1600/Beat_the_Devil_Cult+12+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU-wfWY7c6XAeAvDA1RGT38vKv_8BKHmbFTfGj-7V1sI1u82qQc4VQ3BRLoYteqfPNukKzrzHHHBh4MPhK5gf_g836arOorfl7_cGxyGGsZKPA3vGzW3VCrOa9ZPOWdy9lYHvrWLPi-_1Y/s640/Beat_the_Devil_Cult+12+copy.jpg" width="640" /></a></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">Muchos de
ellos relatarían más adelante anécdotas más o menos verídicas relacionadas con
lo allí acontecido, pero siempre interesantes y con el sabor del viejo
Hollywood: las fenomenales borracheras del personal, las partidas de cartas
hasta la madrugada, las bochornosas explosiones de mal humor de Huston, la pulseada
que Capote le ganó a Bogart (que hasta entonces había ridiculizado al escritor
por parecerle afeminado), peleas, romances, infidelidades y arrestos
policiales.<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIhiYXzHuH5f50wr_c1WQIlAmoRJLoWz2D44a29VKKJtpPzXizIfYRtuEnIjcBsgCp0YU4cbOO7W52Oc6RcUNEhtvIIUot7p9JAVd7dLfhyGmVvF6zmABA-uJxqnICPwYD-qjXEU8PGYby/s1600/Beat_the_Devil_Cult+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIhiYXzHuH5f50wr_c1WQIlAmoRJLoWz2D44a29VKKJtpPzXizIfYRtuEnIjcBsgCp0YU4cbOO7W52Oc6RcUNEhtvIIUot7p9JAVd7dLfhyGmVvF6zmABA-uJxqnICPwYD-qjXEU8PGYby/s640/Beat_the_Devil_Cult+3+copy.jpg" width="640" /></a></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14pt;">“Beat The
Devil” ofrece frases en las que se intenta atrapar la ingeniosa dialéctica del
cine negro, pero que provocan cierta sensación de saturación improvisada. La
película avanza con engorrosa celeridad en lo que a su estructura interna se
refiere, sin articular tiempos narrativos con eficacia. Quizás los negocios que
los diferentes personajes sueñan con emprender en el continente africano no
constituyen sino una excusa de ese explorador del alma humana llamado John
Huston para realizar un completo y complejo retrato psicológico de cada uno de
ellos, unidos por sus ambiciones personales.</span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
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<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 14.0pt;">La película
se resuelve bien, lo cual es importante, pero queda alguna escena inexplicable,
como la carrera para escapar de los árabes de Bogart,que no tiene mucho
sentido, para ser apresado y pasar a la seguiente escena como es mejor amigo de
su captor, en la intimidad, dándole consejos sobre cómo seducir a Rita
Hayworth. En definitiva, “Beat The Devil” es un film interesante pero
superficial, como el espíritu de los personajes, que flirtean entre sí pero con
poca pasión. Claramente no está a la altura del resto de la filmografía de
Huston, pero es entretenida, por momentos divertida y con un elenco de lujo que
hace que cualquier amante del cine clásico quede absorto contemplándolo. <o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7qV5ne3EKOEJvjpzE03atvRdciqw8qLhrB0uuREdypWRoXzw540i2Ys9t1-wyHeCnbZyZpPvJ6U5cgcEJBe7m_wLF3EdKyUHhwYNvFzwixodSHjmouj7x96gbRA7AZf6bA3DT0wmzC2Tt/s1600/Beat_the_Devil_Cult+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7qV5ne3EKOEJvjpzE03atvRdciqw8qLhrB0uuREdypWRoXzw540i2Ys9t1-wyHeCnbZyZpPvJ6U5cgcEJBe7m_wLF3EdKyUHhwYNvFzwixodSHjmouj7x96gbRA7AZf6bA3DT0wmzC2Tt/s640/Beat_the_Devil_Cult+5+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxJ0vprLxjUt700qsSFHc-uvKToMjgP30IF0TXgFeS_3ptxJE0VRIevWJzIFZpqmDHOpWMDwUyQ6WVXdIbaaPLf_noTcDT6AmOHRC7i7Q_xRjC-uVWfmOi880QRurop1DUkaDbSzM_K5-2/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxJ0vprLxjUt700qsSFHc-uvKToMjgP30IF0TXgFeS_3ptxJE0VRIevWJzIFZpqmDHOpWMDwUyQ6WVXdIbaaPLf_noTcDT6AmOHRC7i7Q_xRjC-uVWfmOi880QRurop1DUkaDbSzM_K5-2/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.33:1</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFnCzBZEVTs0lwVa9RieP_SeFVzCTKa_CyAyPYuHq3AQBhxvEKr6RLcL2SmDWd8AIV0XoPFXryNKJXx1gQcYJzO3T6SUt1lBnPENKRp_lr_ozdhzLWfB-QNx-bD5yIqZmv8ZrP6FvXfP7J/s1600/Beat_the_Devil_Cult+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFnCzBZEVTs0lwVa9RieP_SeFVzCTKa_CyAyPYuHq3AQBhxvEKr6RLcL2SmDWd8AIV0XoPFXryNKJXx1gQcYJzO3T6SUt1lBnPENKRp_lr_ozdhzLWfB-QNx-bD5yIqZmv8ZrP6FvXfP7J/s640/Beat_the_Devil_Cult+9+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena. Se notan alguna suciedad delceluloide pero es minúscula. La cinematografía es de Oswald Morris es
buena pero no llega a los niveles de otros de los films en los que participó,
como “Lolita” (1962), “Los Cañones de Novarone” (1961), “El Violinista en el Tejado”, (1971), “007 El
Hombre del Revólver de Oro” (1974), “Equus” (1977, <a href="http://www.culturalmenteincorrecto.com/2014/04/equus-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2014/04/equus-blu-ray-review.html</a>),
entre otras).</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxJ0vprLxjUt700qsSFHc-uvKToMjgP30IF0TXgFeS_3ptxJE0VRIevWJzIFZpqmDHOpWMDwUyQ6WVXdIbaaPLf_noTcDT6AmOHRC7i7Q_xRjC-uVWfmOi880QRurop1DUkaDbSzM_K5-2/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxJ0vprLxjUt700qsSFHc-uvKToMjgP30IF0TXgFeS_3ptxJE0VRIevWJzIFZpqmDHOpWMDwUyQ6WVXdIbaaPLf_noTcDT6AmOHRC7i7Q_xRjC-uVWfmOi880QRurop1DUkaDbSzM_K5-2/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Master Audio 1.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJvxkUpFL3DCReexUr0z7jc5upgDArZGImKRhJwwpV2JIX5MTiNQDCIfsv_ju5HuEy_7CFzg_327gjx-yrGfRBpwCieiD03UJSvY29KyANbdtWzvL2vbXTQ-SfRuQ6pB8yuL4W1YnjnR1P/s1600/Beat_the_Devil_Cult+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJvxkUpFL3DCReexUr0z7jc5upgDArZGImKRhJwwpV2JIX5MTiNQDCIfsv_ju5HuEy_7CFzg_327gjx-yrGfRBpwCieiD03UJSvY29KyANbdtWzvL2vbXTQ-SfRuQ6pB8yuL4W1YnjnR1P/s640/Beat_the_Devil_Cult+2+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La
transferencia de audio es cuidada y ha sido remasterizada a un canal DTS-HD
Master Audio 1.0 Mono. Se escucha muy bien, es sólida tanto los diálogos como
la música y efectos especiales de sonido. La música compuesta por el italiano
Franco Mammino se disfruta perfectamente en el canal 1.0 del film. Franco
Mammino ha compuesto, entre otras, las bandas sonoras de “Bellissima” (1951) y
dos films de Luchino Visconti, “Conversation Piece” (1974) y “The Innocente”
(1976).</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh62nE_z_0dvfZp3Qpjg_4rmQanK3goAyS6f5TNBUUCG4L3nrL5ftrQc_xM5AirC8Sp448yB2u9ELmk9v8cNGbGRsF69B0nRjd3oWALWuseKXfIGT5fvYUaJN7aSKEkmh5dWimGZYuVFTOE/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh62nE_z_0dvfZp3Qpjg_4rmQanK3goAyS6f5TNBUUCG4L3nrL5ftrQc_xM5AirC8Sp448yB2u9ELmk9v8cNGbGRsF69B0nRjd3oWALWuseKXfIGT5fvYUaJN7aSKEkmh5dWimGZYuVFTOE/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de Audio: a cargo de los historiadores fílmicos Lem Dobbs, Julie Kirgo y Nick
Redman.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Alexander
Cockburn “Beat The Devil”: featurette</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer de
la película</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<div class="separator" style="clear: both; text-align: center;">
<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY_VU6FPAd5HIEBOBk-U7nEbfPG8SuixMxEVPJzJfbcAZNarnjQuLwgX5CuKSNG3fsaLrE0VYItjbbI1RjwS9xXVPZL19BErSE_OVlJLPrkhOk5e27jS_bM4aCKfOqlg8QXqqyQD8ka541/s1600/Beat_the_Devil_Cult+1+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="585" data-original-width="800" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY_VU6FPAd5HIEBOBk-U7nEbfPG8SuixMxEVPJzJfbcAZNarnjQuLwgX5CuKSNG3fsaLrE0VYItjbbI1RjwS9xXVPZL19BErSE_OVlJLPrkhOk5e27jS_bM4aCKfOqlg8QXqqyQD8ka541/s640/Beat_the_Devil_Cult+1+copy.jpg" width="640" /></a></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEQ-Wj9VM66Nd5F72Ct5GE8SLaNGgus6l9sj2sfT1WF_GMqb2bhVO6-2pRLcW5CNlFU2pfRLzsGAmeuK3-WHdhbOjuZbuTUy3Oj7PFBntFI300cRMIunOxIcc6rQKs0o2CXxouulPb1eUS/s1600/BeatTheDevil_BDBooklet.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEQ-Wj9VM66Nd5F72Ct5GE8SLaNGgus6l9sj2sfT1WF_GMqb2bhVO6-2pRLcW5CNlFU2pfRLzsGAmeuK3-WHdhbOjuZbuTUy3Oj7PFBntFI300cRMIunOxIcc6rQKs0o2CXxouulPb1eUS/s640/BeatTheDevil_BDBooklet.png" width="504" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh62nE_z_0dvfZp3Qpjg_4rmQanK3goAyS6f5TNBUUCG4L3nrL5ftrQc_xM5AirC8Sp448yB2u9ELmk9v8cNGbGRsF69B0nRjd3oWALWuseKXfIGT5fvYUaJN7aSKEkmh5dWimGZYuVFTOE/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh62nE_z_0dvfZp3Qpjg_4rmQanK3goAyS6f5TNBUUCG4L3nrL5ftrQc_xM5AirC8Sp448yB2u9ELmk9v8cNGbGRsF69B0nRjd3oWALWuseKXfIGT5fvYUaJN7aSKEkmh5dWimGZYuVFTOE/s400/culturalmente+r3+stars.jpg" width="400" /></a></b></div>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO </span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/beat-the-devil-blu-ray/">https://www.twilighttimemovies.com/beat-the-devil-blu-ray/</a><o:p></o:p></b></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFlOaq65hLTCiguRE5dY36cmj-zl2Djy9pP5wmX45Lyg0O_HHFGcV16sKQb63XAdaF_xYytx4KstInz5Z92xcFTSxVMd3-pVLXeWWMa0N6ykPE7ORalXUW4OW7nUejmAxLlZVyHmonLH9T/s1600/BeatTheDevil_Bluray.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFlOaq65hLTCiguRE5dY36cmj-zl2Djy9pP5wmX45Lyg0O_HHFGcV16sKQb63XAdaF_xYytx4KstInz5Z92xcFTSxVMd3-pVLXeWWMa0N6ykPE7ORalXUW4OW7nUejmAxLlZVyHmonLH9T/s320/BeatTheDevil_Bluray.png" width="253" /></a></b></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Beat The Devil” (1953, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Comedia</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
94 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Enero 22, 2019</span></b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqQpX4MOxfcMkFyQTCSVYxnpiG_NTZaFxTlDxaAUO_tVoChFzcDlyA2V65-O7dzUAOrKADv7ht-9QtK_SGfZSm-IyB1yWuPgRhkrzHC5PFpTa08-5zq8se8ebT9gBU1CGE7b6SqmcP1VIP/s1600/BEAT+THE+DEVIL+PORTADA+CULTURALMENTE+INCORRECTO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="1512" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqQpX4MOxfcMkFyQTCSVYxnpiG_NTZaFxTlDxaAUO_tVoChFzcDlyA2V65-O7dzUAOrKADv7ht-9QtK_SGfZSm-IyB1yWuPgRhkrzHC5PFpTa08-5zq8se8ebT9gBU1CGE7b6SqmcP1VIP/s640/BEAT+THE+DEVIL+PORTADA+CULTURALMENTE+INCORRECTO.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-66590767177836218082019-01-10T10:26:00.002-05:002019-01-10T10:28:23.601-05:00"Cranko: Onegin": El Stuttgart Ballet con coreografía de John Cranko y música de Pyotr I. Tchaikovsky. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<span style="font-family: "arial"; font-size: 14pt;">Naxos USA
lanzó al mercado americano la edición en formato blu-ray de alta definición
“Onegin”, ballet inspirado en el poema de Alexandr Pushkin, con música de Piotr
l. Tchaikovsky y coreografía de John Cranko. La obra fue llevada originalmente
a la danza gracias al coreógrafo John Cranko quien montó esta obra en ballet
para el Stuttgart Ballet, compañía de la cual fue director artístico, el 13 de
abril de 1965. La presente es una producción de esta misma companía, grabada en
vivo en la Opers House de Stuttgart, entre el 3 y el5 de noviembre del 2017.
Está protagonizada por Friedemann Vogel (Onegin), Alicia Amatriain (Tatiana),
David Moore (Lensky), Elisa Badenes (Olga), Jason Reilly (Príncipe Gremin),
Melinda Witham (Madame Larina) y Marcia Haydée (Enfermera de Tatiana y Olga),
junto al todo el cuerpo de baile del Stuttgart Ballet. El maestro James Tuggle
conduce la Stuttgart State Orchestra. La escenografía y vestuario corresponden
a Jürgen Rose.</span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">El ballet,
al igual que la ópera homónima (<a href="http://www.culturalmenteincorrecto.com/2012/05/eugene-onegin.html">http://www.culturalmenteincorrecto.com/2012/05/eugene-onegin.html</a>),
está compuesto de 3 actos y seis escenas. Es considerada la obra maestra del
coreógrafo y una de las más importantes obras dentro del repertorio del
Stuttgart Ballet. Impresionante y poderoso, Onegin se ha vuelto uno de los más
importantes y buscados ballets de larga duración. Es una historia de amor no
correspondido, entre el inesperado encuentro de una joven inocente con un
cínico aristócrata. También existe otro ballet sobre el tema, “Tatiana”, con
coreografía de John Neumeier y partitura de Lera Auerbach (<a href="http://www.culturalmenteincorrecto.com/2016/09/tatiana-ballet-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/09/tatiana-ballet-blu-ray-review.html</a>).<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Como dato
de color, Alicia Amatriain interpreta a Tatiana en esta producción del 2017. Y
tenemos también a Marcia Haydée, que interpreta a la enfermera de Tatiana.
Haydée fue la bailarina que, cuando tenía 50 años menos, originalmente creó el
papel de Tatiana en 1965. <o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">La
coreografía de Cranko es encantadora y es, por supuesto, la razón de la gran
popularidad de este espectáculo. Jürgen Rose ha realizado numerosas
contribuciones a los sets y trajes del ballet de Stuttgart. Pero en este caso,
la alta definición les juega una mala pasada ya que por momentos éstase ve un
poco vetusta, debiera haber sido restaurada por completo o diseñado a nuevo.
Por qué el ballet de Stuttgart no ha actualizado su producción de “Onegin”? Tal vez no tengan
los recursos económicos o tal vez la compañía decidió hacer una especie de
homenaje al pasado. El vestuario está bastante correcto.<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">El libreto
y la coreografía de Cranko siguen siendo completamente satisfactorios para las
audiencias modernas. Aún así, esperamos que en el future se produzcan nuevas
versiones de “Onegin” que sobrepasen su puesta en escena tradicional y clásica.
Con este ballet, John Cranko aseguró su lugar en el panteón de los grandes
coreógrafos del siglo XX. Basado en la dramática novela de Alexander Pushkin,
"Eugene Onegin", presenciamos la historia del arrogante y cansado
aristócrata Onegin, quien rechaza el amor de la ingenua joven de campo Tatiana
sólo para darse cuenta, al volver a verla años más tarde, que ella fue la única
mujer que alguna vez lo amó de verdad. Con motivo de su 50 aniversario y con un
elenco exquisito, el Stuttgarter Ballett ha creado una producción de “Onegin”
que se disfruta a cada instante y que merece ser vista.<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC/MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080i/60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.77:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: PCM 2.0 & DTS-HD Master Audio 5.1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Extras: Inglés y Alemán</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Jürgen
Rose, diseñador de escenografía y vestuario, habla de “Onegin” y de sus otras
creaciones para el Stuttgart Ballet</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Conversación
con Marcia Haydée y Reid Anderson</b></li>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> MUY BUENO </span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en:<o:p></o:p></b></span></div>
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<a href="https://www.amazon.com/John-Crankos-Onegin-Blu-ray/dp/B07HN5LTVD/ref=sr_1_fkmr0_2?ie=UTF8&qid=1547065642&sr=8-2-fkmr0&keywords=onegin+ballet+blu-ray"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>https://www.amazon.com/John-Crankos-Onegin-Blu-ray/dp/B07HN5LTVD/ref=sr_1_fkmr0_2?ie=UTF8&qid=1547065642&sr=8-2-fkmr0&keywords=onegin+ballet+blu-ray</b></span></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Cranko: Onegin” (2017)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Ballet</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
96 minutos (ballet) + 102 minutos (extras)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Región</u>: 0
(Todas)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Estudio</u>:
Unitel Classica & C Major</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Naxos USA</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Cantidad de
Discos</u>: 1 BD-50</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Noviembre 16, 2018</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP:</u> $41.99</span></b></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com1Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-59801131618011070552019-01-02T13:08:00.003-05:002019-01-02T13:11:18.641-05:00"The Adventures of Hajji Baba": John Derek y las aventuras de Hajji Baba en Medio Oriente. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4j6CCPDMlGoiopNdGOZXTDP0OzxpUfg-eIftqVANIfHxGYQIUs5Vi0PoEFtZD-Vu14lvuVtG-tKYnOPlWYxqcQPQ7hxUTR7n_qpbF7N-8G7cXIevZORRwxYYG0nbcKcOLPDJ3lP2eAfC4/s1600/Adventures_Of_Hajji_Baba_Cult10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="627" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4j6CCPDMlGoiopNdGOZXTDP0OzxpUfg-eIftqVANIfHxGYQIUs5Vi0PoEFtZD-Vu14lvuVtG-tKYnOPlWYxqcQPQ7hxUTR7n_qpbF7N-8G7cXIevZORRwxYYG0nbcKcOLPDJ3lP2eAfC4/s640/Adventures_Of_Hajji_Baba_Cult10+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">En la
década de los ’50s, los films históricos cuyas tramas se situaban en el Lejano
Oriente o en el Medio Oriente se convirtieron en un reducto de películas que
explotaban el erotismo y la lujuria. La censura de tiempos anteriores dio a los
cineastas estadounidenses una excusa para satisfacer los deseos sexuales y
voyeuristas de los espectadores. Twilight Time lanzó al mercado americano la
edición limitada (sólo 3.000 copias) en formato blu-ray de “The Adventures of
Hajji Baba”, film del año 1954 dirigido por Don Weiss y producido por Walter
Wanger. Está protagonizado por John Derek, Elaine Stewart, Thomas Gomez, Amanda
Blake, Paul Picerni, Rosemarie Bowe y Donald Randolph.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIVtdMd6Kr4rCmbIW6A9Ou29HkqeKQZMMauV13mZdg3611ap3T_EMiBA1KFp6LValB3rf-tBOaZ-afAYS714wVieRr28saCTcvw_VjLH0IifxEkUNFZ3RnPm2_p_tjOvkw_gGYl2kEETeX/s1600/Adventures_Of_Hajji_Baba_Cult3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIVtdMd6Kr4rCmbIW6A9Ou29HkqeKQZMMauV13mZdg3611ap3T_EMiBA1KFp6LValB3rf-tBOaZ-afAYS714wVieRr28saCTcvw_VjLH0IifxEkUNFZ3RnPm2_p_tjOvkw_gGYl2kEETeX/s640/Adventures_Of_Hajji_Baba_Cult3+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaG3ZXUIJe0xbfKtUcF_IQfPwvKAtlhj7JX6oPbOxa7mRRqK6FhlS4TaxSUEnWIFl3ZwP0xIW4H14Z68bcFxZc-Vqp8-1qm7AfHkvqFFrDhFcCxYM-7f53tQCyVfi7-6TO4jA-up7TzDrO/s1600/TheAdventuresOfHajjiBaba_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaG3ZXUIJe0xbfKtUcF_IQfPwvKAtlhj7JX6oPbOxa7mRRqK6FhlS4TaxSUEnWIFl3ZwP0xIW4H14Z68bcFxZc-Vqp8-1qm7AfHkvqFFrDhFcCxYM-7f53tQCyVfi7-6TO4jA-up7TzDrO/s400/TheAdventuresOfHajjiBaba_Back.png" width="310" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Todo esto
es válido para “The Adventures of Hajji Baba”, una muestra de ese cine impetuoso
y empapado de sexo. John Derek interpreta a un barbero persa cuya misión es
acompañar a la bella princesa Fakzia a través del desierto hasta su boda. Haji
le apuesta a un amigo que él habrá logrado seducirla al final del viaje. Los
dos, confiados en sí mismos, emprenden la aventura hasta que son capturados por
ladrones que, a su vez, son capturados por un grupo de amazonas. Las amazonas
son todas ex mujeres de un harem que han hecho del robo en los caminos y el
secuestro un modo de obtener justicia sobre esa sociedad que las oprimió. Haji
convence a la líder de las amazonas para que lo deje vivir y ella consiente.
Esto le da tiempo suficiente para planear un escape con Fakzia y finalmente
cruzar el desierto. Haji, por supuesto, ganará su apuesta.</span></div>
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<span style="font-family: "arial"; font-size: 14pt;">El enorme
éxito de taquilla del film “The Robe” (1953) y otros títulos iniciales en
CinemaScope® dio lugar a que se filmaran gran cantidad de películas en este
formato durante 1954-55, películas destinadas a mostrar la pantalla ultra
ancha, marca registrada de este formato (2.55: 1) y el sonido estereofónico
magnético de cuatro pistas. Recordando el éxito anterior del productor Walter
Wanger para Universal, “Arabian Nights” (1942), “The Adventures of Hajji Baba”
presenta de manera similar un cuento de aventuras de Oriente Medio, con una
historia intrigante y divertida.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbX1HuQgCGjcNKOQcgqlhac3CNnwQ3T8Y7eXE7Rj9vLZldP12Dt8roJ48jPg9uP2XxfsK8ftfa6MZ-vijm5upoReLAqMxF7IKaMl4d9Ro0zuQciYVgbEvZYD3zwbOU6zbgk_05FiSnjagt/s1600/Adventures_Of_Hajji_Baba_Cult7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbX1HuQgCGjcNKOQcgqlhac3CNnwQ3T8Y7eXE7Rj9vLZldP12Dt8roJ48jPg9uP2XxfsK8ftfa6MZ-vijm5upoReLAqMxF7IKaMl4d9Ro0zuQciYVgbEvZYD3zwbOU6zbgk_05FiSnjagt/s640/Adventures_Of_Hajji_Baba_Cult7+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El film es
una adaptación de “Las aventuras de Hajji Baba”, novela de James Justinian
Morier, de Ispahan (1824). Emblemática muestra de estas primeras producciones
en CinemaScope®, “The Adventures of Hajji Baba” posee todo el espectáculo
visual necesario a pesar de su pobre guión cinematográfico. No obstante, es
interesante por otras razones. Para empezar, la película comienza con la
canción escrita y compuesta por Dimitri Tiomkin-Ned Washington y Nelson Riddle,
llamada “Haji Baba (Persian Lament)”, cantada por la superestrella de aquellos
días Nat 'King' Cole. Además, la voz aterciopelada de Cole aparece durante toda
la película.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxqkhMhOov52zInSIAC6KT4J2n-jORNqeElsqStBFhT16EVcRmvzvQmIzMmIbRTWSBlxpC4x7UAAnXiZykT6fasj-4kyXSihvvDAo_Un-ZyGFaOHnzsLKmq5KnPvM28VdGOpSHMFfavGiM/s1600/Adventures_Of_Hajji_Baba_Cult4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="620" data-original-width="1600" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxqkhMhOov52zInSIAC6KT4J2n-jORNqeElsqStBFhT16EVcRmvzvQmIzMmIbRTWSBlxpC4x7UAAnXiZykT6fasj-4kyXSihvvDAo_Un-ZyGFaOHnzsLKmq5KnPvM28VdGOpSHMFfavGiM/s640/Adventures_Of_Hajji_Baba_Cult4+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El film
tiene algunos problemas propios de la forma en que se presentaban aspectos de
la historia en el Hollywood de aquellos años. Por ejemplo, Elaine Stewart, una
ex modelo increíblemente hermosa, para hacerse pasar por un niño simplemente
esconde su peinado largo, muy del estilo de los años ‘50s, debajo de un turbante,
pero eso es todo. La forma de su cuerpo nunca esconde que es una mujer adulta, con sombra en sus ojos e incluso tiene sus uñas largas y cuidadas de color rosa. O sea, cómo se
entiende que nadie se de cuenta que no es un niño?</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7RmK68OaJyLTHGkeKdBEqjz117IEDkLyUUfgWfwjwwkXXOO-pa2sC3YYtgFzi1HDxocK9S9Ln3iCWBr88Tn6nTeUCR8JIMIprd4eALNttdnJdgtPbQGUIqc2KpDEJg1eXYsgpekiBMVaO/s1600/Adventures_Of_Hajji_Baba_Cult5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7RmK68OaJyLTHGkeKdBEqjz117IEDkLyUUfgWfwjwwkXXOO-pa2sC3YYtgFzi1HDxocK9S9Ln3iCWBr88Tn6nTeUCR8JIMIprd4eALNttdnJdgtPbQGUIqc2KpDEJg1eXYsgpekiBMVaO/s640/Adventures_Of_Hajji_Baba_Cult5+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDlIdKesAHV5Gc53yMWt6n2KWJpij3Vlw5if2JOEsq0_ydD-LII-qY9huvk9vYxGf_PvB7Xw2LqOI2wJYQNS2PcIVD25pmmPSJjxsG2WvxoQShPh8u1Vs3ImRSQsy0Im6Ebhwm1twBGLQm/s1600/TheAdventuresOfHajjiBaba_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDlIdKesAHV5Gc53yMWt6n2KWJpij3Vlw5if2JOEsq0_ydD-LII-qY9huvk9vYxGf_PvB7Xw2LqOI2wJYQNS2PcIVD25pmmPSJjxsG2WvxoQShPh8u1Vs3ImRSQsy0Im6Ebhwm1twBGLQm/s400/TheAdventuresOfHajjiBaba_BDBooklet.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Pero en
realidad las aventuras de Hajji Baba realmente se ponen en marcha cuando la
pareja es capturada por las mujeres turcas, ex esclavas del harem, que
desconfían de los hombres. Hajji está constantemente rodeado de mujeres
hermosas (Rosemarie Bowe, Pat Sheehan, Joanne Arnold, Pat Lawler, Laurette Luez,
todas modelos que habían aparecido o que pronto aparecerían en Playboy) y por
Amanda Blake, quien compite con la glamorosa princesa Fawzia por los afectos de
Hajji. La pelirroja Blake lograría un año después su papel consagratorio como
Miss Kitty en la serie televisiva “Gunsmoke”, un papel que interpretó en 19 de
las 20 temporadas del programa.</span><span style="font-family: "arial"; font-size: 14pt;"> </span><span style="font-family: "arial"; font-size: 14pt;">El
elenco de reparto es bueno, con Thomas Gomez y Claude Akins, ambos apareciendo
en la inusual secuencia de créditos previos de la película. En el papel protagónico,
John Derek brinda una actuación correcta. No es Douglas Fairbanks, pero está
bien.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOGO3SlfiTRdTdq8pIHJ1JRy35dRjpE25B1FKNfWHwEwdttElUDDVDN8kkZywIClPh5fsCmim75zaBrnf0MaLZaQ9xueqRHf8vgMPF-oICV067onJz-UwalEg-yThGEg9BDkxI1kTr3smt/s1600/Adventures_Of_Hajji_Baba_Cult6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="623" data-original-width="1600" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOGO3SlfiTRdTdq8pIHJ1JRy35dRjpE25B1FKNfWHwEwdttElUDDVDN8kkZywIClPh5fsCmim75zaBrnf0MaLZaQ9xueqRHf8vgMPF-oICV067onJz-UwalEg-yThGEg9BDkxI1kTr3smt/s640/Adventures_Of_Hajji_Baba_Cult6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">“The
Adventures of Hajji Baba” es una película exotica, cursi y campy. La canción de
Nat King Cole es tremendamente pegadiza y cuesta sacársela de la cabeza una vez
finalizada la película. Es un producto temático y visualmente atrapante que se
condice con el cine de Hollywood de los años ‘50s.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2WBR_9XrpGehVXq0xPVIgPvK-pDPrZkdrQndsMMHjzOl8Aw6XevN5pj_IVsy6zW8bGvWyDZyJMcqMCwwxtbSej8eVP9JO2YF0E1A9O7EzNqSGzELVOIywLPtjat7wIoOVN-nG5Rh4gzPk/s1600/Adventures_Of_Hajji_Baba_Cult13+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="634" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2WBR_9XrpGehVXq0xPVIgPvK-pDPrZkdrQndsMMHjzOl8Aw6XevN5pj_IVsy6zW8bGvWyDZyJMcqMCwwxtbSej8eVP9JO2YF0E1A9O7EzNqSGzELVOIywLPtjat7wIoOVN-nG5Rh4gzPk/s640/Adventures_Of_Hajji_Baba_Cult13+copy.jpg" width="640" /><span style="font-family: "arial"; font-size: 14pt;"> </span></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRrt_y7gf1tm0UGXn2B9tn8DW2kowdHnDggIcyRA0HPoVYAz0dTIBcD2vRyfAISc4CCEQ7xwN8V0zdRf-Y4UV19oOnAz_BRfhrEU8NEFVgaL-PM-NvMCjTCE7hRdyDVSwQzcHlUb3_khyphenhyphenK/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRrt_y7gf1tm0UGXn2B9tn8DW2kowdHnDggIcyRA0HPoVYAz0dTIBcD2vRyfAISc4CCEQ7xwN8V0zdRf-Y4UV19oOnAz_BRfhrEU8NEFVgaL-PM-NvMCjTCE7hRdyDVSwQzcHlUb3_khyphenhyphenK/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.55:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
</ul>
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</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7HFXkphuiDIw15HcYXFiDAEcuAXFEZU82-Ekc5f3KaJA7IRUQlKbU9-fq3tEnZnn9XV7VTfR4-6RpB52O9Qx2lfYi2Q7H5ZyHv3vOe8wHa6VlffyIH-5fZxlT49YYwav_hg8qJJNzd_T9/s1600/Adventures_Of_Hajji_Baba_Cult9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7HFXkphuiDIw15HcYXFiDAEcuAXFEZU82-Ekc5f3KaJA7IRUQlKbU9-fq3tEnZnn9XV7VTfR4-6RpB52O9Qx2lfYi2Q7H5ZyHv3vOe8wHa6VlffyIH-5fZxlT49YYwav_hg8qJJNzd_T9/s640/Adventures_Of_Hajji_Baba_Cult9+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena. Los interiores de los templos asiáticos también son bastante
lujosos en detalles. El excelente trabajo de Harold Lipstein, director de
cinematografía, permite resaltar cada detalle facial actoral de los
protagonistas así como también las precisiones del vestuario y los detalles de
las imponentes locaciones. Lipstein fue nominado a un premio Oscar® de
laAcademia de Hollywood por “A Man called Peter” (1935) y es el responsable de
la cinematografía de films como “Damn Yankees” (1958) y “Von Ryan Express”
(1965), entre otros.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRrt_y7gf1tm0UGXn2B9tn8DW2kowdHnDggIcyRA0HPoVYAz0dTIBcD2vRyfAISc4CCEQ7xwN8V0zdRf-Y4UV19oOnAz_BRfhrEU8NEFVgaL-PM-NvMCjTCE7hRdyDVSwQzcHlUb3_khyphenhyphenK/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRrt_y7gf1tm0UGXn2B9tn8DW2kowdHnDggIcyRA0HPoVYAz0dTIBcD2vRyfAISc4CCEQ7xwN8V0zdRf-Y4UV19oOnAz_BRfhrEU8NEFVgaL-PM-NvMCjTCE7hRdyDVSwQzcHlUb3_khyphenhyphenK/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: DTS-HD Master Audio 5.1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgodom0fsLDuX9FBTPek4feMUQhbLQUTuUf6FXRIoxWz2hn7m7HL6yqimpNiKVLhJnWpbu5zUjk1Niplzh97rn54LrGpKvf3jFkVgmBd4oRkMxj7ZsDxpGqutzvggRPptTof5x4dCBNeQBw/s1600/Adventures_Of_Hajji_Baba_Cult2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgodom0fsLDuX9FBTPek4feMUQhbLQUTuUf6FXRIoxWz2hn7m7HL6yqimpNiKVLhJnWpbu5zUjk1Niplzh97rn54LrGpKvf3jFkVgmBd4oRkMxj7ZsDxpGqutzvggRPptTof5x4dCBNeQBw/s640/Adventures_Of_Hajji_Baba_Cult2+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La
transferencia de audio es cuidada y se escucha muy bien a través del canal
DTS-HD Master Audio 5.1. Los diálogos son claros y la música compuesta por
Dimitri Tiomkin no sólo acompaña la historia sino que otorga majestuosidad a
las locaciones. Y ya mencionamos anteriormente la participación de Nat ‘King
Cole. Ha sido un acierto por parte de Twilight Time incluirla en un track
separado dentro de los extras de esta edición en blu-ray.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhph22d98tBdx8PVNzRAG7sAEDqE5Qa5I1NdBBiwHz0FCLLkE0nVQUShPDWx59D5ooLgc6ODgxjfvZ-cFYmB6ptsq3cpUhgBKsneRL4ObEcIkj-WqLZYXjWSQ7bCbqZNYPhqf4-QE8vvCGC/s1600/culturalmente+r2stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhph22d98tBdx8PVNzRAG7sAEDqE5Qa5I1NdBBiwHz0FCLLkE0nVQUShPDWx59D5ooLgc6ODgxjfvZ-cFYmB6ptsq3cpUhgBKsneRL4ObEcIkj-WqLZYXjWSQ7bCbqZNYPhqf4-QE8vvCGC/s200/culturalmente+r2stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, en track separado, DTS-HD Master Audio</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgopWhAq7yfpBXPvOKc6OmEIsxrrfHnx82R6WJOOvGqBhpQ971A_vILjX8z2OdDNVpv_i9HHu55CNyd1zA3RIWWtosm4DlCbZU3b7m6_nf1qOKj7GgImmJeEDdBurOM64b_g3zdFOtBANJN/s1600/Adventures_Of_Hajji_Baba_Cult1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="629" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgopWhAq7yfpBXPvOKc6OmEIsxrrfHnx82R6WJOOvGqBhpQ971A_vILjX8z2OdDNVpv_i9HHu55CNyd1zA3RIWWtosm4DlCbZU3b7m6_nf1qOKj7GgImmJeEDdBurOM64b_g3zdFOtBANJN/s640/Adventures_Of_Hajji_Baba_Cult1+copy.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiolMTVunbN47QBvNaivOi8xJd7qG475NGnjm0bgh9uUPN9Na70T0pRZWjaLUR1N-WxVGPvG5q49KquWDb5STAGVb25Mm-v6qA5QHm3Gss5gPG0EMAq1pAmH_1op8rMfYgYPxFPxKulf-mW/s1600/Adventures_Of_Hajji_Baba_Cult11+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiolMTVunbN47QBvNaivOi8xJd7qG475NGnjm0bgh9uUPN9Na70T0pRZWjaLUR1N-WxVGPvG5q49KquWDb5STAGVb25Mm-v6qA5QHm3Gss5gPG0EMAq1pAmH_1op8rMfYgYPxFPxKulf-mW/s640/Adventures_Of_Hajji_Baba_Cult11+copy.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLMZqrjqHmKAFHRgeDv-M2z6BdX7HvdI8Zbz2uSZpaIUzchSfpNxrx2pyGfATBdRPIckt7GtBbXocXZHckPR4g2r1MWsyS_EQXr-FCjs5t5QKFqMG6J5BWPIn9pCRevcoBVZaNXRVILuYL/s1600/Adventures_Of_Hajji_Baba_Cult8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="1600" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLMZqrjqHmKAFHRgeDv-M2z6BdX7HvdI8Zbz2uSZpaIUzchSfpNxrx2pyGfATBdRPIckt7GtBbXocXZHckPR4g2r1MWsyS_EQXr-FCjs5t5QKFqMG6J5BWPIn9pCRevcoBVZaNXRVILuYL/s640/Adventures_Of_Hajji_Baba_Cult8+copy.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdvk6MmTFIgHLq7L_CQpLUBR5iEABHDDKCm6stFWOxK63FOL2xZmID8YNuVnwiXKIdWGCVX4vPigPdd34tmPoGiXlQ3R1d5DiQSSicBucz4AX7WWosB-ti9obgvZn1xwHkglrKdUgGl-NC/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdvk6MmTFIgHLq7L_CQpLUBR5iEABHDDKCm6stFWOxK63FOL2xZmID8YNuVnwiXKIdWGCVX4vPigPdd34tmPoGiXlQ3R1d5DiQSSicBucz4AX7WWosB-ti9obgvZn1xwHkglrKdUgGl-NC/s400/culturalmente+r3+stars.jpg" width="400" /></a></b></div>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO </span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/adventures-of-hajji-baba-the-blu-ray/">https://www.twilighttimemovies.com/adventures-of-hajji-baba-the-blu-ray/</a><o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“The Adventures of Hajji Baba” (1954, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Acción / Aventuras</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>: 93 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Octubre 16, 2018</span></b></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-14828101423516988252018-12-28T12:06:00.005-05:002018-12-28T12:07:52.832-05:00"Sword of Sherwood Forest": Una saga casi desconocida de Robin Hood. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEpGFoNDBAcDx5o3dIf-KOnqyMIpOrZotZxefrb-QTixSOJvA0QgKOofHkAKT2x0QtNZAy2am_11G9VGj43rZYXBczzPSWF6U-WJS0pUiqY6fDYi1dD5iCI8iwUR_pq1QYCLpq0TIWU6Au/s1600/Sword-of-Sherwood-Forest-Cult3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="942" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEpGFoNDBAcDx5o3dIf-KOnqyMIpOrZotZxefrb-QTixSOJvA0QgKOofHkAKT2x0QtNZAy2am_11G9VGj43rZYXBczzPSWF6U-WJS0pUiqY6fDYi1dD5iCI8iwUR_pq1QYCLpq0TIWU6Au/s640/Sword-of-Sherwood-Forest-Cult3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray del film del año 1960 “Sword of Sherwood Forest”, dirigido por
Terence Fisher y protagonizado por Peter Cushing, Richard Greene, Sarah Branch,
Richard Pasco, Nigel Green, Niall MacGinnis, Jack Gwillim, Edwin Richfield,
Oliver Reed, Patrick Crean, Vanda Godsell, Dennis Lotis, Derren Nesbitt, James
Neylin y John Franklin. En esta saga de Robin Hood, Robin de Loxley y sus
hombres descubren un complot para derrocar a Hubert Walter, Canciller del rey y
Arzobispo de Canterbury. Los conspiradores son el Sheriff de Nottingham y el
Conde de Newark. Este film fue producido por la Hammer, conocida por sus films
de horror clase B. Fundada en noviembre de 1934, Hammer es una de las compañías
de cine más antiguas del mundo. Hammer es sinónimo de cine de terror, después
de definir el género en Gran Bretaña con clásicos como “Drácula”, “The Curse of
Frankenstein” y “The Mummy”, que generaron numerosas secuelas.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnlBIXZE26yRg5-VcYnXkjQYKtmBOOy8bSKms62CFa8awJYKXeUy01LDpFbWus88HXoA1GY5JPmBI3yfD4eBpKJQEPtNc4GwyBjC9bNXZ7AGh9YubXpjKaprMDfXKWC_8Skbm2zQTMwbgw/s1600/Sword-of-Sherwood-Forest-Cult1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="424" data-original-width="1003" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnlBIXZE26yRg5-VcYnXkjQYKtmBOOy8bSKms62CFa8awJYKXeUy01LDpFbWus88HXoA1GY5JPmBI3yfD4eBpKJQEPtNc4GwyBjC9bNXZ7AGh9YubXpjKaprMDfXKWC_8Skbm2zQTMwbgw/s640/Sword-of-Sherwood-Forest-Cult1+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Sin
embargo, sólo una tercera parte de las películas de la Hammer fueron de terror.
La compañía abordó otros géneros, incluídos thrillers psicológicos, ciencia
ficción, aventuras (“The Pirates of Blood River”, de 1962, <a href="http://www.culturalmenteincorrecto.com/2017/11/the-pirates-of-blood-river-blu-ray.html">http://www.culturalmenteincorrecto.com/2017/11/the-pirates-of-blood-river-blu-ray.html</a>),
cine negro y épica histórica. Hammer tiene un catálogo de casi 300 títulos y un
catálogo de personajes que incluye monstruos clásicos, mafiosos y psicópatas.
La compañía ha tenido un impacto duradero en la cultura popular. Sus
producciones recientes incluyen el éxitos recientes como “The Woman in Black”,
“Let Me In” (aclamada por la crítica) y el thriller paranormal 2014 “The Quiet
Ones”.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi72BJi2N8_ncuemfbKOIaddbtfBw9VuTCr5KftMLqStx2SedAx9VW3xr9zMJruIAmmsoBMMjBPrb8mvVJsCWr8FANv9Ni7biPAdfxidHn10gst1q7IIhpeMkUwSPdPMsuTemslX4BXoCMS/s1600/Sword-of-Sherwood-Forest-Cult10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="530" data-original-width="1231" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi72BJi2N8_ncuemfbKOIaddbtfBw9VuTCr5KftMLqStx2SedAx9VW3xr9zMJruIAmmsoBMMjBPrb8mvVJsCWr8FANv9Ni7biPAdfxidHn10gst1q7IIhpeMkUwSPdPMsuTemslX4BXoCMS/s640/Sword-of-Sherwood-Forest-Cult10+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZUY3xgHTaMR3yONSMhQeEaEhb9bpryX1ycn0tlF7vn2ErpV91ZkcAx350n8ZLryqrakHXDj3cm9kkIMN3JoEUMxz4v1gWzQnTPDuSHNcHlGIHX1Livj_Otyep8Uyag6iVcGbw6qw3qiy2/s1600/SwordOfSherwoodForest_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZUY3xgHTaMR3yONSMhQeEaEhb9bpryX1ycn0tlF7vn2ErpV91ZkcAx350n8ZLryqrakHXDj3cm9kkIMN3JoEUMxz4v1gWzQnTPDuSHNcHlGIHX1Livj_Otyep8Uyag6iVcGbw6qw3qiy2/s400/SwordOfSherwoodForest_Back.png" width="310" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Desde que
el director Terence Fisher firmó con la Hammer se especializó en filmes de
terror clásico; de hecho, éstas fueron las películas que le hicieron famoso.
Sin embargo, entre monstruo y monstruo, dejó caer esta historia de aventuras
que continúa la saga protagonizada por Robin Hood. Anteriormente, Fisher ya
había dirigido “Las Aventuras de Robin Hood” para la televisión, también con el
actor Richard Greene, que llevaba protagonizando desde1955 en la ITV y que, de
igual manera, se había comercializado en el mercado de USA con buenas audiencias.
Finalizada en 1959, el propio Green pensó que la mejor manera de darle
continuidad era buscar una audiencia mayor y un producto mejor, así que él
mismo produjo para la Hammer la presente película en 1960. Para interpretar al
sheriff de Nottingham, el director escogió a un gran conocido suyo: Peter
Cushing, un actor que ya había protagonizado algunas de sus mejores películas
de terror y que volvería a hacerlo en el futuro.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiFbPzxaGeswQkFrb10-Bwep9UE39CsgK-cASec8_VGLeXx556BaV-BN4idGBTwDEUTeJm8j7Jg0Bx6-qPyWXSSK259ZWMvruYH6OXwa2mZJmHejYFT1b4Ik6iufAEJxut4sLgJ47gYAxL/s1600/Sword-of-Sherwood-Forest-Cult2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="935" data-original-width="882" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiFbPzxaGeswQkFrb10-Bwep9UE39CsgK-cASec8_VGLeXx556BaV-BN4idGBTwDEUTeJm8j7Jg0Bx6-qPyWXSSK259ZWMvruYH6OXwa2mZJmHejYFT1b4Ik6iufAEJxut4sLgJ47gYAxL/s400/Sword-of-Sherwood-Forest-Cult2+copy.jpg" width="376" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">“Sword of
Sherwood Forest” está enmarcado por un gran casting de actores
secundarios,<span style="mso-spacerun: yes;"> </span>con rostros familiares de
la Hammer como Peter Cushing y Oliver Reed o el gran Nigel Green, a los cuales
rodean personalidades tan interesantes como el generalmente infravalorado
Richard Pasco, que aquí compone un villano noble de sorprendente densidad,<span style="mso-spacerun: yes;"> </span>el joven e inquietante Derren Nessbit, y dos
secundarios de larga trayectoria: Jack Willim en el rol de Hubert Walter,
arzobispo de Canterbury y mano derecha del Rey ausente Ricardo Corazón de León
y el genial Niall McGuinnis. A modo de curiosidad estos dos últimos y Nigel
Green participarían en el clásico “Jason y los Argonautas” (1963) unos pocos
años después.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQayZtxYA-2B4cxElwzV0XiwlkH5GcYbTUgLYyB379Y_dEFuaE3W097CvKAFsaxbkoTvW3-SqyKgrcLwMxKKYbZhQGMkNZbr0ANAixi96MeeyPJSOINKC67IIjNlu3PiyLFx2eM7UvMpmg/s1600/Sword-of-Sherwood-Forest-Cult4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="432" data-original-width="926" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQayZtxYA-2B4cxElwzV0XiwlkH5GcYbTUgLYyB379Y_dEFuaE3W097CvKAFsaxbkoTvW3-SqyKgrcLwMxKKYbZhQGMkNZbr0ANAixi96MeeyPJSOINKC67IIjNlu3PiyLFx2eM7UvMpmg/s640/Sword-of-Sherwood-Forest-Cult4+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El guión de
“Sword of Sherwood Forest” intenta agregar cierta variación y misterio a la
historia habitual con un Robin Hood reclutado y realizando algunas
tareas extrañas para demostrar sus habilidades, y con su duración relativamente corta todo el film se siente como un episodio
prolongado del programa de television de donde surgió. Proveniendo de los
estudios Hammer, que hicieron tres películas de Robin Hood, no es de extrañar
que al menos las cosas se vean decentes con Terence Fisher en la silla del
director. Otro habitual de la Hammer, Peter Cushing, da lo mejor de sí mismo
como el Sheriff cobarde, pero estos son algunos de los puntos altos de un
insípido hilo de aventuras cuya trama de conspiración debería haber sido
profundizada un poco más. Los duelos de espadas y escenas de acción de Robin
Hood apenas logran levantar el interés del espectador.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAuxpgn-DSfnLv0UCKFu-NsbHHwkZkZ3kqtIW48yJlfzAzWlfRJtmrJP8k6U2q4PEa8b7_um8BrbReLGsRrfuDVksWLC4Nvqc2cPnKEHNAmwrC9toD6O4_r4QUxlgdvz7DWaB4Sh5pbY-h/s1600/Sword-of-Sherwood-Forest-Cult5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1024" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAuxpgn-DSfnLv0UCKFu-NsbHHwkZkZ3kqtIW48yJlfzAzWlfRJtmrJP8k6U2q4PEa8b7_um8BrbReLGsRrfuDVksWLC4Nvqc2cPnKEHNAmwrC9toD6O4_r4QUxlgdvz7DWaB4Sh5pbY-h/s640/Sword-of-Sherwood-Forest-Cult5+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXm-5rpn20NpJHL-CStj4HKO9Y6l4O0Lirs-yxesu-XyhkANTQ-nEzbIj_ni3-aEBvm98uk4bCRKTqLXQIJNnbi9ZhOabBXHMgUNI9OShy2dTIKHQWilsoA6Glu5ofxXcf-mxqr-OLRHXH/s1600/SwordOfSherwoodForest_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXm-5rpn20NpJHL-CStj4HKO9Y6l4O0Lirs-yxesu-XyhkANTQ-nEzbIj_ni3-aEBvm98uk4bCRKTqLXQIJNnbi9ZhOabBXHMgUNI9OShy2dTIKHQWilsoA6Glu5ofxXcf-mxqr-OLRHXH/s400/SwordOfSherwoodForest_BDBooklet.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Lamentablemente,
pese a la popularidad de Richard Greene, éste no tiene el carisma para llevar
una película que necesita mantener el interés de la audiencia más allá de una
narrativa algo aburrida. Cada vez que Peter Cushing está en pantalla, las cosas
se animan y Oliver Reed ofrece una divertida y entretenida actuación como un
conspirador, pero no hay mucho más. Los fanáticos de Robin Hood tienen muchas
opciones cuando se trata de las versiones en pantalla grande de sus aventuras y
esta probablemente aparecerá cerca del final de la lista. No obstante, “Sword
of Sherwood Forest”, pese a su superficialidad, es un film agradable, naif y por momentos entretenido que
nos transporta a ese mundo de aventuras, villanos y héroes con buenas
intenciones, de esos que ya no hay, esos que sólo el cine nos enseñó que existían.
Diversión simple y pasatista, que a veces también hace falta.</span><span style="font-family: "arial"; font-size: 14pt;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghMg9BG_8ky7JsCnbFjSmCe16ypIzzPtfI-wnhkzFfgjgJOw2lzfn_u_veQdduO0veNrK6rRD-6xhnjxW41p5IpBkaY36p7PV_hFyQaVx9JHyoFf6zxcFB-hPV9QnC0IFaSixBFKuaznOL/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghMg9BG_8ky7JsCnbFjSmCe16ypIzzPtfI-wnhkzFfgjgJOw2lzfn_u_veQdduO0veNrK6rRD-6xhnjxW41p5IpBkaY36p7PV_hFyQaVx9JHyoFf6zxcFB-hPV9QnC0IFaSixBFKuaznOL/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
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de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.35:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b>La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena. Sin duda la calidad del material original es de excelencia y su
remasterizado ha eliminado impurezas o rayas propias de este tipo de material,
aunque conserva la granosidad típica del celuloide. La cinematografía de Ken
Hodges (que dirigió también la serie televisiva de Robin Hood que hablamos
anteriormente) luce en todo su esplendor y permite resaltar cada detalle facial
actoral de los protagonistas así como también las precisiones del vestuario y
los detalles de las locaciones. Los colores están captados a la perfección, con
colores plenos. <o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghMg9BG_8ky7JsCnbFjSmCe16ypIzzPtfI-wnhkzFfgjgJOw2lzfn_u_veQdduO0veNrK6rRD-6xhnjxW41p5IpBkaY36p7PV_hFyQaVx9JHyoFf6zxcFB-hPV9QnC0IFaSixBFKuaznOL/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghMg9BG_8ky7JsCnbFjSmCe16ypIzzPtfI-wnhkzFfgjgJOw2lzfn_u_veQdduO0veNrK6rRD-6xhnjxW41p5IpBkaY36p7PV_hFyQaVx9JHyoFf6zxcFB-hPV9QnC0IFaSixBFKuaznOL/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: DTS-HD Master Audio Mono</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b>La transferencia
de audio es cuidada y se escucha muy bien a través del canal DTS-HD Master
Audio Mono. Los diálogos son claros y la música no sólo acompaña la historia
sino que otorga momentos clave en el film. Fue compuesta por Alun Hoddinott,
con canciones de Stanley Black. Ha sido un acierto por parte de Twilight Time
incluirla en un track separado dentro de los extras de esta edición en blu-ray.<o:p></o:p></b></span></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>EXTRAS</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mr-DFqWZPANfnzkty_7E7xVKp2KIAGsYgLRoIJasMK9fpwl_rKifAPgwKfZc9zkRLUY4-FnpnJ8RKmqhAk4JF8kbY5h9ih-NeQ806M5S6MEh7iVC2RaLHpkfhk3ImAfTzJT3fqZP6qPB/s1600/culturalmente+r2+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mr-DFqWZPANfnzkty_7E7xVKp2KIAGsYgLRoIJasMK9fpwl_rKifAPgwKfZc9zkRLUY4-FnpnJ8RKmqhAk4JF8kbY5h9ih-NeQ806M5S6MEh7iVC2RaLHpkfhk3ImAfTzJT3fqZP6qPB/s200/culturalmente+r2+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, en track separado, DTS-HD Master Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw6y6gmwtIYk_6TzN6aC3kDbna0gU_6KkU7kSCSuEn1X4RfuWiXaQqgdTHag6Wu8_7kEfVhcWFSY_S8FQhF-M9LiDmG7gdRHKuJ6d6uDoeWth8pTDi3wFiOGMDKhjJ6oZdMx4UnyX5mGeS/s1600/Sword-of-Sherwood-Forest-Cult9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1309" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw6y6gmwtIYk_6TzN6aC3kDbna0gU_6KkU7kSCSuEn1X4RfuWiXaQqgdTHag6Wu8_7kEfVhcWFSY_S8FQhF-M9LiDmG7gdRHKuJ6d6uDoeWth8pTDi3wFiOGMDKhjJ6oZdMx4UnyX5mGeS/s640/Sword-of-Sherwood-Forest-Cult9+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZU5KT9t3QZiVDTZOJfgSkzMAVY-C947dLpNL7d-LVCEUSwfR0tiGnJFVcjCms1o7U7hB8VAarHNB6MB5Wpv8JCIRTnl_kzAMPcy-VQpTrl3bxk-iZo01giJqoTYlk8in2E2BNtXKlxLcT/s1600/Sword-of-Sherwood-Forest-Cult7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1314" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZU5KT9t3QZiVDTZOJfgSkzMAVY-C947dLpNL7d-LVCEUSwfR0tiGnJFVcjCms1o7U7hB8VAarHNB6MB5Wpv8JCIRTnl_kzAMPcy-VQpTrl3bxk-iZo01giJqoTYlk8in2E2BNtXKlxLcT/s640/Sword-of-Sherwood-Forest-Cult7+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcWlSwnDUrT0JNLA2cWJUnAzUEBIzxXO8CYzYUpATAfPFiUH4X3NN3Ezs7WzuDo4x2Bu9YGoPoklQs6GZ4C8IJt2Vhyphenhyphenm1uQNSMnnM4U18zX8veocXjuRBOg0rEsqDdPvozAIAWTKvdmGc_/s1600/Sword-of-Sherwood-Forest-Cult8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1254" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcWlSwnDUrT0JNLA2cWJUnAzUEBIzxXO8CYzYUpATAfPFiUH4X3NN3Ezs7WzuDo4x2Bu9YGoPoklQs6GZ4C8IJt2Vhyphenhyphenm1uQNSMnnM4U18zX8veocXjuRBOg0rEsqDdPvozAIAWTKvdmGc_/s640/Sword-of-Sherwood-Forest-Cult8+copy.jpg" width="640" /></a></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhE2M2Kso4C6Xz1aiQYc_DVdmFGtrH1iS1TnJpeauCVDbcl4JI09C-pbiSMLzDVOUNUKz0xUFkCokvXmmSEMn9_FVGZC_58stIko_l_C3IaKrnGX_yYHLZA97SmpykdzESHNgB4YjZV1yS/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="81" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhE2M2Kso4C6Xz1aiQYc_DVdmFGtrH1iS1TnJpeauCVDbcl4JI09C-pbiSMLzDVOUNUKz0xUFkCokvXmmSEMn9_FVGZC_58stIko_l_C3IaKrnGX_yYHLZA97SmpykdzESHNgB4YjZV1yS/s400/culturalmente+r3+stars.jpg" width="400" /></a></b></div>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO</span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/sword-of-sherwood-forest-blu-ray/">https://www.twilighttimemovies.com/sword-of-sherwood-forest-blu-ray/</a><o:p></o:p></b></span></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKwddnIXlThRZLCzWAv5gZnEZ6Fs5O1ihDsiuHOhsEu__3S5NPM6aB2yhCHUE22EcYC6vLPeAP0MwxKw6LtdHMG-ZeUOmejqUSwjVeQmzulmXeMPjUJhzWmrC7F-gSgA9j_vxFcdbE7bV4/s1600/SwordOfSherwoodForest_BLURAY.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKwddnIXlThRZLCzWAv5gZnEZ6Fs5O1ihDsiuHOhsEu__3S5NPM6aB2yhCHUE22EcYC6vLPeAP0MwxKw6LtdHMG-ZeUOmejqUSwjVeQmzulmXeMPjUJhzWmrC7F-gSgA9j_vxFcdbE7bV4/s320/SwordOfSherwoodForest_BLURAY.png" width="253" /></a></b></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Sword of Sherwood Forest”” (1960, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Aventuras</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>: 80 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Octubre 16, 2018</span></b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeBnDz03ahOe28EBtv3n2QGspWZJL2zZN4EgieXonvcW7g4NCNHhtWsP4uCSTUvfyrxmQWHgI5xqTW71UDTM98NiY1VEKwRkJJQw7O3drrvtTZRMIhUupm7Td19UuAWMuV0nB-89W7F53_/s1600/SWORD+OF+SHERWOOD+FOREST+PORTADA+CULTURALMENTE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="1512" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeBnDz03ahOe28EBtv3n2QGspWZJL2zZN4EgieXonvcW7g4NCNHhtWsP4uCSTUvfyrxmQWHgI5xqTW71UDTM98NiY1VEKwRkJJQw7O3drrvtTZRMIhUupm7Td19UuAWMuV0nB-89W7F53_/s640/SWORD+OF+SHERWOOD+FOREST+PORTADA+CULTURALMENTE.jpg" width="640" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1l1IEjAjurK-BNaCKXtRWmXjCqlg_CcJgUE6MgvnpiyfApMjoE2QOGIR_HLgR9j2_X57DQ-qcG48rCgtQUbrWA7uR18Ya-4XGgijc5krlrNVv9BBKsaDFi8zch5S0FAv1CmaCB8uJ3chh/s1600/CULTURALMENTE+BLU-RAY.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="389" data-original-width="1600" height="154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1l1IEjAjurK-BNaCKXtRWmXjCqlg_CcJgUE6MgvnpiyfApMjoE2QOGIR_HLgR9j2_X57DQ-qcG48rCgtQUbrWA7uR18Ya-4XGgijc5krlrNVv9BBKsaDFi8zch5S0FAv1CmaCB8uJ3chh/s640/CULTURALMENTE+BLU-RAY.jpg" width="640" /></a><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-46103382816499083982018-12-19T12:05:00.001-05:002018-12-19T12:07:52.560-05:00"Short Night of the Glass Dolls": Una mirada diferente sobre el género del giallo italiano. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_2AjfwgTg5BQ2qUAh9-_sVuZcPJfS_CxLY9_vTgpGj2OyNA8A8UGl6pVki3bDng_D6NzXCk83TQouo6fTbGercOEix7qn8oqA09m7f-a7FtuYdpd5FOwro4vTkFi4cAYUWu4SNYMb5bpI/s1600/Short_Night_of_Glass_Dolls_CULT7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_2AjfwgTg5BQ2qUAh9-_sVuZcPJfS_CxLY9_vTgpGj2OyNA8A8UGl6pVki3bDng_D6NzXCk83TQouo6fTbGercOEix7qn8oqA09m7f-a7FtuYdpd5FOwro4vTkFi4cAYUWu4SNYMb5bpI/s640/Short_Night_of_Glass_Dolls_CULT7+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">El cuerpo del periodista Gregory Moore es encontrado en una plaza de Praga y llevado a la
morgue local. Pero el espíritu de Moore está vivo, atrapado dentro de su cuerpo
muerto y trata de recordar desesperadamente la misteriosa desaparición de su
novia, que está relacionada con una terrorifica conspiración de depravación.
Podrá un reportero sin signos visibles de vida resolver este perverso
rompecabezas? Twilight Time lanzó al mercado americano la edición limitada
(sólo 3.000 copias) en formato blu-ray del film italiano del año 1971 “Short
Night of Glass Dolls”, escrito y dirigido por Aldo Lado.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghyphenhyphenm0-WU7bLmWVrOhmObjS5j6udJRx2Gf-wSnbkb2nUxRL76Y6wPO2-uj4joDnNI0aYz6SaapIUdJElq3_-Im4q8KIFPP3NAi_249lUU3WdSquxikOc2hHkdpV3R7YjQmpWFQ14N0IQ3YQ/s1600/Short_Night_of_Glass_Dolls_CULT6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="688" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghyphenhyphenm0-WU7bLmWVrOhmObjS5j6udJRx2Gf-wSnbkb2nUxRL76Y6wPO2-uj4joDnNI0aYz6SaapIUdJElq3_-Im4q8KIFPP3NAi_249lUU3WdSquxikOc2hHkdpV3R7YjQmpWFQ14N0IQ3YQ/s640/Short_Night_of_Glass_Dolls_CULT6+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7yxQvizpZF3m4iJ5JRhEoGCDmX2yUBoNiRGJUbUTBs6wbBKm3MubXhpnZbdcSyjWuVYXfuEqfjgEycLDDRBxC39XIi4_c176MHe3oCEvmVer0gqN36bYI6XAaNG6l4nOdY6K470UsIrqR/s1600/ShortNightOfGlassDolls_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7yxQvizpZF3m4iJ5JRhEoGCDmX2yUBoNiRGJUbUTBs6wbBKm3MubXhpnZbdcSyjWuVYXfuEqfjgEycLDDRBxC39XIi4_c176MHe3oCEvmVer0gqN36bYI6XAaNG6l4nOdY6K470UsIrqR/s400/ShortNightOfGlassDolls_Back.png" width="308" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El film
pertenece al género <i>giallo</i>, creado en 1969 por el realizador Dario Argento con
su primer largometraje “El Pájaro de las Plumas de Cristal”. Este género
mezclaba directamente el <i>suspense</i> y la intriga con sangre y psicoanálisis
y muy pronto iba a tener variaciones muy importantes, al introducir en algunas
películas una mezcla de horror y de terror como lo hizo Aldo Lado en esta, su
primera película, “La Corta Notte delle Bambole di Vetro” (“Short Night of Glass
Dolls”). El film está protagonizado por Ingrid Thulin, Jean Sorel, Mario Adorf
(que también hacía un pequeño papel como pintor en “El pájaro </span><span style="font-family: "arial"; font-size: 18.66666603088379px;">de las Plumas de Cristal</span><span style="font-family: "arial"; font-size: 14pt;">” de
Argento), Barbara Bach, Fabijan Sovagovic, Jose Quaglio y Piero Vida.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbi5IGpyv2rn7K1m5qwqQe8rGoYYD3yFr_zsvjYk5UsE0xS881jywPsSTnOKM4_5S1Q4g375ZCyKDma8lONcRtaXEi_Wenx7i4Hd696hKq341RBqI3IaaWNV5-I0mGpts90Pqgoc93saI/s1600/Short_Night_of_Glass_Dolls_CULT5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="681" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbi5IGpyv2rn7K1m5qwqQe8rGoYYD3yFr_zsvjYk5UsE0xS881jywPsSTnOKM4_5S1Q4g375ZCyKDma8lONcRtaXEi_Wenx7i4Hd696hKq341RBqI3IaaWNV5-I0mGpts90Pqgoc93saI/s640/Short_Night_of_Glass_Dolls_CULT5+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La película
de Aldo Lado, con la que debutó en la dirección, juega al equívoco desde su inicio. Rodada en su mayor parte en la antigua Yugoslavia (Ljubljana
y Zagreb) y Praga, lugares en los que el director nos ofrece una ciudad repleta
de matices realzados por la estupenda banda sonora compuesta por Ennio Morricone
(dirigida por Bruno Nicolai) que contrasta con la claustrofóbica situación que
vive el protagonista (Jean Sorel), prisionero de su propio cuerpo en estado
cataléptico en la morgue. Allí iremos viendo como ha llegado a esa situación
mediante <i>flash-backs</i>. Seremos testigos de la extraña desaparición de su novia,
Mira Svoboda (Barbara Bach) y veremos como, ante una policía totalmente hostil
e ineficaz, iniciará su propia investigación, que terminará llevándole a un
desenlace tan delirante como atrapante.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirjGN46oF56FxoHcskyHi9llQDLxiN_nIx_5O_uIa1ve8YZPqWjSTkJSdXpF9lWCun8tEAVsc9k-lsAvTbV9zMoFJXTAAoZ-uFZyebpRg2WVWQob0mkWYtsKKrBYOth4aX1Iij3vCn8f5q/s1600/Short_Night_of_Glass_Dolls_CULT3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="687" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirjGN46oF56FxoHcskyHi9llQDLxiN_nIx_5O_uIa1ve8YZPqWjSTkJSdXpF9lWCun8tEAVsc9k-lsAvTbV9zMoFJXTAAoZ-uFZyebpRg2WVWQob0mkWYtsKKrBYOth4aX1Iij3vCn8f5q/s640/Short_Night_of_Glass_Dolls_CULT3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La
sensación de pesadilla kafkiana que embarga a Gregory durante su impotencia
cataléptica es transmitida directamente al espectador (a través del diálogo
interno del personaje y sus memorias), quien con angustia ansía reconstruir
junto a él los hechos relacionados con la desaparición de su novia; hechos que
sin duda deben tener algo que ver con la infortunada situación en la que él se
encuentra. Su mente no descansa en ningún momento y es siempre consciente de
que debe recuperar la movilidad cuanto antes, pues si no morirá de verdad
durante la autopsia.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdhz5UHFJ464_WzujNiz28skXw9AJ1c8oF8tGH2mK4OlBjCG9dXVleIMXr-t_YxyeLwVjgQnrTcAeBwlrWs-LLOmtsIwbcMrFLgAtFEmXZlZyWLzIJaeepdZa94EiIl7PtB9pZ1o5Tlwlj/s1600/Short_Night_of_Glass_Dolls_CULT4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="685" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdhz5UHFJ464_WzujNiz28skXw9AJ1c8oF8tGH2mK4OlBjCG9dXVleIMXr-t_YxyeLwVjgQnrTcAeBwlrWs-LLOmtsIwbcMrFLgAtFEmXZlZyWLzIJaeepdZa94EiIl7PtB9pZ1o5Tlwlj/s640/Short_Night_of_Glass_Dolls_CULT4+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El film
está Interpretado por actores de peso del cine europeo de la época, como el
francés Jean Sorel, con amplia experiencia en el cine de género y recordado
especialmente por los amantes del <i>giallo</i>, pues entre los títulos en los cuales
participó se encuentran “Una Historia Perversa” (Una Sull’altra, 1969) y “A
Lizard in a Woman Skin” (“Una Lucertola con la Pelle di Donna”, 1971) ambas de
Lucio Fulci; la sueca Ingrid Thulin, que fue dirigida por Ingmar Bergman,
Luchino Visconti y Tinto Brass y que aporta clase y elegancia al film de Lado;
y la norteamericana Barbara Bach, cuya gran parte de su carrera se desarrolló
en Italia, participando de nuevo junto a Aldo Lado en “ El Humanoide”
(“L’umanoide”, 1979) y en otras películas como “La Tarántula del Vientre Negro”
(“La Tarantola dal Ventre Nero”, 1971) de Paolo Cavara y</span><span style="font-family: "arial"; font-size: 14pt;"> </span><span style="font-family: "arial"; font-size: 14pt;">“La Isla de los Hombres Peces” (“L’isola
degli Uomini Pesce”, 1979) de Sergio Martino.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9NKkuAkgQdrV3wrEKMB0VdKnHbZW58HOH3zRX4hVy75bjXa3T2WFkK5GKLzYi_LYM66aUr2e62yEHJq_Bwuciz0lff4tV-_kgVH4jnjqC61L3_lKHzkR7CDeEhsd7v4-tbry6nSiqGMvN/s1600/Short_Night_of_Glass_Dolls_CULT9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9NKkuAkgQdrV3wrEKMB0VdKnHbZW58HOH3zRX4hVy75bjXa3T2WFkK5GKLzYi_LYM66aUr2e62yEHJq_Bwuciz0lff4tV-_kgVH4jnjqC61L3_lKHzkR7CDeEhsd7v4-tbry6nSiqGMvN/s640/Short_Night_of_Glass_Dolls_CULT9+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJzFj-qbxzWq0ltZUTyC9myArlft6uX8cl1ELiPUd2D5OIc4zv2K5vjxPoTzKixtBWf_0PBDnCqs0eQfHptP7XE-Ti9Xt1CZJMSnSaIRB-kS_GpghioMhOGs4HTrnBpThofAILqWkOAQ6v/s1600/ShortNightOfGlassDolls_BDBooklet.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJzFj-qbxzWq0ltZUTyC9myArlft6uX8cl1ELiPUd2D5OIc4zv2K5vjxPoTzKixtBWf_0PBDnCqs0eQfHptP7XE-Ti9Xt1CZJMSnSaIRB-kS_GpghioMhOGs4HTrnBpThofAILqWkOAQ6v/s400/ShortNightOfGlassDolls_BDBooklet.png" width="316" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El
resultado es interesante, ya que no se trata de un <i>giallo</i> conceptual. El primer
asesinato se produce aproximadamente a los 53 minutos de metraje y no entra,
para nada, en los cánones estéticos de un Mario Bava o un Darío Argento, pero Aldo Lado
logra trasmitirnos con este film inquietud e intriga teñidas de irrealidad,
manteniendo la angustia hasta el final. Combina a la perfección los cánones
estilísticos habituales del giallo con un <i>suspense</i> hitchcockiano provisto de
toques oníricos (lo que recuerda a “Vértigo”, 1958). También se pueden adivinar
referencias al Polanski de “Rosemary´s Baby” (1968). </span><span style="font-family: "arial"; font-size: 18.66666603088379px;">“Short Night of Glass Dolls” es u</span><span style="font-family: "arial"; font-size: 14pt;">na
película muy poco conocida que Twilight Time ha rescatado por pertenecer al cine de culto, y
que goza de un justo reconocimiento por parte del público y de coleccionistas
que la descubren como una de esas joyitas del cine escondidas y que ahora el formato
blu-ray de alta definición permite su total disfrute y visionado.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFp-DPs7uy1YSgtc9p9_TcroLHu-ZNhq-WKWYL-3Y56qCM4mTKSq57kCh3Jw_KS3LSAit_HZHp9YllgAvblNfFXgH-JlL2HE21nxqe2tslg9M0sFAAxhgMJ0NFB-DqJjaVOsdB7xu1zpLK/s1600/Short_Night_of_Glass_Dolls_CULT8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFp-DPs7uy1YSgtc9p9_TcroLHu-ZNhq-WKWYL-3Y56qCM4mTKSq57kCh3Jw_KS3LSAit_HZHp9YllgAvblNfFXgH-JlL2HE21nxqe2tslg9M0sFAAxhgMJ0NFB-DqJjaVOsdB7xu1zpLK/s640/Short_Night_of_Glass_Dolls_CULT8+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJj1CsbvfMSRo5oxVhk3iK_xtwa_CZTNZuNEbfQO7RKTgt5k1evzGZCVF4xSQLiUF0BO7fvwjke3XbiWeTHTOPM_IWcNd4ta0BNes1zNavwwuXxIEn_g9MtXVb6NJCNJzOWpXrw4m_V_cU/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJj1CsbvfMSRo5oxVhk3iK_xtwa_CZTNZuNEbfQO7RKTgt5k1evzGZCVF4xSQLiUF0BO7fvwjke3XbiWeTHTOPM_IWcNd4ta0BNes1zNavwwuXxIEn_g9MtXVb6NJCNJzOWpXrw4m_V_cU/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1920 x 1080p</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: MPEG-4 AVC</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.35:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Región</u>: 0
(Todas)</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwHgDMmiFghY2mhyphenhyphenZTL2mCLO5Fj4gmkFRZ_7MC2xGd-qw8D9NC9i0J4hMC5LZZYFXVSYxsEB63cCn7fjzG2pkIpm8-op_WGD-dK3eRfkQn5YsaLgEP3WhGfRvOMYSCHm_VEYyEKqvzNPif/s1600/Short_Night_of_Glass_Dolls_CULT11+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><b><img border="0" data-original-height="684" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwHgDMmiFghY2mhyphenhyphenZTL2mCLO5Fj4gmkFRZ_7MC2xGd-qw8D9NC9i0J4hMC5LZZYFXVSYxsEB63cCn7fjzG2pkIpm8-op_WGD-dK3eRfkQn5YsaLgEP3WhGfRvOMYSCHm_VEYyEKqvzNPif/s640/Short_Night_of_Glass_Dolls_CULT11+copy.jpg" width="640" /></b></a></div>
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<b><span style="font-family: "arial"; font-size: 14pt;">La calidad
de transferencia de video de esta presentación en blu-ray es realmente muy
buena. La imagen es clara, los detalles plenos. Respeta en plenitud la paleta
de colores que son a su vez íconos de la época de los ‘70s. Los rostros se ven
increíbles en los primeros planos, con ausencia total de cualquier tipo de
impureza pero conservando los granos típicos del film. Dudo que al tiempo de su
estreno este film se haya podido ver y disfrutar tan bien y carente de
impurezas como en esta presentación de Twilight Time.</span><span style="font-family: "arial"; font-size: 14pt;"> </span><span style="font-family: "arial"; font-size: 14pt;">Realmente una nueva transferencia en alta
definición merecida para este film.</span></b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJj1CsbvfMSRo5oxVhk3iK_xtwa_CZTNZuNEbfQO7RKTgt5k1evzGZCVF4xSQLiUF0BO7fvwjke3XbiWeTHTOPM_IWcNd4ta0BNes1zNavwwuXxIEn_g9MtXVb6NJCNJzOWpXrw4m_V_cU/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJj1CsbvfMSRo5oxVhk3iK_xtwa_CZTNZuNEbfQO7RKTgt5k1evzGZCVF4xSQLiUF0BO7fvwjke3XbiWeTHTOPM_IWcNd4ta0BNes1zNavwwuXxIEn_g9MtXVb6NJCNJzOWpXrw4m_V_cU/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Decodificación
de Audio</u>: DTS-HD Master Audio 1.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Italiano</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5s5zZIyjzNjvWxuPDmZ_cVWN9_ByyonZs81AtULmlcKjTO44kbQMUlPaX2Cl3nlDTzTNc4cPNV6H7cHMHbWAKOME-aMI3B0BZM4mta10u6NVfx7LkPC3WCSQozsue-BVouUaylFgjohzt/s1600/Short_Night_of_Glass_Dolls_CULT2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><b><img border="0" data-original-height="687" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5s5zZIyjzNjvWxuPDmZ_cVWN9_ByyonZs81AtULmlcKjTO44kbQMUlPaX2Cl3nlDTzTNc4cPNV6H7cHMHbWAKOME-aMI3B0BZM4mta10u6NVfx7LkPC3WCSQozsue-BVouUaylFgjohzt/s640/Short_Night_of_Glass_Dolls_CULT2+copy.jpg" width="640" /></b></a></div>
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<span style="font-family: "arial"; font-size: 14pt;"><b>La
transferencia de audio es muy buena, respetando el mix original. Los diálogos
son perfectamente claros y la banda sonora del film compuesta por Ennio
Morricone (que se convierte en una especie de mentor de Aldo Lado y participa en todas
sus producciones), construye para estas “muñecas de cristal”, un curioso vals (titulado “Valzer”, con voz de Edda dell´Orso) que está presente durante
todo el film. También compone un abanico de música atonal y electrizante que
tan famoso ha hecho la música del género “<i>giallo</i>” y que transmite angustia,
miedo, esquizofrenia y horror.</b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de audio a cargo de los historiadores fílmicos David Del Valle y Matteo
Molinari</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailers
originales en inglés y en italiano</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, compuesta por Ennio Morricone, en track separado, presentada
en DTS-HD Master Audio 2.0 estéreo.
Booklet ilustrado</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet de
seis páginas con fotos y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO </span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/short-night-of-glass-dolls-la-corta-notte-della-bambole-di-vetro-blu-ray/">https://www.twilighttimemovies.com/short-night-of-glass-dolls-la-corta-notte-della-bambole-di-vetro-blu-ray/</a></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Short Night of the Glass Dolls” (1971)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Horror, Giallo</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
97 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
MRSP</u>: $34.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Octubre 16, 2018</span></b></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-10439115807430283682018-12-06T11:34:00.003-05:002018-12-06T11:43:19.603-05:00"Black Widow". Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="color: #f1c232;">Javier Mitchel</span></b><span style="color: #f1c232;">l</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilm5eMSYaJKmXfoU3CLa74_uUIlNvxIOWQwTqoBPwNKYBRSBDMJ-uiGEM_idrl4U9EoUsbL0VnmBEmcAx3c9GUuEeqpM9pkvKnyf1Bsy1a1Zt7QCUzOCsBQumqAMkPvjHSiJqz_v87PSnB/s1600/BLACK+WIDOW+CULT+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="1600" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilm5eMSYaJKmXfoU3CLa74_uUIlNvxIOWQwTqoBPwNKYBRSBDMJ-uiGEM_idrl4U9EoUsbL0VnmBEmcAx3c9GUuEeqpM9pkvKnyf1Bsy1a1Zt7QCUzOCsBQumqAMkPvjHSiJqz_v87PSnB/s640/BLACK+WIDOW+CULT+3+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO_R9T1-8lpul_P6p8yQdACjdmeNPgSD1PfIhDDwq4TEAjuc02_cFalFNfrJygv053Dfss0D91SYkRDFkqdFPPep3nuchJTWzLBtw3vfExvDytvVlZTAjCzv-j8ThirlRojpVB4iXqZuVp/s1600/BlackWidow_BLURAY.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO_R9T1-8lpul_P6p8yQdACjdmeNPgSD1PfIhDDwq4TEAjuc02_cFalFNfrJygv053Dfss0D91SYkRDFkqdFPPep3nuchJTWzLBtw3vfExvDytvVlZTAjCzv-j8ThirlRojpVB4iXqZuVp/s400/BlackWidow_BLURAY.png" width="317" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray el film del año 1954 “Black Widow”, dirigido por Nunnally
Johnson y protagonizado por Ginger Rogers, Van Heflin, Gene Tierney, George
Raft, Peggy Ann Garner, Reginald Gardiner y Otto Kruger. Es una adaptación de
la novela de Patrick Quentin. Peter Denver (Van Heflin), un conocido productor
teatral, va a una de las fiestas que organiza su principal actriz, Carlotta
Marin (Ginger Rogers), una mujer destacada en su divismo y frivolidad, casada
con Brian Mullen (Reginald Gardiner), un hombre totalmente dominado por los
caprichos de su esposa. Estando en la terraza, Denver conoce a la joven Nancy
Ordway (Peggy Ann Garner), que le serve de ayuda para irse de la fiesta y con
la que se va a cenar.<span style="mso-spacerun: yes;"> </span>Es el inicio de
una extraña relación con esta aspirante a escritora, y también la inclusión de
una serie de flash-backs en las que se nos revela la auténtica personalidad de
esta joven, que en apariencia es irreproachable: estuvo vinculada con personas
ligadas al mundo de Broadway, revelándose como una auténtica arribista que,
bajo sus modales encantadores, oculta la intención de pertenecer a dicho contexto
social y creativo. Logra que el productor protagonista la albergue en su casa,
mientras su esposa Iris (Gene Tierney) está de viaje cuidando a su madre. Es el
punto de partida de una película dividida en dos partes: una donde se nos
muestran los personajes bajo una atmósfera de melodrama y una segunda parte de
suspense con toques de film noir, que mantiene el interés del espectador en
todo momento, con distintos giros hasta su desenlace final.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjONlkhINpVEomrfKwfh9lZWAxLuQBRQZeZOsKvlnsqEaZi-xAu5e9N6645EHc2Wnb1U4UTd6xv8ziqaVixDxDlYCc3U7wB-mt84Nrft8XyVKvUcdOH83EDQrzvwYs62yimvKhHH4DHzSGW/s1600/BLACK+WIDOW+CULT+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="627" data-original-width="1600" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjONlkhINpVEomrfKwfh9lZWAxLuQBRQZeZOsKvlnsqEaZi-xAu5e9N6645EHc2Wnb1U4UTd6xv8ziqaVixDxDlYCc3U7wB-mt84Nrft8XyVKvUcdOH83EDQrzvwYs62yimvKhHH4DHzSGW/s640/BLACK+WIDOW+CULT+4+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8aNpcNs-DO3wJrOurNwu1jyx3z8iYG4WM08VWCpslLEyZ5HslY2p5WiudUwkwDWAU3jSynmg6eJfSVpdgJ0gynJpcvozwVlb7wsk4UYQbHSt-ooPTWEbsQDCJeYyVFW_7mL0o510KIL4C/s1600/BlackWidow_Back.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8aNpcNs-DO3wJrOurNwu1jyx3z8iYG4WM08VWCpslLEyZ5HslY2p5WiudUwkwDWAU3jSynmg6eJfSVpdgJ0gynJpcvozwVlb7wsk4UYQbHSt-ooPTWEbsQDCJeYyVFW_7mL0o510KIL4C/s400/BlackWidow_Back.png" width="307" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Nunnally
Johnson tiene ha realizado más</span><span style="font-family: "arial"; font-size: 14pt;">
</span><span style="font-family: "arial"; font-size: 14pt;">películas</span><span style="font-family: "arial"; font-size: 14pt;"> </span><span style="font-family: "arial"; font-size: 14pt;">como guionista y
productor que como director, pero entre los pocos films que dirigió se
encuentra la premiada "The Three Faces of Eve" (1957). Como guionista
fue nominado dos veces por la Academia de Hollywood, por “Holy Matrimony”
(1943) y por “The Grapes of Wrath (1940). En “Black Widow” vemos un interesante
choque generacional de actores, ya que convergen actores consagrados, (algunos
de ellos nominados y ganadores del Oscar®) con otros que formaban parte de la
nueva generación de Hollywood. Es decir, actores como Ginger Rogers, Van
Heflin, George Raft o Gene Tierney, enfrentados a otros actores mas novatos
como Peggy Ann Garner (aunque había ganado el Oscar® Juvenil en 1946,) Skip
Homeier o Virginia Leith.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglyg2bY9ukcbWbYNnxY0toYGXorI89XgOyaUjOI1p2uV-0VUkevFp3tSb7_Ev83228Ih5_BjPUHw97HEQgG2HezDPR1dktqp4qVJerJ4JPw7uRAVOESc-dqv80emsygqR-shylU80xk8ng/s1600/BLACK+WIDOW+CULT+5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="634" data-original-width="1600" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglyg2bY9ukcbWbYNnxY0toYGXorI89XgOyaUjOI1p2uV-0VUkevFp3tSb7_Ev83228Ih5_BjPUHw97HEQgG2HezDPR1dktqp4qVJerJ4JPw7uRAVOESc-dqv80emsygqR-shylU80xk8ng/s640/BLACK+WIDOW+CULT+5.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR386ReoqeNLwyOeMFFf6nOX8MhMtSdp7s46Zoz-2C4QqhDQ8Xe82RzUWKK4JuX4x2nJ6M4tLjoYKxlqC7nmM0XSeSRU3KlobwbzVSk3NXLtyfXvgs_TsU1fy2xrreUjQV1G1zgV2PzwSn/s1600/BlackWidow_BOOKLET.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR386ReoqeNLwyOeMFFf6nOX8MhMtSdp7s46Zoz-2C4QqhDQ8Xe82RzUWKK4JuX4x2nJ6M4tLjoYKxlqC7nmM0XSeSRU3KlobwbzVSk3NXLtyfXvgs_TsU1fy2xrreUjQV1G1zgV2PzwSn/s400/BlackWidow_BOOKLET.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Ginger
Rogers cumple con creces en su rol de la diva (un papel que originalmente se le
ofreció a Tallulah Bankhead, quien lo rechazó, viéndolo como un rol demasiado
pequeño) y se roba cada una de las escenas en las que se encuentra, mientras
que Reginald Gardiner también es bueno, (según el libro, Brian tenia que ser
una docena o más de años más joven que su esposa, mientras que Gardiner en la
vida real era ocho años mayor que Ginger Rogers y se nota;algún otro actor de
la década de los ‘50s, como Tab Hunter o Rock Hudson hubiera estado mucho más
cerca del libro, pero quizás mostrar a Ginger Rogers como alguien que que
estaba en pareja con una persona mucho menor que ella era demasiado para el
Hollywood de la época). También es notable la participación de la aclamada
actriz afroamericana Hilda Simms, que interpreta a Anna, un personaje menor
pero fundamental. Y, por supuesto, no debemos olvidar a George Raft,
quien interpreta muy bien a su personaje, el teniente Bruce.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg-CjH89XzvUinIdeSXLHeAInGk3bfga_tpB-DyxhnXkzJblsOwmICifH_lsBQbLbjO2zXDH5Bzv_CyjyybHU18hmbneLnNeLLxDNOSffmyqCmxUfwtdgJe_MJkHW6KfbPOvLOMZtYRjM6/s1600/BLACK+WIDOW+CULT+8.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="627" data-original-width="1600" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg-CjH89XzvUinIdeSXLHeAInGk3bfga_tpB-DyxhnXkzJblsOwmICifH_lsBQbLbjO2zXDH5Bzv_CyjyybHU18hmbneLnNeLLxDNOSffmyqCmxUfwtdgJe_MJkHW6KfbPOvLOMZtYRjM6/s640/BLACK+WIDOW+CULT+8.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El guión de
Nunnally está lleno de estilo, con algunas escenas embebidas de toques de humor
irónico. “Black Widow” muestra a la perfección Broadway y el Greenwich Village,
recreados en los estudios de la 20th Century Fox y filmados en el formato
panorámico del Cinemascope®, que ya se había usado un año antes en “The Robe”
(1953). Entre ese lanzamiento y el estreno de “Black Widow” el 28 de octubre de
1954, Fox había estrenado otras 15 películas en Cinemascope®, mientras que
otros estudios habían lanzado 13. Sin embargo, el 90% de la acción en esta
película involucra a personas situadas en diferentes departamentos de
Manhattan.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih4FyL1-yyU-NLQ3RzAy9WrxbKGq4OBFXdUd_n9EwHOaX9SkQ5QevtwjA4WPxhnZNcdTqJU-vwv_xhuO7D_wBeBGil7AJfFMNOiK588RiGTC0xdBOjW7MAP8BSMh2RpwmdpUTTqpvZOpAC/s1600/BLACK+WIDOW+CULT+6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="632" data-original-width="1600" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih4FyL1-yyU-NLQ3RzAy9WrxbKGq4OBFXdUd_n9EwHOaX9SkQ5QevtwjA4WPxhnZNcdTqJU-vwv_xhuO7D_wBeBGil7AJfFMNOiK588RiGTC0xdBOjW7MAP8BSMh2RpwmdpUTTqpvZOpAC/s640/BLACK+WIDOW+CULT+6.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Los
movimientos de cámara nunca son apasionados pero son eficaces. El director sabe
dejar determinadas pistas en el espectador: la hoja de papel que Bruce arranca
del bloc de notas en el apartamento de Carlota y Brian, la inclusión de
determinados flash-backs y los relatos de algunos de los testigos, son los
elementos con los que el director logra mantener el interés y desviar la atención
del espectador en este inocente juego de falsos culpables. Esto conducirá a un
epílogo que muestra la metáfora por la que transita todo el film: la hipocresía
reinante sobre el glamoroso mundo de Broadway.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfEp-7mMlXsCfjGL8oQe2Oa8TbmRpIt6l0qyX9p7ZRDAb-3JF-u3fx6Lts0TogiOeBmppWbX_l08o5iWOx0TzkV2qgqkGulK_fbAXJf3Sh2xtzNTXe9RzOWd5A3xHhgwzsOhIciawuNhuT/s1600/BLACK+WIDOW+CULT+7.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="635" data-original-width="1600" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfEp-7mMlXsCfjGL8oQe2Oa8TbmRpIt6l0qyX9p7ZRDAb-3JF-u3fx6Lts0TogiOeBmppWbX_l08o5iWOx0TzkV2qgqkGulK_fbAXJf3Sh2xtzNTXe9RzOWd5A3xHhgwzsOhIciawuNhuT/s640/BLACK+WIDOW+CULT+7.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBqN_XLFxdFRQQM9G60pVgMhYafx6a8rgpIli6qd5jQIk9WH3MlSMHGD-8VkpPn-dpLEdqvbYqsSTI87PziEiNFPRBiTvaMEAkMqG98I7Tdz7g85SbqAnQ8NJ3KyUDVSMrQp4ai1_2hJaq/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBqN_XLFxdFRQQM9G60pVgMhYafx6a8rgpIli6qd5jQIk9WH3MlSMHGD-8VkpPn-dpLEdqvbYqsSTI87PziEiNFPRBiTvaMEAkMqG98I7Tdz7g85SbqAnQ8NJ3KyUDVSMrQp4ai1_2hJaq/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.55:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b><b style="font-family: Arial; font-size: 14pt;"> </b></li>
</ul>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-0i0tZCShMwbzZVX5OUl3D5rqe955H20biQIGZHCRZ_q1gilEcGLfTRV2iZFBmiZsrnosel-PYpiujohkmgCp-Bl1AZBNcLiqn1Z9G5pBv2UT4e9F91SyihP2AEB1WsGbyUUM8eMo0NU0/s1600/BLACK+WIDOW+CULT+9.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1600" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-0i0tZCShMwbzZVX5OUl3D5rqe955H20biQIGZHCRZ_q1gilEcGLfTRV2iZFBmiZsrnosel-PYpiujohkmgCp-Bl1AZBNcLiqn1Z9G5pBv2UT4e9F91SyihP2AEB1WsGbyUUM8eMo0NU0/s640/BLACK+WIDOW+CULT+9.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b>La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena. Conserva la textura original del celuloide (granosidad) pero está
filmada estupendamente en Cinemascope®, respetando la imagen y los colores del
film y que permite disfrutar de cada pequeño detalle. La cinematografía es de
Charles G. Clarke ("Caroussel", de 1956; “The Sound And The Fury”, de
1959, <a href="http://www.culturalmenteincorrecto.com/2012/09/the-sound-and-fury-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2012/09/the-sound-and-fury-blu-ray-review.html</a>;
“Violent Saturday” de 1955, <a href="http://www.culturalmenteincorrecto.com/2014/08/violent-saturday-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2014/08/violent-saturday-blu-ray-review.html</a>;<span style="mso-spacerun: yes;"> </span>“The Virgin Queen”,de 1955, entre otros) y es
muy buena. Recrea perfectamente el universo neoyorkino.<o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBqN_XLFxdFRQQM9G60pVgMhYafx6a8rgpIli6qd5jQIk9WH3MlSMHGD-8VkpPn-dpLEdqvbYqsSTI87PziEiNFPRBiTvaMEAkMqG98I7Tdz7g85SbqAnQ8NJ3KyUDVSMrQp4ai1_2hJaq/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBqN_XLFxdFRQQM9G60pVgMhYafx6a8rgpIli6qd5jQIk9WH3MlSMHGD-8VkpPn-dpLEdqvbYqsSTI87PziEiNFPRBiTvaMEAkMqG98I7Tdz7g85SbqAnQ8NJ3KyUDVSMrQp4ai1_2hJaq/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: DTS-HD Master Audio 5.1, DTS-HD MA 4.0 / DTS-HD MA 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés</b></li>
</ul>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrzKSPEMZR3ur5y2UKD2f2cYmaq74KihHXnMD5yNtWGIK1JDfqbaPRqdVFLWnR5dZWlj9mxSIiTCMyWJ8LdrPxBUiJ1fTdHwxrGhyphenhyphenkPEHDN-aiCM-DFFfKR9GfQ5fbxhANv1COEUGJFRTB/s1600/BLACK+WIDOW+CULT+1+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrzKSPEMZR3ur5y2UKD2f2cYmaq74KihHXnMD5yNtWGIK1JDfqbaPRqdVFLWnR5dZWlj9mxSIiTCMyWJ8LdrPxBUiJ1fTdHwxrGhyphenhyphenkPEHDN-aiCM-DFFfKR9GfQ5fbxhANv1COEUGJFRTB/s640/BLACK+WIDOW+CULT+1+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La
transferencia de audio es cuidada y se escucha muy bien a través de ambos
canales DTS-HD Master Audio 5.1 y 4.0. Los diálogos son claros y la música
compuesta por Leigh Harline no sólo acompaña la historia sino que otorga el
clima justo a las escenas. Ha sido un acierto por parte de Twilight Time
incluírla en un track separado dentro de los extras de esta edición en blu-ray.
El compositor Leigh Harline, ganador de un Oscar® por “Pinocchio” (1940), fue
compositor también de bandas de sonido para films como "Snowwhite and The
Seven Dwarfs" (1937), “House Of Bamboo” (1955, <a href="http://www.culturalmenteincorrecto.com/2015/09/house-of-bamboo-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2015/09/house-of-bamboo-blu-ray-review.html</a>,
“Broken Lance” (1954, <a href="http://www.culturalmenteincorrecto.com/2015/12/broken-lance-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2015/12/broken-lance-blu-ray-review.html</a>)
y “The Wonderful World of the Brothers Grimm” (1962), entre muchísimas otras.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de audio a cargo del historiador fílmico Alan K. Rode.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Ginger
Rogers at Twentieth Century Fox: featurette</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Gene
Tierney: Final Curtain for a Noir Icon: festurette</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, compuesta por Leigh Harline, en track separado, DTS-HD Master
Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO + </span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/black-widow-1954-blu-ray/">https://www.twilighttimemovies.com/black-widow-1954-blu-ray/</a><o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“Black Widow” (1954, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Drama, Thriller</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>: 95 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Octubre 16, 2018</span></b></li>
</ul>
<br />
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
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<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
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<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
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Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
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</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-20581493799317156522018-11-23T18:01:00.002-05:002018-11-23T18:02:12.844-05:00"The Other Side Of Midnight": La venganza tiene rostro de mujer. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9MFAtFnIIa4HBjt81tW1Hv3JiUsCbk0Z-BIaRrsFXHCrmVeEBBRHK6yZ1s2fzR6ZHZtwzoEBHWWKnfsGKqq-TWt-8mTBUCjOB8Z0yFxuc-pm7uXa7mfnSGlyLfZNZ-BZdqS7m6RXGl659/s1600/The_Oher_Side_of_Midnight_CULT+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9MFAtFnIIa4HBjt81tW1Hv3JiUsCbk0Z-BIaRrsFXHCrmVeEBBRHK6yZ1s2fzR6ZHZtwzoEBHWWKnfsGKqq-TWt-8mTBUCjOB8Z0yFxuc-pm7uXa7mfnSGlyLfZNZ-BZdqS7m6RXGl659/s640/The_Oher_Side_of_Midnight_CULT+8+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRUCiFCmlhYBfvwvMxLYYbMKl9BcxYxOsxiW-Pq8kkm3ECCfsubl4rB9JlqjBqMYVJnev-6gC4WKvuBwDzX-QA-SADGb5Q-xHs6u8D8HEksktJmr02H7G8gtB4MDN9BLVm344vl0Q7wyjC/s1600/THE+OTHER+SIDE+OF+MIDNIGHT+BLURAY.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRUCiFCmlhYBfvwvMxLYYbMKl9BcxYxOsxiW-Pq8kkm3ECCfsubl4rB9JlqjBqMYVJnev-6gC4WKvuBwDzX-QA-SADGb5Q-xHs6u8D8HEksktJmr02H7G8gtB4MDN9BLVm344vl0Q7wyjC/s400/THE+OTHER+SIDE+OF+MIDNIGHT+BLURAY.png" width="317" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La trama
del film se basa en un complejo enredo amoroso lleno de dudas, amores del
pasado y sed de venganza. Noelle Page nació en Marsella donde se convirtió en
una actriz de éxito. Durante su juventud mantuvo una relación con Larry
Douglas, un hombre apuesto y seductor, pero en la actualidad está con uno de
los hombres más poderosos del mundo, Constantin Demiris. Para sorpresa de
Noelle, Demiris contrata a Larry, sin saber del affair entre éste y su mujer,
que se siente incómoda con su presencia. La ex amante idea un plan para hacer
que Larry sea despedido, pero fracasa porque acaba dándose cuenta de que aún lo
ama. Su relación es imposible por partida doble, ya que Larry tiene una
relación con Caherine Alexander, una francesa que trabaja como secretaria.
Larry y Catherine no descansarán hasta acabar con todos los obstáculos que les
impiden estar juntos, aunque eso implique un asesinato. Catherine, objetivo
principal del maquiavélico plan, descubrirá casualmente la maquinación y huye.
Noelle y Larry deberán pagar por lo que planearon.</span><span style="font-family: "arial"; font-size: 14pt;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZMhb6Co_Lq53p6iAuN7cQshk91iMhh4hfkFO0OhIBZSlZMQOZzkLibpWk-K8dZsVlJmwYHrFkUcXsIeGfa30bAx3Crrbc6XGY1FH4A9zKNFRcIrSbqPchK0J09wOdw-GZuoABcG-dShrX/s1600/The_Oher_Side_of_Midnight_CULT+12+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZMhb6Co_Lq53p6iAuN7cQshk91iMhh4hfkFO0OhIBZSlZMQOZzkLibpWk-K8dZsVlJmwYHrFkUcXsIeGfa30bAx3Crrbc6XGY1FH4A9zKNFRcIrSbqPchK0J09wOdw-GZuoABcG-dShrX/s640/The_Oher_Side_of_Midnight_CULT+12+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFoVFk8RQsclqiWZGWVveZjtVUwcJyKj3GyXLmZiZh-Pc4MGst8rL-_Tpgt_8ujsypzFd4dsV4_zgOmHW3dFuSXy6nPRjZU45kPnGo2L6NAMCCXUKnIYoS9vCHFt2jse9_nlZXjOAHCpIq/s1600/THE+OTHER+SIDE+OF+MIDNIGHT+BACK.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFoVFk8RQsclqiWZGWVveZjtVUwcJyKj3GyXLmZiZh-Pc4MGst8rL-_Tpgt_8ujsypzFd4dsV4_zgOmHW3dFuSXy6nPRjZU45kPnGo2L6NAMCCXUKnIYoS9vCHFt2jse9_nlZXjOAHCpIq/s400/THE+OTHER+SIDE+OF+MIDNIGHT+BACK.png" width="307" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray de “The Other Side of Midnight”, película del año 1977 dirigida
por Charles Jarrot, adaptación de la exitosísima novela de Sidney Sheldon,
"Más allá de la media noche" y que muestra un tipo diferente de
historia romántica, bastante más compleja, a través de la obsesión de una mujer
por un hombre que le había prometido regresar y casarse con ella, su venganza y
el precio que deberá pagar por ella. Está protagonizado por Marie-France
Pisier, John Beck, Susan Sarandon, Raf Vallone, Clu Gulager, Christian Marquand
y Michael Lerner.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0LfB-HiKixQ7cHO1rLuKbUS_7XoLZNyfBQe5BD0dJ9HjTCdzmL-T_O_IvhqqUHbjcrV_pdCCiWobsixLf5I0ysLlNWcxYChgKPLm_93dyubgrCERqFUauOTdTsJb6l1SLUAu8jz8ToDJ8/s1600/The_Oher_Side_of_Midnight_CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0LfB-HiKixQ7cHO1rLuKbUS_7XoLZNyfBQe5BD0dJ9HjTCdzmL-T_O_IvhqqUHbjcrV_pdCCiWobsixLf5I0ysLlNWcxYChgKPLm_93dyubgrCERqFUauOTdTsJb6l1SLUAu8jz8ToDJ8/s640/The_Oher_Side_of_Midnight_CULT+6+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Según el
documental “Empire of Dreams”, la 20th Century Fox promocionó la película al
mismo tiempo, el estudio estaba promoviendo “Star Wars”, que estaba ganando
controversias por su creciente presupuesto. Ante el temor de que “Star Wars”
fracasara, el estudio tomó la decisión de otorgar copias de “The Other Side of
Midnight”, film que contiene escenas de sexo y desnudos, sólo a los teatros que
aceptaron reservar “Star Wars” para mostrarla en sus salas. No obstante, y a
pesar de ser aclamada por la crítica, “The Other Side of Midnight” fue superada
en taquilla por el film de George Lucas. “Star Wars” finalmente recaudó $ 221
millones en los Estados Unidos y Canadá en su estreno y generó una franquicia
multimillonaria que continúa hasta estos días, ahora en manos de Disney; “The
Other Side of Midnight” ganó $ 24 millones.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn1SFyMG8I-oQSS_eEum16ptXEPe-1YO0ZQtgVVzuVfVVjyf10CSrrUl6kog0tT_VPS9lpxJy4KCoOSMjx4c2B8bLxuCYbMCvHfZS9bIG1qi-8dtEZHpOGJVE5LW_c-L72GsADwUix58cY/s1600/The_Oher_Side_of_Midnight_CULT+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn1SFyMG8I-oQSS_eEum16ptXEPe-1YO0ZQtgVVzuVfVVjyf10CSrrUl6kog0tT_VPS9lpxJy4KCoOSMjx4c2B8bLxuCYbMCvHfZS9bIG1qi-8dtEZHpOGJVE5LW_c-L72GsADwUix58cY/s640/The_Oher_Side_of_Midnight_CULT+3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Marie-France
Pisier (quien llamó la atención del público estadounidense en la comedia
francesa de 1975, “Cousin, Cousine”) tiene la belleza necesaria para
interpretar el papel de una mujer que confía casi completamente en su deseo de
lograr sus objetivos. En esta, su primera película estadounidense, Marie-France
es considerablemente mejor en el modo femme fatale que en las escenas que
requieren una transmisión de emociones más sutiles. La película tenía la intención
de lanzarla como una de las principales estrellas estadounidenses, pero fuera
de algunos mini dramas de televisión, Pisier continuó trabajando en su país
natal. </span><span style="font-family: "arial"; font-size: 14pt;">Pisier es
muy atractiva, pero su desempeño en este film es quizás demasiado superficial
para ayudar a que su narrativa un tanto trillada se levante muy por encima del
nivel medio. Marie-France Pisier falleció en 2011.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_DOtYQqmT3JNK9KiofjxyCJeGsERrtr-_zCnJzf9e7uC-CtW1sLQUUzxU2yAjxul-sxSZInmEOqdYSfU7beF-ZKEUMSVDErtlXV8bq4TO7ZVXexKg1Qsvmz24ndTvCpnxA6MsR_4RsEXW/s1600/The_Oher_Side_of_Midnight_CULT+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_DOtYQqmT3JNK9KiofjxyCJeGsERrtr-_zCnJzf9e7uC-CtW1sLQUUzxU2yAjxul-sxSZInmEOqdYSfU7beF-ZKEUMSVDErtlXV8bq4TO7ZVXexKg1Qsvmz24ndTvCpnxA6MsR_4RsEXW/s640/The_Oher_Side_of_Midnight_CULT+7+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIJWbgqXSMNhwInMBJA6bwhkmJ6fRhs1z3yltO10_T907pssxxgJuHQUnfxuX_AlCWJSvQ0gumWd1ukv9GezlppLHSXKUC5-1wjKS3pwQutOaS2rY7ncnGWD2kOIKOXK4SWVG33TmxOwUy/s1600/THE+OTHER+SIDE+OF+MIDNIGHT+BOOKLET.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIJWbgqXSMNhwInMBJA6bwhkmJ6fRhs1z3yltO10_T907pssxxgJuHQUnfxuX_AlCWJSvQ0gumWd1ukv9GezlppLHSXKUC5-1wjKS3pwQutOaS2rY7ncnGWD2kOIKOXK4SWVG33TmxOwUy/s400/THE+OTHER+SIDE+OF+MIDNIGHT+BOOKLET.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Sexo y el
romances ilícitos son los ingredientes principales para una película como esta,
llena de lugares exóticos, vestuario glamoroso y entornos opulentos. “The Other
Side of Midnight” hace un buen uso de las locaciones francesas y griegas, pero
tal vez en detrimento de lo narrativo. Es una película que pretende desaprobar
las formas en que las personas se rebajan a sí mismas por dinero, pero se da un
mensaje totalmente diferente y conflictivo cuando la cámara muestra de forma
positiva todas las cosas materiales que la riqueza puede proporcionar. No
obstante, es una saga que atrapa y es visualmente ampulosa. El best-seller de
Sidney Sheldon está muy bien traducido a la pantalla, aunque para estos días
este material sería mucho más coherente en el formato de miniserie que de
largometraje. Una historia de romance y venganza, como las de antes que
entretiene y se disfruta a pleno. Fue nominada al Oscar® de la Academia de
Hollywood por Mejor Vestuario (Irene Sharaff).</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpTcJsNJZ6bB1b6i9e8c__NHsbn3q1tqJg5-NelySyqpUNr3lTgChqpBDZS-sQEF3qLtmBptw1ymGqMYarhIvUUa9cyrK4ip07ixxrNm4kuRxiMLOfRs8OHSts6S3zqq1XrItWxMXD8gmz/s1600/The_Oher_Side_of_Midnight_CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpTcJsNJZ6bB1b6i9e8c__NHsbn3q1tqJg5-NelySyqpUNr3lTgChqpBDZS-sQEF3qLtmBptw1ymGqMYarhIvUUa9cyrK4ip07ixxrNm4kuRxiMLOfRs8OHSts6S3zqq1XrItWxMXD8gmz/s640/The_Oher_Side_of_Midnight_CULT+9+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6S2PmOxhlqOukw7q3PD477-EfDi2YUTt8AF8db1egfbKgy1xdaKQs0YjCoxMfEo1zwBtNLcFW64QTFw1beMPIPLsIidv5YWQYgG4X5LGSz8CRou5fwAs-wD30zi0cg-EOUpEzHSFtLXl2/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6S2PmOxhlqOukw7q3PD477-EfDi2YUTt8AF8db1egfbKgy1xdaKQs0YjCoxMfEo1zwBtNLcFW64QTFw1beMPIPLsIidv5YWQYgG4X5LGSz8CRou5fwAs-wD30zi0cg-EOUpEzHSFtLXl2/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><o:p><b><br /></b></o:p></span></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.85:1</b></li>
</ul>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzmjLi04-nSeDYw_btumQQrPwHl-DrPcj5cOuj1VpFPAOp5aqWAqJDQh0GxXGl-g2GXMDpA0VcZAp12hrOl7EFU4b_2kyiO2pK9duO3K6TBTzdn7XY_GXCKWW6U4Zub3NURCAO9rTYZdx/s1600/The_Oher_Side_of_Midnight_CULT+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzmjLi04-nSeDYw_btumQQrPwHl-DrPcj5cOuj1VpFPAOp5aqWAqJDQh0GxXGl-g2GXMDpA0VcZAp12hrOl7EFU4b_2kyiO2pK9duO3K6TBTzdn7XY_GXCKWW6U4Zub3NURCAO9rTYZdx/s640/The_Oher_Side_of_Midnight_CULT+5+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es buena, mantiene la granosidad original del celuloide. El responsable de la
cinematografía es Fred J. Koenekamp, ganador de un premio Oscar® por el film
“The Towering Inferno” (1974) y nominado por “Patton” (1970) e “Islands In The
Stream” (1977) y responsable de films como “Papillon” (1973), entre otros.</b></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
AUDIO</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6S2PmOxhlqOukw7q3PD477-EfDi2YUTt8AF8db1egfbKgy1xdaKQs0YjCoxMfEo1zwBtNLcFW64QTFw1beMPIPLsIidv5YWQYgG4X5LGSz8CRou5fwAs-wD30zi0cg-EOUpEzHSFtLXl2/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6S2PmOxhlqOukw7q3PD477-EfDi2YUTt8AF8db1egfbKgy1xdaKQs0YjCoxMfEo1zwBtNLcFW64QTFw1beMPIPLsIidv5YWQYgG4X5LGSz8CRou5fwAs-wD30zi0cg-EOUpEzHSFtLXl2/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD Mono</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés </b></li>
</ul>
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transferencia de audio es muy buena en su canal DTS-HD Mono. Los diálogos son
claros y la música compuesta por el también tres veces ganador del premio
Oscar®, Michel Legrand se escucha bien ecualizada sin competir con el resto de
los sonidos ambientales y diálogos. Algunas de sus bandas sonoras son “Yentl”
(1983), “The Thomas Crown Affair” (la original,1968), “Les Parapluies de
Cherbourg” (1964), “Les Demoiselles de Rochefort” (1967), “007 Never Say Never
Again” (1983), “Les Miserables” (1995) y “The Happy Ending” (1969, <a href="http://www.culturalmenteincorrecto.com/2016/02/the-happy-ending-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/02/the-happy-ending-blu-ray-review.html</a>), entre otras. Twilight Time ha incluído, como
siempre, la banda de sonido en un track separado, DTS-HD Master Audio 2.0,
dentro de los extras de esta edición en blu-ray.</b></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>EXTRAS</u>:</b></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de audio a cargo del productor Frank Yablans, el director Charles Jarrott, el
autor Sidney Sheldon y el historiador fílmico Laurent Bouzereau.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, en track separado, presentada en DTS-HD Master Audio 2.0</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer
original de la película.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos, póster original y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> BUENO +</span><o:p></o:p></b></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/other-side-of-midnight-the-blu-ray/">https://www.twilighttimemovies.com/other-side-of-midnight-the-blu-ray/</a><o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“The Other Side of Midnight” (1977, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Drama</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
166 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Septiembre 18, 2018</span></b></li>
</ul>
<br />
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-89502378073731602412018-11-12T12:47:00.003-05:002018-11-12T12:50:27.206-05:00"The Bravados": La venganza como forma de redención. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<span style="font-family: "arial"; font-size: 14pt;">Jim Douglas
es un ganadero que lleva seis meses persiguiendo a cuatro forajidos culpables
de la violación y muerte de su mujer. En Río Arriba, Douglas encuentra a un
grupo de hombres que encaja con la descripción de los sospechosos. Los cuatro
están detenidos en la cárcel local, donde aguardan su ejecución en la horca.
Poco antes del ajusticiamiento, los presos consiguen escapar gracias a la ayuda
de un cómplice que se hace pasar por el verdugo. En su huida, los bandidos
toman como rehén a una joven. Acompañado por una patrulla de hombres de Río
Arriba, Douglas emprende de nuevo su persecución, con el fin de alcanzar a los
forajidos antes de que crucen la frontera con México. El ganadero consigue
atraparlos uno tras otro, consumando su venganza. Sin embargo, al final,
Douglas descubrirá una verdad que le causa una importante conmoción.</span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi86btcMwmf4-AGlgHFPQOapwwcxhPaO5H5qdYkEaWhmHhCzOoJ0pWvoSgGxUJfr8QFMfkisyS1X97GtOX0M7gsMtGgzgto9igBPGwntNvlAT0NU3DGnQzxRcfLz6gQh9r97cN78geAhzPG/s1600/THE+BRAVADOS+BACK.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi86btcMwmf4-AGlgHFPQOapwwcxhPaO5H5qdYkEaWhmHhCzOoJ0pWvoSgGxUJfr8QFMfkisyS1X97GtOX0M7gsMtGgzgto9igBPGwntNvlAT0NU3DGnQzxRcfLz6gQh9r97cN78geAhzPG/s400/THE+BRAVADOS+BACK.png" width="307" /></a></div>
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<span style="font-family: Arial; font-size: 14.0pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray del film del año 1958 “The Bravados”, dirigido por Henry King,
protagonizada por Gregory Peck, Joan Collins, Stephen Boyd, Albert Salmi, Joe
DeRita, Henry Silva, Andrew Duggan y Lee Van Cleef. Fue rodada en CinemaScope y
está basada en una novela del mismo nombre escrita por Frank O'Rourke. “The
Bravados” posee el sello inconfundible de Henry King, quién filmó en áreas de
México Michoacán y Jalisco, entre cañones, montañas, bosques y cascadas
naturales. “The Bravados” cuestiona la figura del héroe, el implacable y
sombrío vengador, Douglas (Gregory Peck), apuntando hacia sus claroscuros. La
bravura (como denota el título original) puede ser ciega, como el afán de
justicia ofusca el discernimiento. Y, por tanto, el héroe puede tener el
criterio errado y ser falible.<o:p></o:p></span></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUjR2SrDan2F_9Ti3DrTsgMFcZ_215zESbp7EvzhTby_DfBuDvP6XCtpHA3qn8P3hAqjXUdEPiR-vSWd-aNMl6wS6gbcyS570-csvH5YKYCRA_fyuPvbAFv2s3v7uWs3BbUHwnTtq_Y5FK/s1600/The_Bravados+CULT+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="665" data-original-width="1600" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUjR2SrDan2F_9Ti3DrTsgMFcZ_215zESbp7EvzhTby_DfBuDvP6XCtpHA3qn8P3hAqjXUdEPiR-vSWd-aNMl6wS6gbcyS570-csvH5YKYCRA_fyuPvbAFv2s3v7uWs3BbUHwnTtq_Y5FK/s640/The_Bravados+CULT+10+copy.jpg" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMefjipLtRfQUL677IKe55Aaij7piEXzG8cJn25Vcz4Pstnh9cvXP1VDwJKdR9RALVMW4U8x9NDIUTVUKQ_Y4RmwdFrgHU54bDuxacxyk5RlSOrILSvQ30ebJTR6WInOZQot6uPbOvD6bY/s1600/THE+BRAVADOS+BOOKLET.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMefjipLtRfQUL677IKe55Aaij7piEXzG8cJn25Vcz4Pstnh9cvXP1VDwJKdR9RALVMW4U8x9NDIUTVUKQ_Y4RmwdFrgHU54bDuxacxyk5RlSOrILSvQ30ebJTR6WInOZQot6uPbOvD6bY/s400/THE+BRAVADOS+BOOKLET.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Gregory
Peck da sentido a una película dirigida con maestría por un director tan
experto como Henry King. El ritmo es tranquilo, sostenido y
constante, lo que confiere a la película una impronta sobria, equilibrada y
mesurada. Se destaca la fotografía de escenarios naturales grandiosos y
extremadamente bellos, en los que el director detiene a veces la cámara para
recrearse en la descripción de algunos de sus elementos más destacados. En guión sólido y bien construido de Philip
Yordan evoluciona desde una exaltación casi épica de la valentía, el arrojo, la
constancia y la inteligencia de un hombre poseído por deseos de venganza hasta
el enaltecimiento final de la honradez y sinceridad con la que el protagonista
acepta su error y asume un arrepentimiento que lo libera de antiguas
obsesiones. Esto lo hará volver a las tareas de granjero, devolviéndole el amor
de la mano de una antigua conocida que le permite recuperar el equilibrio
personal perdido. La persona es más grande a la hora del arrepentimiento que a
la hora de la venganza.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTreDAPa6Xy3vI99-jT2BzLmVxLDEFDPZKwf4c4jXMvaFV7Uy30BJkijc0lFDLlilOCX6GmejTUQ15otq5udKMCUcRQbDUl6RCy4cABnep4u2wAreVrVqz_y7QcMy-wnVSMaJdD_sexAKW/s1600/The_Bravados+CULT+8+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="674" data-original-width="1600" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTreDAPa6Xy3vI99-jT2BzLmVxLDEFDPZKwf4c4jXMvaFV7Uy30BJkijc0lFDLlilOCX6GmejTUQ15otq5udKMCUcRQbDUl6RCy4cABnep4u2wAreVrVqz_y7QcMy-wnVSMaJdD_sexAKW/s640/The_Bravados+CULT+8+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El gran Lee
Van Cleef deja una vez más demostrado por qué su presencia y actuaciones eran,
aunque cortas y a veces secundarias, eran reclamadas por los directores de la época. La
película es notable por incluir un papel serio en la carrera del cómico Joe
DeRita (aunque no figura en los créditos), el "Curly-Joe" de los
Three Stooges, como Mr. Simms “el verdugo de Silver City”. Narrativamente el
film es muy bueno y estéticamente es maravilloso, con momentos de intensa
tensión magníficamente trabajados por su director. Posee un ritmo
al que debemos poner mucha atención para no perder ni un solo detalle. Tiene un desenlace que golpea al espectador tanto como al protagonista, y entonces el
típico Western se transforma en el más atípico de todos.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi96u24Mj25uGnIdX_kI-W-1IKl4J0BPvPZf1BnAx3tsZNax5SZh4H2Noz_h-O43Gh63oL90U6mPW4TSSVgtqx0BIZyH77vGamFh_h-Nv5TZ69WXDL2reStWM2cmWVeyryev9LwrpS_bEl4/s1600/The_Bravados+CULT+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="666" data-original-width="1600" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi96u24Mj25uGnIdX_kI-W-1IKl4J0BPvPZf1BnAx3tsZNax5SZh4H2Noz_h-O43Gh63oL90U6mPW4TSSVgtqx0BIZyH77vGamFh_h-Nv5TZ69WXDL2reStWM2cmWVeyryev9LwrpS_bEl4/s640/The_Bravados+CULT+7+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">“The
Bravados” es un western sombrío realizado con el exquisito y preciso sentido
clásico de este gran director que es King, acentuado por la fotografía del gran
Leon Shamroy y el guión de Philip Yordan, el mismo de “Johnny Guitarr”, “The
Man from Laramie”
(</span><a href="http://www.culturalmenteincorrecto.com/2014/07/the-man-from-laramie-blu-ray-review.html" style="font-family: Arial; font-size: 14pt;">http://www.culturalmenteincorrecto.com/2014/07/the-man-from-laramie-blu-ray-review.html</a><span style="font-family: "arial"; font-size: 14pt;">), excelentes y nada convencionales westerns de la edad dorada del género, en los que se unificaba la entraña mítica con la reflexión crítica. También fue el
guionista de “No Down Payment” (1957, </span><a href="http://www.culturalmenteincorrecto.com/2018/05/no-down-payment-blu-ray-review.html" style="font-family: Arial; font-size: 14pt;">http://www.culturalmenteincorrecto.com/2018/05/no-down-payment-blu-ray-review.html</a><span style="font-family: "arial"; font-size: 14pt;">).</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfoEF6-GLtbHJOf1OuCgiauYf0C7G-UNGjWw0X1AzlS9xdCik5PPOuPec1la2nMec4Rv_rWjPDvg0-XOUDzUwMEaDXXU32sFrHmUaTjnHaPS4sJiqrO0K6jHnfciNE2C9Ffhxypy_dpzeh/s1600/The_Bravados+CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfoEF6-GLtbHJOf1OuCgiauYf0C7G-UNGjWw0X1AzlS9xdCik5PPOuPec1la2nMec4Rv_rWjPDvg0-XOUDzUwMEaDXXU32sFrHmUaTjnHaPS4sJiqrO0K6jHnfciNE2C9Ffhxypy_dpzeh/s640/The_Bravados+CULT+9+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnkWJxJLOwt4wzkneghyphenhyphenXAP35ciipq9JO6mDkA6Ukfe6-FDefIcc3v5r9z8QWwSM992zJj1435YLMpEy-HM0msMCs1Ti-ZCqu1SNFNyRBZLidxtCAyROj1T2h80-eEuDfHFp4d6KDm0nlg/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnkWJxJLOwt4wzkneghyphenhyphenXAP35ciipq9JO6mDkA6Ukfe6-FDefIcc3v5r9z8QWwSM992zJj1435YLMpEy-HM0msMCs1Ti-ZCqu1SNFNyRBZLidxtCAyROj1T2h80-eEuDfHFp4d6KDm0nlg/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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</div>
<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.35:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Zona</u>: 0
(Todas)</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6RwKuJ6UVrjkaU-i2OuHEIJbA5QDJYjZfgeU8WM0ZTW3uFypB_PGMZktv5QnrN69TRohCMF4j5K1_zWC4j7M7QQX5UeoKI9W1RObbp8xH1S8DLpmx52da-aT2JtiRafMgNys4DZ2me4wH/s1600/The_Bravados+CULT+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="661" data-original-width="1600" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6RwKuJ6UVrjkaU-i2OuHEIJbA5QDJYjZfgeU8WM0ZTW3uFypB_PGMZktv5QnrN69TRohCMF4j5K1_zWC4j7M7QQX5UeoKI9W1RObbp8xH1S8DLpmx52da-aT2JtiRafMgNys4DZ2me4wH/s640/The_Bravados+CULT+5+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es buena. Conserva la textura original del celuloide (granosidad) pero con gran
claridad de detalles, con excelente balance de negros. La cinematografía está a
cargo de Leon Shamroy, ganador de cuatro premios Oscar® por “The Black Swan”
(1942), “Wilson” (1945), “Leave Her To Heaven” (1946, <a href="http://www.culturalmenteincorrecto.com/2013/05/leave-her-to-heaven-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2013/05/leave-her-to-heaven-blu-ray-review.html</a>)
y “Cleopatra” (1963). Shamroy es el responsable también de la cinematografía de
films como “The King And I” (1956), “South Pacific” (1958), “Porgy And Bess”
(1959) y “Love Is a Many-Splendored Thing” (1955, <a href="http://www.culturalmenteincorrecto.com/2013/07/love-is-many-splendored-thing-blu-ray.html">http://www.culturalmenteincorrecto.com/2013/07/love-is-many-splendored-thing-blu-ray.html</a>),
“Stormy Weather” (1943, <a href="http://www.culturalmenteincorrecto.com/2015/04/stormy-weather-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2015/04/stormy-weather-blu-ray-review.html</a>),
“Where Sidewalk Ends”, <a href="http://www.culturalmenteincorrecto.com/2016/03/where-sidewalk-ends-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/03/where-sidewalk-ends-blu-ray-review.html</a>),
y “Forever Amber” (1947, <a href="http://www.culturalmenteincorrecto.com/2018/01/forever-amber-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2018/01/forever-amber-blu-ray-review.html</a>),
entre otras.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYT1wCez4phqcDD-NTEEzMOI0eXniknkaf9JsuoXZSSRw_U2qDSHG8ytZtfQRxfM2qgurdP0XBdf7nfjWYn7XilEHWAL63JC6CwZRUG0Q1JfVISf9TbfePw2zZp89EK9D5ZL-RGIXlLhIC/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYT1wCez4phqcDD-NTEEzMOI0eXniknkaf9JsuoXZSSRw_U2qDSHG8ytZtfQRxfM2qgurdP0XBdf7nfjWYn7XilEHWAL63JC6CwZRUG0Q1JfVISf9TbfePw2zZp89EK9D5ZL-RGIXlLhIC/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English 5.1 DTS-HD MA / English 4.0 DTS-HD MA / English 2.0 DTS-HD MA</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
</ul>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn_EwHhQ4Qb1tg4Rt_c8UUiWxqNJ-ekwWe4iZqTQex7kK_kqnKyyDKjGB1SU7Om7QusT083UYlggWxnUaK8vSRTwgxV2wr3uPkqnHFr7tVfQV0ODnWRR3rSCrWkz2-pQGGmZLD5gUVPyHg/s1600/The_Bravados+CULT+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="409" data-original-width="960" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn_EwHhQ4Qb1tg4Rt_c8UUiWxqNJ-ekwWe4iZqTQex7kK_kqnKyyDKjGB1SU7Om7QusT083UYlggWxnUaK8vSRTwgxV2wr3uPkqnHFr7tVfQV0ODnWRR3rSCrWkz2-pQGGmZLD5gUVPyHg/s640/The_Bravados+CULT+2+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La
transferencia de audio es cuidada y ha sido remasterizada en 5.1 DTS-HD MA y
4.0 DTS-HD MA. Se escucha muy bien, es sólida tanto los diálogos como la música
y efectos especiales de sonido, que también se ofrece en esta edición en un
track separado. La banda sonora
pertenece a Lionel Newman, quien también compuso el soundtrack para "The
St. Valentine’s Day Massacre" (1967, <a href="http://www.culturalmenteincorrecto.com/2015/04/the-st-valentines-day-massacre-blu-ray.html">http://www.culturalmenteincorrecto.com/2015/04/the-st-valentines-day-massacre-blu-ray.html</a>)
y “The Boston Strangler” (1968,
<a href="http://www.culturalmenteincorrecto.com/2016/12/the-boston-strangler-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/12/the-boston-strangler-blu-ray-review.html</a>)
y “Don’t Bother to Knock” (1952, <a href="http://www.culturalmenteincorrecto.com/2018/04/dont-bother-to-knock-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2018/04/dont-bother-to-knock-blu-ray-review.html</a>).</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3hNDqqUF0Xtpz47ELiD7YPZMzNmHzAmfU93oZ3vq5WUlKk0821N2hwe3GebkPys13yRWd9g8jw0T3DxkxXWy23Zgn5ReBLn24PM_xNgzRpf81JcztEZvv1xjA0dKuuA_ikD6LEPJl9k_O/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3hNDqqUF0Xtpz47ELiD7YPZMzNmHzAmfU93oZ3vq5WUlKk0821N2hwe3GebkPys13yRWd9g8jw0T3DxkxXWy23Zgn5ReBLn24PM_xNgzRpf81JcztEZvv1xjA0dKuuA_ikD6LEPJl9k_O/s200/culturalmente+r3+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del film, en track separado, presentada en DTS-HD Master Audio 2.0
estéreo.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer
original de la película</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Fox
Movietone Newsreels</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos, póster original y notas sobre el film, escritas por Julie Kirgo</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> MUY BUENO </span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/bravados-the-blu-ray/">https://www.twilighttimemovies.com/bravados-the-blu-ray/</a><o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“The Bravados” (1958, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Western</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
97 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Septiembre 18, 2018</span></b></li>
</ul>
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CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-61785205821963178692018-11-05T14:23:00.001-05:002018-11-05T14:24:29.009-05:00"The Last Hurrah": Las campañas políticas bajo la mirada de John Huston. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZFadYfwk97NKh2rkb9tV2O4NKU8KEkXOXX8BEMa1OXnXUnj5PFZIpcx819N3FIgJjk2WvkOq-fMZBnVuHuE2w6m9wxnnA8VEwdqFhlU3m69t0lHCcjlbZz3NLS612JMSM7Qa1KEqEnVrk/s1600/The_Last_Hurrah+CULT+4+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZFadYfwk97NKh2rkb9tV2O4NKU8KEkXOXX8BEMa1OXnXUnj5PFZIpcx819N3FIgJjk2WvkOq-fMZBnVuHuE2w6m9wxnnA8VEwdqFhlU3m69t0lHCcjlbZz3NLS612JMSM7Qa1KEqEnVrk/s640/The_Last_Hurrah+CULT+4+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Frank
Skeffington (Spencer Tracy), alcalde de una pequeña ciudad de Nueva Inglaterra
situada en la costa atlántica de EEUU, termina su mandato. Motivado a seguir
gobernando, decide presentarse a la reelección. Sin embargo, deberá enfrentarse
a un joven político que, aunque no tiene la misma experiencia que Frank, cuenta
con bastante influencia fruto de su carisma. El equipo de consejeros de Frank
le recomiendan entonces que debe cambiar sus métodos, algo anticuados, de cara
a los comicios electorales si quiere volver a ostentar el título de alcalde.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLktXCdREy0ICrDUyKXh4ha7mkRq8FaN3y51V00hi8RFnf48D3O3K3vHt0mdi0aQDXS9UYou2BXd2WkBQObblOP1FzDRLjUQZH1BoAOgdfkeEGbBKmoK75roBrRybTjALR2pYkVwvYAWpQ/s1600/The_Last_Hurrah+CULT+5+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLktXCdREy0ICrDUyKXh4ha7mkRq8FaN3y51V00hi8RFnf48D3O3K3vHt0mdi0aQDXS9UYou2BXd2WkBQObblOP1FzDRLjUQZH1BoAOgdfkeEGbBKmoK75roBrRybTjALR2pYkVwvYAWpQ/s640/The_Last_Hurrah+CULT+5+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-w0BZrbU3keDZZSGaIolXFCSUMD_ve7FDGknQ8zm59qG6NlvijN_8NXIp_Ded_T91oKq6kAQoiGz0afqZF4osZso_AgbTTyVfxr-vwCe6khU-Lj6S4jN_J199LCpRwxRjOfysdP9d4TML/s1600/THE+LAST+HURRAH+BLURAY.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-w0BZrbU3keDZZSGaIolXFCSUMD_ve7FDGknQ8zm59qG6NlvijN_8NXIp_Ded_T91oKq6kAQoiGz0afqZF4osZso_AgbTTyVfxr-vwCe6khU-Lj6S4jN_J199LCpRwxRjOfysdP9d4TML/s400/THE+LAST+HURRAH+BLURAY.png" width="317" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray “The Last Hurrah”, film del año 1958 dirigido por</span><span style="font-family: "arial"; font-size: 14pt;">John Ford y
protagonizado por Spencer Tracy, Jeffrey Hunter, Dianne Foster, Basil Rathbone,
Pat O’Brien, Donald Crisp y James Gleason. Este film representa una de las
aproximaciones más frontales de Ford a la cuestión política. En ella,
complementando ya lo expuesto en “Young Mr. Lincoln” (1939), arroja una
nueva revisión de las virtudes que, según él debería poseer un líder para el pueblo
americano. El guión de Frank S. Nugent, uno de los colaboradores habituales de
John Ford, adapta una novela de Edwin O'Connor.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixA0RlGNWPentZsseY_OS-1xlrtROWbFuzXNncGBujH6jKHiVX31WK5PUo4YhSbkSxPjQ7f7As9U5LZJ-q6VKtWvR5HcNjXoupVxMBLmrMkXEQ9ul08MKLHM14218caxCeNpb_SZSVB9gU/s1600/The_Last_Hurrah+CULT+3+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixA0RlGNWPentZsseY_OS-1xlrtROWbFuzXNncGBujH6jKHiVX31WK5PUo4YhSbkSxPjQ7f7As9U5LZJ-q6VKtWvR5HcNjXoupVxMBLmrMkXEQ9ul08MKLHM14218caxCeNpb_SZSVB9gU/s640/The_Last_Hurrah+CULT+3+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La primera
opción de John Ford para el protagónico era Orson Welles, pero no lograron
sincronizar sus agendas. Cada uno de ellos era admirador del trabajo del otro.
De hecho, Ford protagonizaría la última película de Welles, “The Other Side of
the Wind”, que quedó inconclusa y que sería terminada con presupuestos de
Netflix, y que se acaba de estrenar en esa plataforma. Jeffrey Hunter, que ya
había trabajado con Ford dos años antes en “The Searchers" (1956), era aún
un actor poco conocido, pero se hizo mundialmente famoso al encarnar tres años
más tarde a Jesucristo en “King of Kings” (1961).</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDXZ25sotkohDE_ljVfp7Yxj_7j3KQx-YkQ4eQaNV2jFvmqyxWam44FrmHN0BDXsDOgV2gGG-PaPMlfD5iBZlspZUPokg3hEt6NJsfeCwrNxVPWy1G3wDSjPsZftgRYEsN7hCl5Ui32ABB/s1600/The_Last_Hurrah+CULT+6+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDXZ25sotkohDE_ljVfp7Yxj_7j3KQx-YkQ4eQaNV2jFvmqyxWam44FrmHN0BDXsDOgV2gGG-PaPMlfD5iBZlspZUPokg3hEt6NJsfeCwrNxVPWy1G3wDSjPsZftgRYEsN7hCl5Ui32ABB/s640/The_Last_Hurrah+CULT+6+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWRI0YWIrJ1zXr5rMXFeq29j92wzMCYMNbKrKf3nfAd4nDZQ-_M9HPPRjLy1_Tsfu5I0ZXx65yF50Qfr2U5FQgTwWa2RKxaAanSShyCYKMOhfzZVKlwwrK8oAJAs95Thr8wSp7sGvbNpkI/s1600/THE+LAST+HURRAH+BACK.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWRI0YWIrJ1zXr5rMXFeq29j92wzMCYMNbKrKf3nfAd4nDZQ-_M9HPPRjLy1_Tsfu5I0ZXx65yF50Qfr2U5FQgTwWa2RKxaAanSShyCYKMOhfzZVKlwwrK8oAJAs95Thr8wSp7sGvbNpkI/s400/THE+LAST+HURRAH+BACK.png" width="307" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">El personaje de Spencer
Tracy se presenta a la reelección como alcalde una ciudad por quinta vez. Los
contrincantes son los mismos que ya ha tenido otras veces y a los que siempre
ha derrotado, pero esta vez ha saltado a la palestra un joven que aunque en
realidad es un incapaz, cuenta con el respaldo de un periódico cuyo director
(John Carradine) es enemigo acérrimo de Tracy y está usando un nuevo medio de
comunicación, la televisión, para hacer llegar su imagen y su mensaje a sus
conciudadanos. Les suena conocida la historia? Tracy sabe que ésta va a ser su
última campaña, su último hurra, pero quiere seguir haciéndola como lo ha hecho
siempre, a la manera tradicional. Resulta increíble, pero la mayor parte de las
situaciones que observamos en esa campaña electoral son absolutamente
reconocibles e idénticas a las que vemos de nuestros propios políticos actuales
en campaña en la actualidad: modos, frases, actuaciones… Increíble, pero cierto. Actúan igual
que hace 60 años! Continúan engañando sin haber cambiado de métodos, los
mismos trucos, nuevas metodologías.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9_bxSmotBJ1KYtPrwYxYLHh63FJnroezt7-7t4b61-tva5dbrLHVBW0WOau9hPpBR52he19Z_CYg1y81iDbk1C-r_lVaiN1nSmGgkO_L85EyBi83I5YLtHxH9hl-IBbsbH205cZlOSnIH/s1600/The_Last_Hurrah+CULT+7+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9_bxSmotBJ1KYtPrwYxYLHh63FJnroezt7-7t4b61-tva5dbrLHVBW0WOau9hPpBR52he19Z_CYg1y81iDbk1C-r_lVaiN1nSmGgkO_L85EyBi83I5YLtHxH9hl-IBbsbH205cZlOSnIH/s640/The_Last_Hurrah+CULT+7+copy.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjehFVsNlvUCoHWKeumVVQR61sGxz3-Ai02prlxRztZDqIYlNaUBg5j-0uNPWrka1xEhCL_5L6eAoUOeks_66oCHMu9SIwp9TiO2dYwzBnso2K-E_Do7RZdsBBM9cr-NIoqgubBxyJkY8SA/s1600/THE+LAST+HURRAH+BOOKLET.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjehFVsNlvUCoHWKeumVVQR61sGxz3-Ai02prlxRztZDqIYlNaUBg5j-0uNPWrka1xEhCL_5L6eAoUOeks_66oCHMu9SIwp9TiO2dYwzBnso2K-E_Do7RZdsBBM9cr-NIoqgubBxyJkY8SA/s400/THE+LAST+HURRAH+BOOKLET.png" width="315" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">La
estructura del film descansa sobre dos largas secuencias centrales: el
velatorio de Knocko, viejo conocido del alcalde, y la propia muerte del
protagonista, las cuales ocupan más de la mitad de la película. En ambos casos,
las escenas son tremendamente conmovedoras y se combinan con situaciones
cómicas y mucha ironía, como es la marca registrada del director. “The Last
Hurrah” es quizás un rastro de la evolución personal de Ford, que se muestra
más temperamental y sombrío cuanto más se enfoca en los desencantos de la
vejez. De ahí que no dude en justificar casi siempre las decisiones de su
protagonista (ya sea revistiéndolas de inocencia, o dotándolas de un propósito
de rectitud moral, o por comparación con la torpeza y mezquindad de sus
oponentes electorales). También presenta algunas cuestiones muy importantes
para el pueblo americano: la presupuesta y simbólica relación entre la
capacidad del candidato como cabeza de familia y su capacidad política.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-GrRdQeztaxWXorTxZsB6giv4iaUmIB1_Wjk5Vjx3jGWnlekaGVTqe66ZMzUISIesPtpIvtET-0M_RGj_TWazp0fX3S5Rxr8iE1JCv4C4b_LpwO89jrswxUg2_4LuxMvTyK4NC-Qoq_Wm/s1600/The_Last_Hurrah+CULT+9+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-GrRdQeztaxWXorTxZsB6giv4iaUmIB1_Wjk5Vjx3jGWnlekaGVTqe66ZMzUISIesPtpIvtET-0M_RGj_TWazp0fX3S5Rxr8iE1JCv4C4b_LpwO89jrswxUg2_4LuxMvTyK4NC-Qoq_Wm/s640/The_Last_Hurrah+CULT+9+copy.jpg" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14pt;">Ford sabe
de lo que habla, la mirada que proyecta en la pantalla apunta a lo sustancial
del género humano, la parte inmortal del hombre, los valores que nunca cambian,
la realidad permanente, los sentimientos que con el paso de los siglos cambian
de forma pero no de naturaleza. El director retrata la política local
americana, mezclando drama y comedia en esta película que cuenta con las
características que convierten las películas de Ford en grandes obras del cine.
“The Last Hurrah” es un film que emociona y cuya vigencia permanence intacta.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBVev4Sy3AG9Ek62-nN8t-XPb2Y7qG2NhvrbgOvUCa2LJ7RToI9I41M-dHe9yXx68dDMi8yMhhRV73ekZ2Pnd96snQNdjCzi17ePr4y7F6jK5dmb9Auc99yYk5eAwtrkp5WcZzEkat4rMV/s1600/The_Last_Hurrah+CULT+10+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBVev4Sy3AG9Ek62-nN8t-XPb2Y7qG2NhvrbgOvUCa2LJ7RToI9I41M-dHe9yXx68dDMi8yMhhRV73ekZ2Pnd96snQNdjCzi17ePr4y7F6jK5dmb9Auc99yYk5eAwtrkp5WcZzEkat4rMV/s640/The_Last_Hurrah+CULT+10+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
VIDEO</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3yyhElY6DRRvDPqmCVLGR-QY1yiLC7wu1E9Rzsn1RjpeZ7PYYM3_3FZk6wfqIYvzELEVTo2SPFwpzLEOKLkB5nvl0nq-_7aEQCPlXD63Le2FrRlFEu5-qBUIZtN7bAulRS7wAEUsC6T1O/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3yyhElY6DRRvDPqmCVLGR-QY1yiLC7wu1E9Rzsn1RjpeZ7PYYM3_3FZk6wfqIYvzELEVTo2SPFwpzLEOKLkB5nvl0nq-_7aEQCPlXD63Le2FrRlFEu5-qBUIZtN7bAulRS7wAEUsC6T1O/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080p / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 1.85:1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Región</u>: 0
(Todas)</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQJviQqM1zu1ZzzsN2C8NzwFHIrB8KA8ZWW35cUKUd_BU9ALwKtCu_37YZiqCzCFMpBBZUXte2dF2HDqm9hP7p_evAhmPSqSHhlq_qZ7ntEU6WVOLR8dUKbFbueakcjumXdGNGhdn1eZx6/s1600/The_Last_Hurrah+CULT+11+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQJviQqM1zu1ZzzsN2C8NzwFHIrB8KA8ZWW35cUKUd_BU9ALwKtCu_37YZiqCzCFMpBBZUXte2dF2HDqm9hP7p_evAhmPSqSHhlq_qZ7ntEU6WVOLR8dUKbFbueakcjumXdGNGhdn1eZx6/s640/The_Last_Hurrah+CULT+11+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena. Sin duda la calidad del material original es de excelencia y
carece de impurezas o rayas propias de este tipo de material. Posee la
granosidad propia del celuloide y la transferencia hace justicia a la
maravillosa fotografía en blanco y negro. La cinematografía de Charles Lawton
Jr. (1904–1965) luce en todo su esplendor y permite resaltar cada detalle de
los protagonistas así como también las precisiones del vestuario y las
locaciones. Charles Lawton Jr. es el responsable de la cinematografía de films
como “The Lady from Shanghai” (1947), “A Raisin in the Sun” (1961), “Two Rode
Together” (1961) “Cowboy” (1958, <a href="http://www.culturalmenteincorrecto.com/2016/03/cowboy-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/03/cowboy-blu-ray-review.html</a>),
“My Sister Eileen” (1955, <a href="http://www.culturalmenteincorrecto.com/2018/07/my-sister-eileen-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2018/07/my-sister-eileen-blu-ray-review.html</a>),
“Miss Sadie Thompson” (1953, 3D, <a href="http://www.culturalmenteincorrecto.com/2016/08/miss-sadie-thompson-3d-blu-ray-review.html">http://www.culturalmenteincorrecto.com/2016/08/miss-sadie-thompson-3d-blu-ray-review.html</a>)
y “3:10 to Yuma” (1957), entre otros. Se observa también en esta transferencia
de Twilight Time un muy buen balance de negros.</b></div>
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<b style="font-family: Arial; font-size: 14pt;"><u>CALIDAD DE
AUDIO</u>:</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3yyhElY6DRRvDPqmCVLGR-QY1yiLC7wu1E9Rzsn1RjpeZ7PYYM3_3FZk6wfqIYvzELEVTo2SPFwpzLEOKLkB5nvl0nq-_7aEQCPlXD63Le2FrRlFEu5-qBUIZtN7bAulRS7wAEUsC6T1O/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3yyhElY6DRRvDPqmCVLGR-QY1yiLC7wu1E9Rzsn1RjpeZ7PYYM3_3FZk6wfqIYvzELEVTo2SPFwpzLEOKLkB5nvl0nq-_7aEQCPlXD63Le2FrRlFEu5-qBUIZtN7bAulRS7wAEUsC6T1O/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: English DTS-HD 1.0 Master Mono</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>:
Inglés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés SDH</b></li>
</ul>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi93WVvhUIIgpfuT8fWGf834hmnfPrxKM3Eo_LglQuQWVuAzfCURGM127lGuG1TSHtKkiQE7pO7GUCKeeY0OjCh1IhmwJ5P_pbGrVZZcBNf2S3QMDEPRYzTHTbwqia4X7Ir4C2UFYbFDBUl/s1600/The_Last_Hurrah+CULT+2+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi93WVvhUIIgpfuT8fWGf834hmnfPrxKM3Eo_LglQuQWVuAzfCURGM127lGuG1TSHtKkiQE7pO7GUCKeeY0OjCh1IhmwJ5P_pbGrVZZcBNf2S3QMDEPRYzTHTbwqia4X7Ir4C2UFYbFDBUl/s640/The_Last_Hurrah+CULT+2+copy.jpg" width="640" /></a></div>
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<b style="font-family: Arial; font-size: 14pt;">La
transferencia de audio es cuidada y se escucha muy bien a través del canal
DTS-HD Master Audio Mono. Los diálogos son claros y la música no sólo acompaña
la historia sino que otorga momentos clave en el film. Ha sido un acierto por
parte de Twilight Time incluirla en un track separado dentro de los extras de
esta edición en blu-ray.</b></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Comentario
de audio a cargo de Lem Dobbs, Julie Kirgo y Nick Redman</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Banda
Sonora del Film, en track separado, presentada en DTS-HD Master Audio 2.0
estéreo.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Trailer
original de la película.</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet con
fotos, póster original y notas sobre el film, escritas por Julie Kirgo</b></li>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> MUY BUENO </span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/last-hurrah-the-1958-blu-ray/">https://www.twilighttimemovies.com/last-hurrah-the-1958-blu-ray/</a><o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-w0BZrbU3keDZZSGaIolXFCSUMD_ve7FDGknQ8zm59qG6NlvijN_8NXIp_Ded_T91oKq6kAQoiGz0afqZF4osZso_AgbTTyVfxr-vwCe6khU-Lj6S4jN_J199LCpRwxRjOfysdP9d4TML/s1600/THE+LAST+HURRAH+BLURAY.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-w0BZrbU3keDZZSGaIolXFCSUMD_ve7FDGknQ8zm59qG6NlvijN_8NXIp_Ded_T91oKq6kAQoiGz0afqZF4osZso_AgbTTyVfxr-vwCe6khU-Lj6S4jN_J199LCpRwxRjOfysdP9d4TML/s320/THE+LAST+HURRAH+BLURAY.png" width="254" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Título</u>:
“THE LAST HURRAH” (1958, Limited Edition)</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Género</u>:
Drama</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Duración</u>:
121 minutos</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Distribuidor</u>:
Twilight Time</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Blu-ray
SRP</u>: $29.95</span></b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Septiembre 18, 2018</span></b></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-71021904564945523402018-10-19T17:18:00.000-04:002018-10-19T17:19:09.223-04:00"In My Country": Juliette Binoche, Samuel L. Jackson y el director John Boorman frente al apartheid. Blu-ray Review<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Por</span></span></b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232;"><b><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Javier Mitchell</span></span></b></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><span id="goog_2049521727"></span><span id="goog_2049521728"></span>Langston
Whitfield (Samuel L. Jackson) es un periodista estadounidense del Washington
Post que viaja a Sudáfrica para cubrir el reportaje de las vistas orales sobre
Comisión para la verdad y la reconciliación. Se trata de una Amnistía para
aquellos presos blancos condenados por el apartheid que esclarezcan todos sus
actos y así arrepentirse de lo hecho. Allí conoce a Anna Malan (Juliette
Binoche), africana blanca y locutora de radio. Langston es muy escéptico ya que
piensa que los blancos no se van a arrepentir de verdad; Anna cree que es un
acto para tapar todas las heridas entre negros y blancos en Sudáfrica. Twilight
Time lanzó al mercado americano la edición limitada (sólo 3.000 copias) en
formato blu-ray de “In My Country”, film del año 2004 dirigido por John Boorman
director de “Hope And Glory” (1987), “Deliverance” (1972) y
“Excalibur” (1981) entre otros. Está protagonizada por Samuel L. Jackson,
Juliette Binoche, Brendan Gleeson, Menzi “Ngubs” Ngubane, Sam Ngakane y Lionel
Newton.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwrtPA0qDmTD_9IOSMmrMH65RTP5g0no-Tilcw6fbq9ZMcdw5R1wzP0S9hqdWdYoeGx2pdvz5jL-iXX_3tW40cP5Hubo0X2vHixNt7uAxLK7NLv1rqCHuUBPxNGaSc33fEePyqAhqeRXMF/s1600/IN+MY+COUNTRY+CULT4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwrtPA0qDmTD_9IOSMmrMH65RTP5g0no-Tilcw6fbq9ZMcdw5R1wzP0S9hqdWdYoeGx2pdvz5jL-iXX_3tW40cP5Hubo0X2vHixNt7uAxLK7NLv1rqCHuUBPxNGaSc33fEePyqAhqeRXMF/s640/IN+MY+COUNTRY+CULT4.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;">La historia
se basa en los hechos acaecidos en 1995 tras la llegada de Nelson Mandela al
poder. El film fue realizado en Sudáfrica (marzo/mayo 2003), con un presupuesto
de 12 millones de dólares. Es una adaptación de la novela “Country Of My Skull”
(2002), de la poetisa y novelista sudafricana Antjie Krog. Obtuvo dos
nominaciones a premios, una al Oso de Oro de Berlín y otra a la Espiga de Oro
de Valladolid. Se estrenó en el Festival de Berlin el 7 de febrero del 2004.</span>
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<span style="font-family: "arial"; font-size: 14.0pt;">La película
reconstruye fragmentos selectos del testimonio dado por un </span><br />
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<span style="font-family: "arial"; font-size: 14.0pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivs4EiJrSEsXHSZbM-RYJdQJjSCMZUrrVyFC36Te0kUJk5LR3cCUjAozWl2A7xEBGSIyJq_zhk891Dve_dZF3X7ZsPKAmkIBxZRH5UusaZiOxJWSYyOE8WJsTx6Wy3MBj4vhyphenhyphenoR6i0ob1Y/s1600/InMyCountry_BackOfBD.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="647" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivs4EiJrSEsXHSZbM-RYJdQJjSCMZUrrVyFC36Te0kUJk5LR3cCUjAozWl2A7xEBGSIyJq_zhk891Dve_dZF3X7ZsPKAmkIBxZRH5UusaZiOxJWSYyOE8WJsTx6Wy3MBj4vhyphenhyphenoR6i0ob1Y/s400/InMyCountry_BackOfBD.png" width="308" /></a></span></div>
<span style="font-family: "arial"; font-size: 14.0pt;">
pequeño grupo de
víctimas, todas (excepto una de ellas) negras. Se tartan temas Fuertes y
crueles, como descripciones gráficas de violación y emasculación, víctimas a
las que les cortan la lengua y enterramiento de partes del cuerpo de sus seres
queridos. Pero todo esto queda atrapado entre entumecidos párrafos del guión
que hace que por momentos se sienta discordante. El guión, escrito por Ann
Peacock (quien, como ya mencionamos, adaptó la historia de las memorias de
Antjie Krog “Country of My Skull”), comete el error fatal de convertir a los
personajes en meros portavoces. Incluso cuando modifican sus posiciones, éstos
continúan siendo demasiado esquemáticos menoscabando el sentimiento de empatía
del espectador. </span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiySs_mjcqv1slRoUJ04U71dztQGlPSQRfAN-5hhNkiDxqG6OSLiXBO6tBLezAHjHhN3g3xbFJXyM2pl59le7Q_78Z1Ty32nXF9nMJnRVjnN8hIu0QRmiG7Kz2p1Y-zwdWcgo3Md-z_OO1v/s1600/IN+MY+COUNTRY+CULT2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiySs_mjcqv1slRoUJ04U71dztQGlPSQRfAN-5hhNkiDxqG6OSLiXBO6tBLezAHjHhN3g3xbFJXyM2pl59le7Q_78Z1Ty32nXF9nMJnRVjnN8hIu0QRmiG7Kz2p1Y-zwdWcgo3Md-z_OO1v/s640/IN+MY+COUNTRY+CULT2.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;"><span id="goog_2049521717"></span><span id="goog_2049521718"></span>El tema que
trata es lo suficientemente importante y dramático como para no quedarse en
medias tintas e “In My Country” lo hace. La relación entre el personaje de
Binoche y el de Samuel L. Jackson se siente forzada y resulta poco creíble.
Aborda un intento bien intencionado, aunque fallido, de aproximación al
interior de la mente del coronel De Jager (Gleeson), uno de los principales
responsables de las torturas y atrocidades cometidas durante el apartheid.
Añade un breve apunte sobre la diversidad de opiniones que rodearon el
desarrollo del proceso, pero se limita a una consideración sucinta y
superficial del mismo. El film, si bien tiene un planteamiento correcto, está
construido con niveles de esquematización, rigidez, simplificación y
artificiosidad que perjudican la comprensión y la credibilidad de los hechos
que se narran. Los momentos románticos a cargo de Lagstone y Anne no refuerzan
el desarrollo del argumento central ni lo enmarca adecuadamente.<span style="mso-spacerun: yes;"> </span></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoPnWd_yuxb6evlOVi3yV1HgLtW4uuaLLO64XGyj9WAKR_aJaNIuk4ZB74vTC7b8RsHTCBXhd3rVRVJ1sP-tUjVa90UCWvhx2VK2ZTJ3FF4WfmakMIsA34LBm_1WLTXo8RQCSVOKksolEX/s1600/IN+MY+COUNTRY+CULT10.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoPnWd_yuxb6evlOVi3yV1HgLtW4uuaLLO64XGyj9WAKR_aJaNIuk4ZB74vTC7b8RsHTCBXhd3rVRVJ1sP-tUjVa90UCWvhx2VK2ZTJ3FF4WfmakMIsA34LBm_1WLTXo8RQCSVOKksolEX/s640/IN+MY+COUNTRY+CULT10.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBz4UYCpwl860isZSF8fVivTIg298tJiJ7DD5Vll8_DE4LXETuw4vvRfMe4NhZjlkTwUyhofIECxw2iPjPVoIog6nz7JHKbOrBianQAyI3WKh66DP0wYLJCVgFFvn3qykWwx6aIzcNpUKo/s1600/IN+MY+COUNTRY+BACK.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="636" data-original-width="501" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBz4UYCpwl860isZSF8fVivTIg298tJiJ7DD5Vll8_DE4LXETuw4vvRfMe4NhZjlkTwUyhofIECxw2iPjPVoIog6nz7JHKbOrBianQAyI3WKh66DP0wYLJCVgFFvn3qykWwx6aIzcNpUKo/s400/IN+MY+COUNTRY+BACK.png" width="313" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;"><span id="goog_2049521715"></span><span id="goog_2049521716"></span>La
principal carencia de “In My Country”<span style="mso-spacerun: yes;">
</span>está precisamente en abordar </span><span style="font-family: "arial"; font-size: 14.0pt;">hechos que pese a ser recientes resultan
bastante desconocidos para el gran público y en reflejar situaciones basadas en
los testimonios reales ofrecidos durante el juicio. Esto le confiere cierto
valor como documento histórico. Sin embargo, el director se equivoca al
pretender contarnos estos hechos desde la perspectiva de la pareja
protagonista, cuya historia se desarolla de forma paralela. Se trata de una
historia de amor interracial previsible entre un periodista afroamericano
comprometido con la búsqueda de la verdad y una mujer Africana blanca que se
debate entre la lealtad a sus ideales y a sus orígenes familiares.</span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwox4jeS-gogAYfmQYSYIbyiAk8x_XCJRSPZ3zBGbEC4NcxZ5PX2jj6Rg0_emawrI8rPpNx8gTjJqN-6XNUiiy5AksPnvAOTo0sEXCGlLdCTDxRi3wsMEjeOEctSuvahvfEWCLHHv2L222/s1600/IN+MY+COUNTRY+CULT5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwox4jeS-gogAYfmQYSYIbyiAk8x_XCJRSPZ3zBGbEC4NcxZ5PX2jj6Rg0_emawrI8rPpNx8gTjJqN-6XNUiiy5AksPnvAOTo0sEXCGlLdCTDxRi3wsMEjeOEctSuvahvfEWCLHHv2L222/s640/IN+MY+COUNTRY+CULT5.jpg" width="640" /></a></div>
<span style="font-family: "arial"; font-size: 14.0pt;">No
obstante, en un momento en que la comunidad mundial continúa ignorando las
violaciones de los derechos humanos y políticos en África y muchos otros
países, es saludable ver películas que tratan sobre los acontecimientos de los
que se conocen muy poco. “In My Country” nos abre los ojos a la violencia
humana y al heroísmo de quienes son capaces de enfrentarlos armados de
compasión, amor y perdón.</span>
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<div class="MsoNormal">
<b><span style="font-family: "arial"; font-size: 14.0pt;"><u>CALIDAD DE
VIDEO</u>:</span></b></div>
<b>
</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi90NlcQXNDsTJTNOeLyxjPV-hH53XrS7KOdx5WoNxcRv3z2HFH4cTNZ-3hN1TbxyX0N9Ahpoxi1j6BMRs_ar5TLWOBaofUrE91t3vS2zGjNgwO-p3uWt6zEnOfiDNb0zRPgPAizuAj_Bnt/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi90NlcQXNDsTJTNOeLyxjPV-hH53XrS7KOdx5WoNxcRv3z2HFH4cTNZ-3hN1TbxyX0N9Ahpoxi1j6BMRs_ar5TLWOBaofUrE91t3vS2zGjNgwO-p3uWt6zEnOfiDNb0zRPgPAizuAj_Bnt/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<br /></div>
<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Resolución
de Video</u>:<span style="mso-spacerun: yes;"> </span>1080p / 60</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Aspect
Ratio</u>: 2.35:1</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Zona</u>: 0
(Todas)</span></b></li>
</ul>
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<b><span style="font-family: "arial"; font-size: 14.0pt;"><span id="goog_2049521693"></span><span id="goog_2049521694"></span></span></b><b><span style="font-family: "arial"; font-size: 14.0pt;">La calidad
de transferencia de imagen en la presente edición en blu-ray de Twilight Time
es muy buena, conservando la textura original del celuloide. La cinematografía
de Seamus Deasy es buena y permite resaltar cada detalle facial actoral de los
protagonistas así como también los detalles de las locaciones. Los colores
están captados a la perfección, acentuando las atmósferas dramáticas de la
historia. </span></b><b>
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<b>
</b><br />
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<b><span style="font-family: "arial"; font-size: 14.0pt;"><u>CALIDAD DE
AUDIO</u>:</span></b></div>
<b>
</b><br />
<div class="MsoNormal">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmE40EN6NHlZUbcTi-ajP4xDg0mSqurrA9RcrdSuS5iXqh89Khl-w_HbeQ_L0PtggD2YUM7aUm3KfAX0-lTMDJ-UBiBmGFpahYpkSKGCX6kQ_diKXPDACaIREIjZgsqipBdp_p7-Yq-Axn/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmE40EN6NHlZUbcTi-ajP4xDg0mSqurrA9RcrdSuS5iXqh89Khl-w_HbeQ_L0PtggD2YUM7aUm3KfAX0-lTMDJ-UBiBmGFpahYpkSKGCX6kQ_diKXPDACaIREIjZgsqipBdp_p7-Yq-Axn/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Codificación
de Audio</u>: DTS-HD Master Audio 5.0 & DTS-HD MA 2.0</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Idioma</u>:
Inglés</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Subtítulos</u>:
Inglés</span></b></li>
</ul>
<b>
</b><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lfBntDoy827bnHJRFL2R0o25LzoDSlMIBrB8eUKlE-PNCRHmx3ua0rudll8G0NCRXp9WVP-h5YY3qZ9pPUJXb4eeMY2QbG3ArsZ3p8xB95xFwueDlhoXz6MzOK8_KZatrHukhonAQw1U/s1600/IN+MY+COUNTRY+CULT7.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lfBntDoy827bnHJRFL2R0o25LzoDSlMIBrB8eUKlE-PNCRHmx3ua0rudll8G0NCRXp9WVP-h5YY3qZ9pPUJXb4eeMY2QbG3ArsZ3p8xB95xFwueDlhoXz6MzOK8_KZatrHukhonAQw1U/s640/IN+MY+COUNTRY+CULT7.jpg" width="640" /></a></div>
<b><span style="font-family: "arial"; font-size: 14.0pt;">La
transferencia de audio es cuidada y se escucha muy bien a través del canal
DTS-HD Master Audio 1.0 Los diálogos son claros y la música de Murray Anderson
aporta el clima necesario a las diferentes escenas. Anderson tiene una corta
carrera como compositor y se desempeñó mayormente como compositor de música
para programas de televisión. </span></b><b>
</b><br />
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<b><span style="font-family: "arial"; font-size: 14.0pt;"><span style="mso-spacerun: yes;"> </span></span></b></div>
<b>
</b><br />
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<b><span style="font-family: "arial"; font-size: 14.0pt;"><u>EXTRAS</u>:</span></b></div>
<b>
</b><br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmE40EN6NHlZUbcTi-ajP4xDg0mSqurrA9RcrdSuS5iXqh89Khl-w_HbeQ_L0PtggD2YUM7aUm3KfAX0-lTMDJ-UBiBmGFpahYpkSKGCX6kQ_diKXPDACaIREIjZgsqipBdp_p7-Yq-Axn/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="41" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmE40EN6NHlZUbcTi-ajP4xDg0mSqurrA9RcrdSuS5iXqh89Khl-w_HbeQ_L0PtggD2YUM7aUm3KfAX0-lTMDJ-UBiBmGFpahYpkSKGCX6kQ_diKXPDACaIREIjZgsqipBdp_p7-Yq-Axn/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
<br />
<br />
<br />
<br /></div>
<b>
</b><br />
<ul>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Comentario
de Audio con el director John Boorman</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Escenas
borradas con comentarios opcionales del director </span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Entrevistas
con la actriz Juliette Binoche, el director John Boorman, la guionista Ann
Peacock y los productores Robert Chartoff, Lynn Hendee y Mike Medavoy </span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Trailer</span></b></li>
<li><b><span style="font-family: "arial"; font-size: 14.0pt;">Booklet con
notas sobre el film, escritas por Julie Kirgo</span></b></li>
</ul>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijGvQkEI52TdnNhjEGdsmi2nLTs1tjWHEEVHjK72bIbD828-ejPwfYnzObsRmyBt-VUsGh2-gHTZp0zYMAldFVyKaL-dE7CHqFHYsG7uBcJcm1MwNVAD2N-gt8K5y-88VeNbn6r4ndNCOR/s1600/IN+MY+COUNTRY+CULT1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijGvQkEI52TdnNhjEGdsmi2nLTs1tjWHEEVHjK72bIbD828-ejPwfYnzObsRmyBt-VUsGh2-gHTZp0zYMAldFVyKaL-dE7CHqFHYsG7uBcJcm1MwNVAD2N-gt8K5y-88VeNbn6r4ndNCOR/s640/IN+MY+COUNTRY+CULT1.jpg" width="640" /></a></b></div>
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixw9g758YH3ZRa3GkvQNsNcRrkmlcK0_iC8pIbnai9ZrJGrPEDhH4afLiS3hu8vVYJrF29zwPZvsm4Enl3BHnikraXWiiAagQMbDL9fukFxbjpEyD0eeca0rP6On5k58iFTH22ul_cNVBd/s1600/IN+MY+COUNTRY+CULT9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixw9g758YH3ZRa3GkvQNsNcRrkmlcK0_iC8pIbnai9ZrJGrPEDhH4afLiS3hu8vVYJrF29zwPZvsm4Enl3BHnikraXWiiAagQMbDL9fukFxbjpEyD0eeca0rP6On5k58iFTH22ul_cNVBd/s640/IN+MY+COUNTRY+CULT9.jpg" width="640" /></a></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvX4OdD-zASgbpur6It36FR1o3YQhcJPeaxgLU93gQFfJtx61SJReEQCByjtja31_fM35J0_lGyQRh9sEL_CZBe1rW0hYyo6pPxgldTyiYffMTokXx7iaVvjjf4sMwe1VvdrUNakZj_fyi/s1600/culturalmente+r3+stars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="82" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvX4OdD-zASgbpur6It36FR1o3YQhcJPeaxgLU93gQFfJtx61SJReEQCByjtja31_fM35J0_lGyQRh9sEL_CZBe1rW0hYyo6pPxgldTyiYffMTokXx7iaVvjjf4sMwe1VvdrUNakZj_fyi/s400/culturalmente+r3+stars.jpg" width="400" /></a></div>
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<b><span style="font-family: "arial"; font-size: 22.0pt;"><span style="background-color: white;"><span style="color: red;">CALIFICACION:</span></span><span style="background-color: red;"><span style="color: white;"> BUENO </span></span></span></b></div>
<b>
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<b><span style="font-family: "arial"; font-size: 18.0pt;">Puedes adquirir este blu-ray en <a href="https://www.twilighttimemovies.com/in-my-country-blu-ray/">https://www.twilighttimemovies.com/in-my-country-blu-ray/</a></span></b></div>
<b>
</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWvJ3WejOthz7hqmByNWI72HNLjgtb9v-sG4UcV3PIQoVaxRh4jszTmNQ6TODxWAeQCCEc2SfOqTMuL56HA5H8MBi22ouzt2MG4sXV2dXYgf7LS7LCy-xc48mQ7anQiMasozACd59Xb5BB/s1600/IN+MY+COUNTRY+BLURAY.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="504" data-original-width="399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWvJ3WejOthz7hqmByNWI72HNLjgtb9v-sG4UcV3PIQoVaxRh4jszTmNQ6TODxWAeQCCEc2SfOqTMuL56HA5H8MBi22ouzt2MG4sXV2dXYgf7LS7LCy-xc48mQ7anQiMasozACd59Xb5BB/s320/IN+MY+COUNTRY+BLURAY.png" width="253" /></a></div>
<br /></div>
<b>
</b><br />
<ul>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Título</u>:
"In My Country” (2004, Limited Edition)</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Género</u>:
Drama</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Duración</u>:
103 minutos</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Distribuidor</u>:
Twilight Time</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Blu-ray
SRP</u>: $29.95</span></b></span></li>
<li><span style="color: #f1c232;"><b><span style="font-family: "arial"; font-size: 14.0pt;"><u>Fecha de
Lanzamiento</u>: Septiembre 18, 2018</span></b></span></li>
</ul>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982tag:blogger.com,1999:blog-1626149513312580838.post-85321266957002091822018-10-10T11:21:00.002-04:002018-10-10T11:21:56.076-04:00"The Guardians": La epopeya femenina en tiempos de guerra. Blu-ray Review <div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Por</b></span></div>
<div style="text-align: right;">
<span style="color: #f1c232; font-family: "arial" , "helvetica" , sans-serif;"><b>Javier Mitchell</b></span></div>
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<span style="font-family: "arial";"><b><span style="color: #f1c232;">Trailer</span></b><span style="font-size: medium;"><o:p></o:p></span></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="360" src="https://www.youtube.com/embed/ZM-f1wMCCu4" width="640"></iframe><o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14pt;">Music Box
Films lanzó al mercado americano la edición en formato blu-ray del film francés
del año 2017 “The Guardians” (“Las Guardianas”), dirigido por Xavier Beauvois,
y protagonizado por Nathalie Baye, Iris Bry, Laura Smet, Cyril Descours,
Gilbert Bonneau, Nicolas Giraud, Mathilde Viseux y Olivier Rabourdin. Beauvois
alcanzó el éxito internacional en 2010 gracias a “Of Gods and Men” (“De Dioses
y Hombres”), una reflexión sobre el fundamentalismo islámico con la que ganó el
Gran Premio del Jurado en el Festival de Cannes. Después de su siguiente
proyecto, la fallida comedia “El Precio de la Fama”, el actor y director
francés regresa al gran cine con “The Guardians”, un melodrama ambientado a lo
largo de la Primera Guerra Mundial. El film está basada en una novela de Ernest
Perochon publicada en 1924 y nos traslada a una pequeña localidad rural
francesa durante la guerra. Los hombres acuden al frente para combatir y en su
ausencia las mujeres toman las riendas en las tareas agrícolas y cuidado de las
granjas. Hortense, la madre, y Solange, su hija (las célebres estrellas del
cine francés Nathalie Baye y Laura Smet), deben hacerse cargo de las tareas
productivas de la granja y, a raíz de las necesidades generadas por los
estragos de la guerra, el volumen de trabajo aumenta. Deciden contratar a
Francine (la actriz debutante Iris Bry), una joven cuya presencia en la familia
cambiará sus vidas y el rumbo de la cosecha.</span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Pero otro
de los temas centrales de la película es el amor, la historia de amor entre dos
personas que se conocen en un ambiente marcado por la guerra y de cómo ello les
influye (para bien y para mal) en su futuro próximo. La historia de un amor
entre una mujer perteneciente a la servidumbre y un miembro de la familia para
la que trabaja, con todo lo que eso pueda conllevar teniendo en cuenta la
época, las envidias, los celos y sobre todo los prejuicios. El director francés
muestra cómo la guerra puede alterar la vida de las personas y a las personas
mismas, desatando el interés propio y la falta de empatía hacia los demás.
Beavois retrata cómo en un ambiente desolador puede surgir lo más oscuro y
despiadado de la personalidad de la gente.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFtLi1dAOn8963_ro9xiJqjwzJ6hfkC0AvDnaSXb7pp7hf1nxd89M1EAdjF9L72rp1s-4bD43ve5RLf-uIvlR0hWpNZwzfyGr3gJ-vcW-EXVjfgGvQXALN8C-PCOo9YQhewHOifGaEOX1g/s1600/The+Guardians+-+2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="979" data-original-width="1600" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFtLi1dAOn8963_ro9xiJqjwzJ6hfkC0AvDnaSXb7pp7hf1nxd89M1EAdjF9L72rp1s-4bD43ve5RLf-uIvlR0hWpNZwzfyGr3gJ-vcW-EXVjfgGvQXALN8C-PCOo9YQhewHOifGaEOX1g/s640/The+Guardians+-+2.JPG" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">Gracias a
la fotografía de Caroline Champetier, que potencia al máximo todas las
posibilidades que le ofrecen las locaciones naturales, el director dibuja una
paleta de sentimientos en el que las emociones ocultas dominan la historia.
Para ello se vale de sus tres actrices protagonistas, estableciendo un juego de
miradas y de culpa entre ellas que adquiere distintos matices a lo largo del
film.<o:p></o:p></span></div>
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<span style="font-family: "arial"; font-size: 14.0pt;">La calidad artística es una de las características más notables de “The
Guardians”. De hecho estamos ante una de esas películas que se visualiza y
edifica relacionando la puesta en escena con el devenir dramático del relato.
La música y la fotografía forman parte de esta cuidadosa construcción. La música
de Michel Legrand, suave e inocente, es la música de Francine, la música de la
juventud, la música del futuro, de la ilusión y de los sueños. La delicada
melodía fortalece el enlace de la cámara del director como definición gráfica
del personaje. Legrand maneja instrumentos de viento y madera para reflejar el
espíritu bucólico y pastoral de la historia. La banda sonora nunca le resta
trascendencia a la imagen, destacando los silencios y la pureza de encuadres
serenos y apacibles que se unen a una música discreta, medida en los tiempos
con suma inteligencia.<o:p></o:p></span></div>
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<span style="font-family: "arial";"><b><span style="color: #f1c232;">Xavier Beauvois</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixyavfnTqVW3E2K429SQlIGcqNWlnjfhTuYdj_FQwCEh24pdNya8kT5UIiK78ze0U9DWnLnnPzCpxl3ZUh7tAcf4Ji5d2xyV2EblTYWSBBjlCKux3R17ea9_-6NaMwYKBIPFMsY6YJ6-eb/s1600/The+Guardians+-+Director+Xavier+Beauvois.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1021" data-original-width="680" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixyavfnTqVW3E2K429SQlIGcqNWlnjfhTuYdj_FQwCEh24pdNya8kT5UIiK78ze0U9DWnLnnPzCpxl3ZUh7tAcf4Ji5d2xyV2EblTYWSBBjlCKux3R17ea9_-6NaMwYKBIPFMsY6YJ6-eb/s400/The+Guardians+-+Director+Xavier+Beauvois.jpg" width="266" /></a></div>
<span style="font-family: "arial"; font-size: 14pt;">Con un
estilo tan austero y preciso como en su film anterior, “Of Gods and Men”, el
director y actor Xavier Beauvois retrata en “The Guardians” la historia de una
familia: dos hermanos en la guerra, madre e hija solas en temporada de cosecha
y sin ayuda. Nathalie Baye y su hija en la vida real, Laura Smet (su padre fue
el recientemente desaparecido músico francés Johnny Hallyday), interpretan a
esta madre e hija enfrentadas por el trabajo y la moralidad durante la
contienda bélica, condicionadas por la ausencia de los hombres. Una joven y
voluntariosa trabajadora (Iris Bry) entrará en la vida de estas personas para
ayudarlas, y también enamorarse, erigiéndose en inesperada víctima inocente de
este drama pausado y devastador. Todo a través de una puesta en escena que
evidencia la tensión entre un pasado relacionado con lo masculino y una
modernidad inmediata y mutable intrínsecamente conectada con lo femenino. Un
trasfondo crudo donde se intuye una guerra inexistente para las mujeres, aunque
deban afrontar las consecuencias, empoderándolas en el frente más duro: el del
día a día en la Francia rural de principios del siglo pasado. Un film para
amantes de los dramas que se desarrollan de manera tranquila, estética y
reflexiva.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRd18M7xGrrPHmxDNEteT645W0QXddolmUD6XNbyncQzDHxqT2CMXtvhdvSUKlrF5UWbuxcf43p-GUVO0SvL5wcSQXjWT837Tv_wJ-M_eC81nY-FPYA04zTa9rJJvGP_b6y69rslNbntTd/s1600/The+Guardians+-+5.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1060" data-original-width="1559" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRd18M7xGrrPHmxDNEteT645W0QXddolmUD6XNbyncQzDHxqT2CMXtvhdvSUKlrF5UWbuxcf43p-GUVO0SvL5wcSQXjWT837Tv_wJ-M_eC81nY-FPYA04zTa9rJJvGP_b6y69rslNbntTd/s640/The+Guardians+-+5.JPG" width="640" /></a></div>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
VIDEO</u>:<o:p></o:p></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizLnZlzqJKbP8dHoPiD_-0p4m5cjxiDntQMyZ1_CVious8Ks8p_367Z-HOK2MrEJn8Mmf9DbnYbaM22yDbXCt1GRDNcYTQSVqpzw2Ez4MfSAdT_JIEqh4ezUYMXiDKy_axYfgkGsnD86TA/s1600/culturalmente+r4+stars.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="244" data-original-width="1191" height="40" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizLnZlzqJKbP8dHoPiD_-0p4m5cjxiDntQMyZ1_CVious8Ks8p_367Z-HOK2MrEJn8Mmf9DbnYbaM22yDbXCt1GRDNcYTQSVqpzw2Ez4MfSAdT_JIEqh4ezUYMXiDKy_axYfgkGsnD86TA/s200/culturalmente+r4+stars.jpg" width="200" /></a></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Resolución
de Video</u>: 1080i / 60</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Video</u>: AVC / MPEG-4</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Aspect
Ratio</u>: 2.35:1</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>CALIDAD DE
AUDIO</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Codificación
de Audio</u>: Dolby Digital 5.1</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Idioma</u>: Francés</b></li>
<li><b style="font-family: Arial; font-size: 14pt;"><u>Subtítulos</u>:
Inglés</b></li>
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<span style="font-family: "arial"; font-size: 14.0pt;"><b><u>EXTRAS</u>:<o:p></o:p></b></span></div>
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<ul>
<li><b style="font-family: Arial; font-size: 14pt;">Q&A con el director Xavier Beauvois, cinematógrafa Caroline Champetier y el actor
Nicolas Giraud</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Entrevista
a Caroline Champetier</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Música
& casting: featurettes</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Final
alternativo</b></li>
<li><b style="font-family: Arial; font-size: 14pt;">Booklet de
colección con entrevista al director Beauvois y ensayo crítico</b></li>
</ul>
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<span style="font-family: "arial"; font-size: 22.0pt;"><b><span style="background-color: white; color: red;">CALIFICACION:</span><span style="background-color: red; color: white;"> MUY BUENO </span><o:p></o:p></b></span></div>
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<span style="font-family: "arial"; font-size: 18.0pt;"><b>Puedes adquirir este blu-ray en<o:p></o:p></b></span></div>
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<a href="https://www.amazon.com/The-Guardians-Blu-ray/dp/B07CPJZ37G?SubscriptionId=AKIAIY4YSQJMFDJATNBA&tag=bluray-020-20&linkCode=xm2&camp=2025&creative=165953&creativeASIN=B07CPJZ37G&m=ATVPDKIKX0DER"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>https://www.amazon.com/The-Guardians-Blu-ray/dp/B07CPJZ37G?SubscriptionId=AKIAIY4YSQJMFDJATNBA&tag=bluray-020-20&linkCode=xm2&camp=2025&creative=165953&creativeASIN=B07CPJZ37G&m=ATVPDKIKX0DER</b></span></a></div>
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<ul>
<li><b style="color: #f1c232; font-family: arial; font-size: 14pt;"><u>Título</u>:
“The Guardians” (2017)</b></li>
<li><b style="color: #f1c232; font-family: arial; font-size: 14pt;"><u>Género</u>:<span style="mso-spacerun: yes;"> </span>Drama</b></li>
<li><b style="color: #f1c232; font-family: arial; font-size: 14pt;"><u>Duración</u>:
135 minutos</b></li>
<li><b style="color: #f1c232; font-family: arial; font-size: 14pt;"><u>Nro. De
Discos</u>: 1 blu-ray</b></li>
<li><b style="color: #f1c232; font-family: arial; font-size: 14pt;"><u>Distribuidor</u>:
Music Box Films</b></li>
<li><b style="color: #f1c232; font-family: arial; font-size: 14pt;"><u>Blu-ray
SRP</u>: $34.95</b></li>
<li><b style="font-family: arial; font-size: 14pt;"><span style="color: #f1c232;"><u>Fecha de
Lanzamiento</u>: Septiembre 11, 2018</span></b></li>
</ul>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>CULTURALMENTE INCORRECTOhttp://www.blogger.com/profile/12130876694188084378noreply@blogger.com0Miami Beach, FL 33139, USA25.783312 -80.14844069999998125.726119999999998 -80.229121699999979 25.840504 -80.067759699999982